Charlotte Perkins Gilman’s powerful story, “The Yellow Wallpaper”, is about a woman who was driven to madness by her depression and controlling husband. The story is told by the wife, in first person, and is based on Gilman’s own life experience. Gilman suffered from post-partum depression after her daughter was born and was prescribed the “resting cure” which is resting and isolation. In the story, the narrator’s husband puts her in isolation because he believes that will cure her of her depression and breakdowns. He won’t let her do anything, so she turns to writing in her secret journal to try and cure her depression. Since she has nothing to do all day, she turns her attention to the yellow wallpaper in the room. She becomes obsessed with it and begins to see a woman trapped inside the pattern. The wallpaper dominates the narrator’s imagination and she becomes possessed and secretive about hiding her obsession with it. The narrator suspects the her husband and sister are aware of her obsession so she starts to destroy the wallpaper and goes into a frenzy trying to free the caged woman in the pattern of the wallpaper. The narrator becomes insane, thinking that she also came out of the wallpaper, and creeps around the room, and when her husband checks on her, he faints because of what she has become, and she continues to creep around the room, stepping over body. In Gilman’s ‘The Yellow Wallpaper’, the narrator represents how women were treated in this time period by the theme and symbolism presented in the story. This is shown in three distinct ways: stereotypical social conventions displayed by each major character, dialogue, and the symbolism of the wallpaper. The stereotypical aspect of the characters starts out with their ... ... middle of paper ... ...s of tearing it or escaping from it or herself, bits of it still remain on the wall suggesting to the necessary progression to be made for gendered social equality. In conclusion, Gilman shared her story through a work of fiction, showing how women were really seen in society. The stereotypical man did not see women as an equal, but more as a puppet. Women would go along with whatever their husbands or male family members would say, because they were not allowed to voice their opinions and the men would not listen to them. In addition to stereotypes, Gilman also showed how powerful women could be and that gender does not play a role in mental capability. “The Yellow Wallpaper” shared how hard women had to work to have their voices heard and the struggle it took to happen. She wanted women to know that they could take control of their own lives, just like she did.
“The Yellow Wallpaper” was a groundbreaking piece for its time. It not only expressed feministic views through the defiance of a male but also discussed mental illness and the inefficacy of medical treatment at the time. This fictional piece questioned and challenged the submissive role forced upon women of the 19th century and disclosed some of the mental struggles one might go through during this time of questing. Gilman shows however that even in the most horrific struggle to overcome male dominance, it is possible. She herself escapes which again shows a feminist empowerment to end the
She analyzes the significant languages, images, and symbols used in the text. After Barbara analyzed the short story, it basically pinpoints that Gilman’s was trying to make a feminist statement. Suess also goes into details about the representation of patriarchy in society and she tied it to text. The article showed that a form of patriarchy is introduced in the story, and that Gilman used John to represent a patriarchy and society. Barbara stated that in the story, John is a clear representation law, order, and reality. The article revealed that John 's suppression of Jane 's efforts to gain control of her own life through her choice of medicine and the opportunity to write reflects the more general oppression of Jane, as a woman and as a mentally ill person. I believe this article would be beneficial for my research paper because it goes into details about the story and talks about specific symbols used in the text that point towards my theory of how Gilman is making a feminist statement in the
“The faint figure behind seemed to shake the pattern, just as if she wanted to get out.” The woman had started seeing another female in the wallpaper, imprisoned behind bars and shaking the paper to be freed. The wallpaper began depreciating, and so did the conquering influence that male hierarchy forced on women. Women arose to reason out of line, be conscious of their overthrow, and conflict patriarchal statute. The development of the yellow wallpaper and the narrator, within the story, indicates to a triumph over John.
MacPike, Loralee. "Environment as Psychopathological Symbolism in 'The Yellow Wallpaper.’” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com.gmclibrary.idm.oclc.org/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&it=r&id=GALE%7CH1420082948&asid=562f132388d74c4bd92439b5842a2fe7. Accessed 25 Oct. 2017.
“The Yellow Wallpaper” is a simple horror story about an evil, supernatural room, and the evidence for this is nowhere to be found. Charlotte Perkins Gilmans’ story is much more than a simple horror story about an evil room. Agreeing that it is a simple story would be a shallow analysis of Gilmans’ work. Like an iceberg, there is a much bigger, hidden meaning in “The Yellow Wallpaper”. The horror and supernatural room would only be the tip of the iceberg. It is, in fact, a complex story about the oppression of women, men’s standards of women, and how these two things can lead a woman to insanity.
Additional themes include how marriage kept women in a childlike passive state, the importance of self-expression and communication, the mental oppression against women, and the relationship of reading the wallpaper as text.
The roles in which gender is the main factor has been fought over but the fact of the matter is that it is still being fought over today. Not only is a gender role an old disagreement, but it is also the hidden symbolic meaning behind Charlotte Perkins Gilman’s The Yellow Wallpaper. In her short story published in 1899, author Charlotte Perkins Gilman effectively use symbolic patterns to comment on how societal oppressions create insanity.
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
In the 19th century society was from different from what it is today. Women were not in the workforce, could not vote, or even have a say in anything. Women were not permitted to give evidence in court, nor, did they have the right to speak in public before an audience. When a woman married, her husband legally owned all she had (including her earnings, her clothes and jewelry, and her children). If he died, she was entitled to only a third of her husband’s estate. Charlotte Perkins Gilman wanted to change this. She wanted people to understand the plight of women in the 19th century. In her short story The Yellow Wallpaper she tries to convey this to the reader not just on a literal level, but through various symbols in the story. In The Yellow Wallpaper the author uses symbols to show restrictions on women, lack of public interaction, the struggle for equality, and the possibilities of the female sex during the 1800s.
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Author Charlotte P. Gilman’s, “The Yellow Wallpaper” is a complex short story that discusses the thoughts and feelings of a woman who is kept confined in a small upstairs bedroom by her husband. The woman suffers from depression and anxiety, yet her spouse whom is a physician claims that she is not terribly ill. Despite all the strange thoughts she acquires, she continues to force herself to accept her new life style and awkward place of living. As she comes to find herself overwhelmed with her personal bedroom, we soon discover that the room’s yellow wallpaper is what affects her directly and is the reason for her many interpretations. The symbols in the story take a great part in the overall plot and leads to the various connections between the imagery and the woman herself.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
In the final moments of this story, the woman’s husband returns to see her. She writes, “He stopped short by the door. ‘What is the matter?’ he cried. ‘For God’s sake, what are you doing!’ I kept on creeping just the same, but I looked at him over my shoulder. ‘I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’ Now why should that man have fainted, but he did, and right across my path by the wall, so that I had to creep over him every time!’” This final passage shows that, when this woman rebels, and “escapes the wallpaper”, it is not highly looked upon. The woman made a power statement, by telling her husband that she had, in essence, found a new role in life, and he can not push her back. When he can not handle her actions, she continues her new ways right over him.
Through the narrator’s obsession with the wall, she begins to envision a woman, that is trapped behind the Yellow Wallpaper. “By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still.” (pg. 166) From this line, it is made clear to the reader that the pattern of the wall symbolizes the social constraints women face daily. While the woman behind the wallpaper is just a figment of the narrator’s imagination, she metaphorically represents the speaker and her desperation to break free of the mental and physical oppression that has been placed upon her not only by her husband but also society as well; this is seen in the line “I suppose I shall have to get backs behind the pattern when it comes night, and that is hard”