Analysis of Generational and Racial Differences in Dionne Brand's What We All Long For

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Literary text sheds light on different erasures through which a dominant Canadian national narrative of benevolence and tolerance emerges. In What We All Long For by Dionne Brand., this tolerance becomes more specific as readers are able to see a struggle in race, generational difference and identity. However, these concepts lead to the creation space negotiation in order to establish Toronto as a home. Through this negotiation there are two kinds of erasures that emerge: fictional and historical. The fictional erasures work to create an unconscious space for the characters. This means that the characters navigate spaces in an intangible manner where they face issues that are not directly impacting to them. It is brought on or is created by the issues they ‘actually’ face. The ‘actual’ issues that these characters face are then transposed into a greater erasure that presents itself as a historical erasure. The fictional erasure becomes a mirror of the historical erasure as it sheds light on how the text manoeuvre through space and time in the text. Though Brand addresses the issues of tolerance while enabling a dominant national Canadian narrative, the novel reveals the generational differences as the vehicle to the negotiation of space. The negotiation of space draws attention to the fictional and historical erasures that show white hegemony as Brand illuminate the issues of immigration, blackness and generational gaps.
Mckibbin states that: “Brand’s novel focuses on the degree to which the second-generation characters are able to feel at home in Toronto. [The city is established]as a location where immigration, Blackness, racism and other social factors meet and analyzes how each character negotiates space in their efforts t...

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...urnal of Black Canadian Studies 1.1 (2006): 1-4. Book Review: What We All Long For. Random House, Fall 2006. Web. 21 Nov. 2013. .
McKibbin, Molly Littlewood. "The Possibilities of Home: Negotiating City Spaces in Dionne Brand's "What We All Long For"" Journal of Black Studies: Blacks in Canada: Retrospects, Introspects, Prospects 38.3 (2008): 502-18. JSTOR. Sage Publications, Inc., Jan. 2008. Web. 21 Nov. 2013. .
Sharp, Natasha. Decentring Multiculturalism: Public and Counterpublic Spaces In Dionne Band's What We All Long For and Timothy Taylor's Stanley Park. Diss. University of British Culumbia, 2009. Victoria: Okanagan, 2012. Print.
The Canadian Multiculturalism Act: A Guide for Canadians. Ottawa, Ont: Multiculturalism and Citizenship Canada, 1990. Print.

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