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Renaissance influence on art
ART IN the modern age in europe renaissance
Short note on Renaissance art
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There were so many amazing and stunning artists during the Renaissance time. Those artists impacted us and the artwork we create today. The Renaissance was a time of the revival of art and literature. It definitely showed. One of the artists of the Renaissance was Donatello. His works of art influence artists of his age and even today. He created a sense of realism and humanity in his work.
Donatello was born on 1386 in Florence, Italy. He died at age 80 also in Florence Italy. Donatello lived a long life and created many masterpieces that were known by many people. He was an Italian sculpture and was the greatest Florentine sculpture of the Renaissance before Michelangelo. Donatello was also the most influential artist of the 15th century in Italy.
Donatello was a descendent of a branch of the important Bardi family. They started the powerful banking company, the Compagnia dei Bardi. So they had money when Donatello was growing up. He was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Donatello was gifted with humanistic insight and quality of will that was highly prized in the early Renaissance. The gifts he had were not very common.
Most of the works and statues that Donatello created were made out of bronze, stone, and wood. The statues he made were life-size and sometimes even bigger. His later art was saturated with the spirit of Roman antiquity. Donatello’s art was frequently disturbing because of the level of detail he used that was unknown in Italian sculpture.
In Donatello’s early years, he was first apprenticed to Ghiberti. In 1403, at the age of just 17, Donatello was working for the master on the bronze reliefs of the First Doors of the Baptistery. He then left Ghiberti f...
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...wing expressions like suffering, joy, and sorrow in his figures’ faces and body positions.
In 1415, Donatello completed the marble statue of a seated St. John the Evangelist for the cathedral in Florence. Both of his works showed a more classical technique. Donatello and his pupils completed eight life-sized marble prophets for niches in the Campanile of the Cathedral between 1415 and 1435. He then entered a partnership with Michelozzo, sculpture and architect, in 1436.
For many years Donatello worked with Michelozzo. They produced the Tomb of Pope John XXll in the Baptisery, Florence, and the Tomb of Cardinal Brancacci in S. Angelo A Nilo, and Naples. He died of unknown causes on December 13, 1466, in Florence and was buried in the Basilica of San Lorenzo, next to Cosimo de' Medici. An unfinished work was faithfully completed by his student Bertoldo di Giovanni.
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
A little over 6 feet of marble, Donatello’s first version of David was one of his earliest known commisions that mark the beginning of his artistic career. He was commissioned by the Operai of the cathedral of Florence to create a David statue to decorate one of the buttresses. The statue ended up looking too small when placed high up, so it was taken down and later requested to be displayed in Palazzo Vecchio, the town hall. Many historians dismiss his first version of David, calling this piece unoriginal and nothing to praise.
A rediscover of their history and recognition of early Greek philosophers changed the way that the influential families and Princes, in Italy, considered themselves. Their way of thinking of the Devine and need to promote one’s own aspirations through sponsorship of the arts, as well as, civic duty became not only fashionable but important to progress in the city states. Although Donatello’s David and Botticelli’s Primavera are master pieces in their own right, their influence on future generations of artists cannot be ignored. The spark that ignited the fire which we call the Renaissance was a transformation of societies thinking and values to a Humanistic approach to one duties to society and the church. These two works are a reflection of the changing attitudes which would eventually change all of
There are many Renaissance artists who had a large impact on what was then the
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
The next sculpture that Michelangelo made was for a French cardinal, Jean Villiers de Fezencac. The cardinal wanted a sculpture of Virgin Mary and Jesus. Michelangelo signed a contract to be paid 450 ducats if he completed the sculpture in one year. Gladly, he finished the sculpture successfully. The sculpture was called the Pieta and consisted of the siting Virgin Mary with the dead body of her son Jesus across her lap (McNeese 35).
Donatello’s real name is Donato di Niccolo di Betto Bardi (1386-1466). Donatello was a master of sculpture in bronze and marble and was one of the greatest Italian Renaissance artists of his time. A lot is known about his life and career but little is known about his character and personality. He never married and seems to be a man of simple tastes. Patrons often found him hard to deal with and he demanded a lot of artistic freedom. The inscriptions and signatures on his works are among the earliest examples of classical Roman lettering. He had a more detailed range of knowledge of ancient sculpture than any other artist of his time. His work was inspired by ancient visual examples which he often transformed, he was really viewed as a realist but later research showed he was much more.
In Donatello’s lifetime he had many accomplishments weather it was sculpting or just huge achievements. Donatello sent a while on his famous sculptor, Saint George, which was sculpted from 1416 to about 1420(ward par 2, 3, 4). 1428 was when the town put up a ancient Roman Pillar in the market place and that they asked him to make a statue because they believed he was the best sculptor(Morley 13,18). One of the monuments he created was Padua and he created that between 1443 and 1453. A well know sculptor of his was the statue Zuccone which people say showed the effective use of realism(Ward par 2,3,4).
The arts during the Renaissance was a movement of self-expression in different forms of art and using many different medians. The arts affected this idea of great potential in human beings. They caused people to start to look at an individual in a different way and many became more focused on themselves and the natural world. Humanism did just that and changed the interests of the average person and artists and writers began to focus their works on the man. Instead of creating
During the Renaissance artists changed the way they painted and sculpted, they learned how to paint in all three dimensions, which brought life and realism to their works. Also, getting away from the religious roots of art created an entirely new type of art that was rich in drama and emotion. This was also the time period when painting with oils was started.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance. The Medici family can most certainly be regarded as the significant heroes of the Renaissance. This is due to their significant promotion and patronage in the arts, in turn bringing focus back to the antiquities, a major importance during the Renaissance period. Furthermore, the Medicis can be considered the great heroes of the Renaissance, due to their significant influence of Renaissance Humanist thinking. On top of this, although the Medici family were allegedly corrupt and supposedly paid many bribes in order to become so powerful, they still focused on benefiting the heart of the Renaissance- the city-state of Florence- and should thus not be considered the great villains of the Renaissance, but instead the heroes.
Paintings are unrealistic and disproportionate. Religious figures are the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques. The Renaissance was a time when people began to think and see things differently. It was a time for new innovations.
The European Renaissance was a time of great change. The people of that time were beginning to take an interest in learning and also began to follow the idea of humanism. Humanism was a way of life where a person would reject most religious beliefs and focus on the here and now. One of the main things Humanist believed in was individual achievement. This gave many artists the opportunity to be known around Europe for his or her talent and not be criticized for being selfish. This is exactly what Donato di Niccolò di Betto Bardi, or more commonly known as Donatello did. This gifted Italian sculptor was born in Florence, the birthplace of the Renaissance, around the year 1386. Donatello grew up already set up on the path to be a great craftsman. His father was a member of the Florentine Wool Combers Guild, this influenced Donatello’s choice of career. Donatello’s name started to become known after he created an Annunciation carved in stone for the church of S. Croce in his hometown, Florence. After this, Donatello was hired to create art for many well-known patrons such as the Medici family. He also collaborated with other talented sculptors and artist of his time, like Ghiberti. Donatello was a huge influence to Renaissance art because of the realism of his work, the effect his art had on other sculptors, and his revival of classical art.
Michelangelo Di Lodovico Buonarroti Simoni who is also known as michelangelo changed the face of art. Today artists, sculptors, painters and architects strive to be like michelangelo. Michelangelo has many famous pieces, he is most famous for his painting of the sistine chapel and his sculpt the pieta. He was nicknamed father and master of all the arts. Michelangelo is known as the most famous artist of the italian renaissance.