“The Merchant of Venice” is a play that relies on soliloquies to advance the plot, create mood and atmosphere, and to develop character among all the actors. I am here to prove how this happens in two different soliloquies and show you why Shakespeare put them into the play. My first soliloquy is from Lancelot Gobbo and it is taken from Act 2 Scene 2.I know that Lancelot is a secondary character, but this speech is really important in the outcome of this scene. He is talking about if he should run away from his master, who just happens to be Shylock. This soliloquy has all the makings of what a soliloquy should do. It creates the mood that Lancelot (Shylock’s jester) is having alot of troubles trying to decide whether to run away or not. It must have alot to do with how Shylock treats him since he calls Shylock “a kind of devil” and also says that he can’t handle being “ruled by the fiend.” He must have really been mistreated under Shylock’s care to go as so far as to run away from him. It creates the mood of sadness and hatred in Lancelot, and a dark evil kind of feeling towards Shylock for what he has done. It develops the character that Lancelot is a hard working man who is just trying to make a decent living but cannot because of the way he is being treated by Shylock. It also shows us that Shylock may be the character that, in the play, is the character to fear. We don’t know the details of what Shylock did to Lancelot so we have to cut him a little slack. But whatever he did to Lancelot has made him very angry and disgruntled. And it develops the plot by starting off the main reason for this scene which is for Bassiano to get into the picture and for Gratiano to ask him if he can go to Belmont with him. It gets to this stage by Old Gobbo asking Bassiano if he will employ Lancelot, which he agrees to. It also tells of what to expect from Shylock in the later scenes which is unheartedness and ruthlessness. My second soliloquy is taken from act 3 scene 2. In this scene Portia asks Bassiano to wait a few days to before he makes his choice on which casket to open in order to see if he will be able to marry Portia, but Bassiano refuses and wants to make his choice immediately. He makes his choice and
Throughout the play, Shylock was often reduced to something other than Human. In many cases, even the simple title of "Jew" was stripped away, and Shylock was not a man, but an animal. For example, Gratiano curses Shylock with "O, be thou damned, inexecrable dog!" (IV, i, 128) whose "currish spirit govern'd a wolf" (IV, i, 133-134) and whose "desires are wolvish, bloody, starved, and ravenous" (IV, i, 137-138). Or when Shylock is neither a man nor an animal, he becomes "a stony adversary, inhuman wretch" (IV, i, 4-5). When the Christians applied these labels to Shylock, they effectively stripped him of his humanity, of his religious identity; he was reduced to something other than human.
The evil nature of this individual is made manifest, and thus evil enters the story in a significant way.
Shylock is in many scenes of the play and his first one is Act 1 Scene
In Act 1 Scene 3, we are first introduced to Shylock, we see him as
We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to chose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia the suitor picking the casket containing the picture will be the suitor who will get to marry Portia. ‘I may neither choose who I would, nor refuse who I dislike, so is the will of living daughter curbed by the will of a dead father’ this shows that Portia would rather have a say as to who she gets to choose rather than being told who she has to marry. She overcomes that after two suitors who she wishes not to marry choose the wrong casket letting her know which casket contains her picture, so that when Bassanio becomes a suitor and she falls for him she is able to hint to him which casket to choose:
The nature of the contract between Portia and her father is as follows, Portia’s father state’s that all suitors must first select on of three caskets in order to marry her. The caskets are made of gold, silver, and base lead, all containing different messages. Only one of the three caske...
that he represents. Also, from the very beginning he seems to harbor emotions of anger and
Point #2. Portia creates a way of controlling the future of the relationship between herself and Bassanio. Portia gives Bassanio a ring with the words, "I give you this ring, which when you part from, lose, or give away, / Let it presage the ruin of your love".
Shylock in William Shakespeare's The Merchant of Venice Shylock has been very badly treated by certain Christians and he
Before Bassanio leaves for Belmont he extravagantly decides to throw a big feast. Shylock out of malice and hatred goes to the feast, not to enjoy the party but to eat the wonderful meal bought with Bassanio’s money; he is determined to do all he can to ruin him. Shylock’s servant, the comic Lancelot Gobbo, shows his dislike of...
If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell). All of the characters are defined by Shylock. Launcelot Gobbo, Shylock’s servant, treats his father disrespectfully, but this disdain is not ill-received by the audience; like the other examples of inequity, Launcelot’s apathetic attitude toward his near-blind father is inexplicably tolerated by past and contemporary society (Picker). Launcelot’s contempt is generally assumed to be a result of his underprivileged upbringing, if it is noted at all.
We see that Shylock is a usurer and appears to be a spiteful old man who is a Jew; Jews were the ones who crucified Christ and are considered to be the enemies of Christians. Looking more into his character it may appear that he is an evil, unforgiving character, consumed with extreme hatefulness towards most others especially Christians. Then there is Antonio who appears to be the naive, essentially good guy who is a Christian. Because Antonio is a Christian he must defend himself against the Shylock. But why does Shylock seem so evil; there must be a cause for this something from his past. Shylock was wronged first; that does not give him the right to be evil towards others but he uses this as his excuse. From the job that Shylock has and his religion he was discriminated against from the start. When the discrimination started it caused Shylock to end up hating all Christians; he saw himself as an outsider, who was alienated by the society that surrounded him. Because of the wrongs that were already done to Shylock; he changed and then did many wrongs towards others. One of the gr...
Shylock is no more greedy than Bassanio begging for money or Lorenzo accepting Jessica’s gifts. Shylock is a loving father who wants the best for his only daughter. This love is expressed by his distress after he finds she has left him and through Shylock’s concern about Christian husbands during the courtroom scene in Act 5 Scene 1. Although Shylock showcases benevolent characteristics, like any individual he possesses faults. Shylock occasionally has moments of great acrimony in which he expresses his displeasment in the society. A strong proclamation of Shylock’s displeasment with his environment is when Shylock cries, “what 's his reason? I am a Jew. Hath not a Jew eyes?”
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Shylock lends Antonio a sum of money, that Antonio intends to pay back when his merchant ships arrive in Venice, one month before the debt would be forfeited. When Bassarnio arranges the sum of money, Shylock befriends them, only to stand aside and utter to him self, "I hate him for he is a Christian... If I catch him once upon the hip, I will feed my ancient grudge I bear him," Act 1, Scene 3. Shortly after saying, "But ships are but boards, sailors but men... the perils of waters, winds, and rocks...Three thousand ducats; I think I may take his bond." Shylock is setting his trap here. Shylocks terms of the debt are a pound of Antonios flesh from closets his heart if it be forfeited.