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Legacy of jazz history
The beginning of jazz
History of jazz music csun
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A Brief History of Piano Greats and Jazz
The piano has been a pivotal instrument throughout the development of jazz music. Starting with ragtime, which developed out of classical music, all the way to modern jazz the piano has been a foundational instrument upon which many styles have been built. This is a result of the versatility of the instrument, as it has the ability to play accompaniment, rhythm, and solo improvisation simultaneously. Throughout the course of jazz history many musicians have utilized the piano to develop new and unique styles. These great musicians used influences from all sources to develop these new genres of jazz and are renowned for their ability still today.
The piano was pivotal to one of the first jazz-genre movements of the late 1800s to early 1900s; the development of ragtime. This genre developed in the New Orleans, due to the melding of the eclectic ethnicities that coexisted within this port city (Berlin 1994). Ragtime is named after its swing-like feel which is accomplished by accenting the off-beat; this is also commonly referred to as “ragging the beat” (Berlin 1994). This style was conceived through the mixing of the polyrhythmic styles of African Americans and the structured classical style of White Europeans (Berlin 1994). Scott Joplin was one of the most prominent ragtime pianists of the time period and helped to develop the style, which earned him the title “King of Ragtime” (Berlin 1998). Joplin’s most famous ragtime piece, “Maple Leaf Rag” (http://www.youtube.com/watch?v=reI43yUCaUI), was published in 1899, named after the Maple Leaf Club in Sedalia, Missouri where Joplin used to play in his youth (Berlin 1998). As shown in the above figure (http://tinyurl.com/ppotqzy), the left hand ...
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...ornia: University of California Press.
Early, G. (Winter, 1991). Three Notes Toward a Cultural Definition of the Harlem Renaissance. Callaloo, 14 (1). Retrieved from http://www.jstor.org/stable/2931446.
Ellenberg, K. (October, 2005). From Chart to Reality: The Editorial Role of the Pianist in a Big Band. Jazz Education Journal. Retrieved from http://www.kurtellenberger.com/Chart_to_Reality.pdf.
Gridlet, M. C. (Spring, 1990). Clarifying Labels: Cool Jazz, West Coast, and Hard Bop. Tracking: Popular Music Studies, 2 (2). Retrieved from http://www.icce.rug.nl/~soundscapes/DATABASES/TRA/Clarifying_labels.shtml
Jost, E. (1994). Free Jazz. Cambridge, Massachusetts: Da Capo Press.
Tedd Wilson, Biographies: Life and Times of the Great Ones. The New Groove Dictionary of Jazz. Oxford University Press. Retrieved from http://www.pbs.org/jazz/biography/artist_id_wilson_teddy.htm
"Harlem Renaissance". Encyclopedia Britannica. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2014. Web. 20 Apr. 2014
Along with the audience applauding and whistling, Cécile McLorin Salvant, the Grammy winner and the “finest jazz singer to emerge in the last decade” (Nate Chinen, New York Times), walked to the center of the dark stage. The Cécile McLorin Salvant’s ensemble consisted of three extraordinary musicians, each with his own instrument that created specific timbres. In the ensemble, there was Cécile’s voice, a traditional piano, a drum sets and a chordophone called double bass. The piano is the fundamental instrument for all kinds of jazz performance since its origin. In jazz culture, it was considered as the main instrument for not only jazz composition, but also improvising performance. With its wide range of pitches and the easiness of improvisation, it took part as the main rhythms and melodies for Cécile’s performance. The drum sets which provided the supporting rhythm were comprised of several tenor drums, a bass drum that created very low and deep sounds and four crash cymbals which created more high and crispy sounds. The most interesting instrument in the performance was the double bass. Instead of using the bow, the musician, during the one and a half of hour performance, plucked the strings by hands. With his
Scott Joplin is known as the father of ragtime and has played a critical role in evolution of American music. Within this paper, I will discuss how the primary elements within Joplin’s piano rags are reflective of his life and the time period in which he lived, how his music played a role in the American culture at the time he was actively composing and performing, and how his genre became the essential pioneer in the evolution of jazz. While arguing this, I will use the scores of his most popular piano rags such as Maple Leaf Rag and The Entertainer, as well as multiple biographical sources.
History is often written as if there is a defining moment where everything changes. It is most often the case however, that a series of events and stresses are the culprits of such change. As is the case of the decline of jazz’s popularity. Sure some may point to The Beatles landing in JFK airport and others may say Elvis’s television appearance. But in reality, there were many evolvements both technological and cultural that lead to what some may call the “great decline” in music history. The television itself had a huge impact on our both our culture and technology, and still stands today as one of the larger influences of our society. Considering the era, one can’t talk about jazz without mentioning the civil rights movement. Likewise, jazz itself cannot be mentioned without talking about drugs and their influential impact on it’s musicians such as Billie Holiday, Charlie Parker, Lester Young, and John Coltrane. At it’s peak Jazz music could be heard in nearly every hall of every major city in America. Big bands were everywhere, musicians were endless, and the nations appetite see...
African music concentrated a lot on rhythm while Western European liked to hear harmonic sounds. The dissonant sounds and polyrhythms of African music was not understood by the Europeans, but jazz musicians took a great liking to it. The reason for this was because Europeans used music for listening enjoyment. In Africa, music was very functional. It was the only form of communication between tribes and a universal language of percussive instruments. The music was used to announce special events such as birth, death, marriage, and the reaching of puberty. Everybody got musically trained very young and when Africans were brought to America as slaves, they brought the music. Some of the most noticeable influences of this African music is seen in work songs, spirituals and field hollers of slaves. When slaves became free, and chose to leave their plantation, there was no work for them. Many became street musicians and sang what is known today as the Blues. European musicians were playing a march style of music known as Rag. The rise in jazz happened when the two styles of music started combining.
In the early 1900’s African American musicians from various European cultures created a new style of music, known as Jazz. New Orleans is known as the birth place of Jazz with the French and Spanish migrants shaping early New Orleans’ culture. Settlers from other European countries including Italy, England and Germany combined Blues, Ragtime and Big Band Music to create what we now call Jazz.
The history of Jazz music is one that is tied to enslavement, and prejudices. It Is impossible to separate the development of Jazz music from the racial oppression that occurred in the United States as they are inextricably connected. Slavery was a part of our country’s development that is shameful and yet, lead to some of the greatest musical advances of the twentieth century.
Teachout, Terry. "John Hammond's jazz." Commentary 122.3 (2006): 55+. Academic OneFile. Web. 16 Nov. 2011.
All types of music require musicians. In the H.R. (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of all time.
... The Harlem Renaissance was a time of growth and development for African-Americans. They wrote novels, performed in clubs, and created the genre of Jazz. However, the Renaissance was imprisoned by its flaws. Rather than celebrating the unique culture of African-American’s, it oftentimes caters to what the White Americans would want to see and hear.
The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time.
Harlem Renaissance. (2007) The Columbia Eletronic Encyclopedia, 6th ed. Retrieved October 7, 2007 from Web site: http://www.factmonster.com./ce6/ent/A0822748.html
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
jazz/) Works Cited:.. Andrews, John. The. a. The adage of the adage of the adage of the adage of the adage of What bebop means to jazz history. A review of Scott Devine’s book “The Birth of the Bebop: A Social and Musical History.”
Have you ever turned on the radio and heard a Saxophone or trumpet just playing it out in a smooth yet kind of disconnected type of way? Well If that's the case then who ever was in the car last turned it to a jazz radio, well obviously. But Jazz music is a soothing type of music it really gets to the soul and speaks to you in a way no other music does. But as it shows Jazz music has changed throughout history. History has changed Jazz Music throughout the years. Jazz Music Originally started in Louisiana, Jazz Music can be heard and played from different ethnicities. And finally, Jazz would mainly consist of Saxophones and Trumpets.