Yves Saint Laurent Analysis

1477 Words3 Pages

1.INTRODUCTION
On the occasion of the οpening of the Musée Yves Saint Laurent and the publicizing of the Yves Saint Laurent Haute Couture archive this October, it is only fair to dedicate this essay to one of the most controversial, most talented and innovative couturiers in the history of fashion, the man that as Pierre Bergé said: “[…]gave power to women.” (Another Magazine 2017) through his garments, through the identity of the style that he created; a style that is, still to this day, fresh, shocking, empowering and mesmerizing. Yves Henri Donat Mathieu-Saint-Laurent was born on the 1st of August in 1936, just a wear before legendary Elsa Schiaparelli show her groundbreaking ‘Autumn 1937’ Collection, in Oran, Algeria, to a prestigious and …show more content…

As Olivia Singer writes in her article for Another Magazine, “famously, and much to the derision of his contemporaries, it was Yves Saint Laurent who popularised the trouser suit for women”. (Another Magazine, 2017). It is true that a few and daring women, like actress Marlene Dietrich, did wear a man suit, but Saint Laurent went further than dressing a woman into a man’s attire; he created a whole look, an emancipating, audacious and bold equivalent to the little black dress that “was to become the rage in fashion and show business[…], as Marguerite Duras claimed ( Marguerite Duras, Yves Saint Laurent-Icons of Fashion, Icons of Photography, 2014), . ‘Le Smoking’ was not intended to mask the female figure and render a woman into a man; it was the ultimate feminine tool of emancipation, accentuating the sexuality and femininity of the “Femme selon Yves”; the Woman in the eyes of Yves. It is still one of the most celebrated look of power-dressing and has since been shown not only by other couture Houses, but also by High Street …show more content…

This particular design depicts the eccentricity and eye-catching flair, predominant in the eighties, but given through Yves’ own elegant and uncompromising view.

3. CONCLUSION

Yves Saint Laurent is indisputably one of the grand masters of fashion, a true couturier, a pioneer and a rebel. He created more than beautiful, articulated and fine garments; he reinvented the ‘woman’ as an archetype in fashion, he incorporated art in his design in a way that is vague if he was a designer or an artist in heart. He dedicated his whole life to the pursuit of the absolute inspiration, of true beauty and breaking the rules. Throughout his life, Yves Saint Laurent, was torn between the West and the East, prudence and recklessness, conservatism and innovation, but he was never unprogressive. His designs portray this conflict and perhaps this is what gives them an air of mystery, of unprecedented elegance and grit. As Duras says, “Yves Saint Laurent invents a reality and adds it to the other, the one he has not made. And he fuses all of this paradoxical harmony-often revolutionary, always dazzling.” His legacy is beyond of being a designer, a couturier; he is a reformer, a passionate rebel, whose progressive views expanded beyond making beautiful garments for people with expensive taste and status; beyond couture.

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