Chopin's The Awakening: O Death Where Is Thy Sting?

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As a comment on the resolution to Kate Chopin’s The Awakening, an anonymous figure once stated, “A defeat and a regression, rooted in a self-annihilating instinct, in a romantic incapacity to accommodate to the limits of reality.” The main protagonist of The Awakening, Edna Pontellier, is initially met with joy and excitement with her transition from complacency and dissatisfaction to newfound independence and self-expression. However, as the anonymously declared statement implies, signs that appear throughout the story point towards a sort of self-annihilation to come, which in fact did come in the form of Edna’s implied death. Three main factors foreshadow a premature end to Edna’s ecstatic behavior and newly awakened persona: her random and sudden moments of despair and depression; her desire to escape the reality of things, most particularly from responsibilities; and her susceptibility and vulnerability to love and passion.

Perhaps the most alarming indicators of Edna’s eventual watery suicide are those moments during which she is seized by a sudden sense of despair. In Chapter III, after Leonce comes home and falls asleep, Edna goes into the porch, and the narrator paints her emotional state in this way: “An indescribable oppression[…]filled her whole being with a vague anguish[….] It was strange and unfamiliar: it was a mood,” (Chopin, 8). Another instance is when Edna holds a dinner-party at the Pontellier manor in celebration of her move to the “pigeon-house.” As this is a night of celebration, it would be natural to assume that Edna is enjoying herself. Yet, the narrator describes a peculiar moment during this dinner-party: “But as she sat there amid her guests, she felt the old ennui overtaking her; the hope...

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...Reisz (Chopin, 86-87). This is a prime example of Edna’s vulnerability to love; her emotions are controlled by her “lover’s” presence and lack thereof, influencing and even worsening her sudden moments of dread and despair. Also, Edna succumbs to seduction by Alcee Arobin’s charm, first with a kiss (Chopin, 112) and then through sleeping with Arobin (Chopin, 125). Edna’s adulterous actions with Arobin are representative of the independent will she now possesses and has displayed in the past in her attempts to escape reality. In a way, her “affair” with Arobin is a way for her to escape the reality that she is “alone” back home without Robert alongside her. As such, Edna’s susceptibility to passion and love influences her sudden depressive moods and fear of her reality, thereby contributing to her “defeat and[…]regression.”

Works Cited

The Awakening by Kate Chopin

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