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Similarities between Greek and Roman art work
The Italian Renaissance and Northern Renaissance
The Italian Renaissance and Northern Renaissance
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One of the greatest stories from the Italian Renaissance is the one of Fillipo Brunelleschi and Lorenzo Ghiberti. In 1401, the directors of the art of the Santa Maria del Fiore Cathedral held a contest for artists; to create panels for a the doors on the east entrance (Kleiner, 560-2). Because the east doors faced the cathedral, the people thought it extremely prestigious to be able to participate in such a massive creation. After the first competition round, two finalists remained; Brunelleschi, an accomplished and experienced artist, and Ghiberti, a younger artist, but one with just as much talent. The two competitors were required to create a panel (or square) of Abraham readying to sacrifice Issac. Before reading which was which, I noticed one looked very chaotic while the other was easy and pleasing to observe though the subject was tumultuous. After reading, I found Ghiberti to be the artist of the one I was more attracted to. Brunelleschi's panel pictured a very young and seemingly writhing, struggling Isaac, which is not what the Bible testifies. Isaac never resisted his father. Ghiberti depicts a young man, who, though bound, does not resist his father at all. I believe this is one of the reasons Ghiberti won; he recreated a turbulent biblical scene with grace. When Lorenzo Ghiberti had won the contest and finished the east doors, Michelangelo stated his doors were “so beautiful that they would do well for the gates of Paradise.” (Kleiner, 566) Ever since then, these magnificent doors have been titled The Gates of Paradise (21-9).
Another famous artist from this period is Donatello, one who specialized in sculpture and sculpture relief. Some of his works shown in this chapter include Saint Mark (21-5), Sa...
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...ul and faithful marriages. Camera Picta means painted chamber, and the room it can be found in is, interestingly enough, the duke's bedchamber. Thus the peacock.
The Renaissance era in Italy attests to many beautiful creators who were full of imagination, detail, perspective and ideas for their art. When observing their art, it is important to remember the Greek and Roman gods and goddesses, as analogies are almost always made; when these and other background information is known, it is much easier to connect to a piece of art and appreciate it.
Works Cited
Kleiner, Fred S., and Helen Gardner. Gardner's Art through the Ages: A Global History. Boston, MA: Thomson/Wadsworth, 2009. Print.
"The Boxer Rebellion, 1900." Military History Encyclopedia on the Web. History Of War. Web. 21 Jan. 2012. .
At first glance, the pottery appears to be somewhat simple but it does have a unique appeal. The calm, innocent, and humble appearance while in a painful moment is unprecedented, and it was enough to let the viewer admire and fall in love with this sculpture and its meaning. The distinctive character of glazed terracotta is the smooth, bright, often polychrome cover that has largely contributed to the success of such artifacts, and which recalls, in its plastic compositions, the works by Verrocchio and Filippo Lippi. However, Giovanni‘s art in this sculpture is elegant, remarkable, and a mix of the sophisticated religious themes with antique mannerisms and with the monumental emphasis.
This sculpture of Adam by Lombardo shows the true craftsmanship and skill of sculptors in the 15th century. It stimulated my curiosity because of its realism and the important religious story that it depicted. After examining this sculpture I was encouraged to explore similar works throughout the museum. I also enjoy the variety of art found at the Metropolitan and plan to you to visit again to wander through the galleries that I may have just passed by.
In the early years of the Quattrocento, the Calimala guild decided to erect a second set of bronze doors showing scenes from the Old Testament. As with most large commissions at that time, a competition was held to find the artist who could create exactly what the guild was looking for in this work of art. Seven of the best sculptors in Tuscany were given one year to complete a panel showing the Abraham’s sacrifice of Isaac. However, the real competition was between Filippo Brunelleschi, the future architect of the Cathedral’s dome, and Lorenzo Ghiberti. Opposing stories state that the Calimala guild asked Brunelleschi and Ghiberti to create the panels together. Brunelleschi could not see the panels to completion because he agreed to complete another commission outside of Florence. Ghiberti claims that he won with a unanimous vote from the judges and Brunelleschi was never a part of the creation of the second set of doors. Lorenzo Ghiberti cast one en...
The two works I have chosen to explore for the final project are a stone sculpture by Gislebertus, and a Fresco by Giotto, both titled Last Judgment. Gislebertus’ stone sculpture is from the Romanesque era, made between 1120-1135 and is located at the Church of St. Lazare’s Tympanum in Autun, France. Giotto’s Reformation Art is a Fresco from the Late Gothic or Proto-Renaissance/Renaissance era, dated 1306 and is located at the Scrovegni Arena Chapel in Padua, Italy. My focus will be on discovering each artwork’s Christian representation and function during these periods. Although the artists use strikingly different methods to deliver their message, each convey the same theme and significant influence of their time; a persons’ soul was ultimately subject to divine judgment. Through a beautiful fresco painting and an artistic carving of stone, both works of art tell their own narrative that encourages us to examine
The full power of Donatello first appeared in two marble statues, “St. Mark” and “St. George” which were completed in 1415. “St. George” has been replaced and is now in the Bargello. For the first time the human body is rendered as a functional organism. The same qualities came in the series of five prophet statues that Donatello did beginning in 1416. The statues were of beardless and bearded prophets as well as a group of Abraham and Isaac in 1416-1421 and also the “Zuccone” and “Jeremiah”. “Zuccone” is famous as the finest of the campanile statues and one of the artist’s masterpieces. Donatello invented his own bold new mode of relief in his marble panel “St. George Killi...
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
In this paper I'm focusing mainly on Renaissance art work, since that was the assignment, but I feel it's important to also mention the other important parts of the Renaissance, architecture, science, politics and religion.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
The title of the piece, Madonna of the Clouds, implies setting; however, Mary’s robes blend in with the surrounding cherubs, creating a mass of folds. Donatello shows perspective through subtle changes in the depths of carving – stiacciato relief – a technique that he devised (Britannica). This varying strength of line utilizes shadows to enhance emotion, as seen with the Virgin Mary. The concern that she shows for her son in her arm foreshadows his fateful end. This expression though, is not only demonstrated within the facial features of her profile, but also in the ever-present shadow under her chin, directly above Christ’s head. Stiacciato relief depends on the reflection off of pale materials, like marble, in order to manipulate light to enhance or detract from the forms themselves (Britannica). Donatello controls his medium to work with his audience’s position, casting shadows to be where they are most meaningful. Awareness of his viewers’ angle ceased to allude Donatello as his earlier marble masterpieces, the sculptures at the Or San Michele, employed their alleviated situations to accentuate his subject’s personalities as seen with Saint
The Lamentation Arena chapel and Ognissanti Madonna are Giotto’s most outstanding masterpieces of all time. These works of arts portrays his style that is celebrated worldwide, especially among Christians. This style is expressed through use of elements such as line, colour and texture.
The Italian Renaissance and the Baroque era are two major periods in art history, some of the types of art in those periods were painting, sculpting, and architecture. During these periods, many artist gained enormous fame from creating wonderful pieces of work that represented their beliefs and artistic thinking. This essay will analyze and evaluate two pieces from those major art periods. Rembrandt 's painting The Anatomy Lesson of Dr. Nicolaes Tulp and the sculpture David, by Michelangelo. These two masterpieces shed light of their significance in art history. David represents the Italian Renaissance for it being a strong symbol of the new republic, The Anatomy Lesson of Dr. Nicolaes Tulp depicts the focus on human progression.
The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.
Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Vol 2.13th ed. Boston: Wadsworth/ Cengage Learning, 2010.
Stokstad, Marilyn. Art History. New York: Prentice Hall Inc. and Harry N. Abrams Inc. 1995.
Kleiner, Fred S. Gardner's Art Through the Ages. Boston: Clark Baxter, 2009. Print. The.