The Turn Of The Screw Analysis

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Recommended: Use of supernatural elements in literature

James’s The Turn of the Screw allows the reader to manoeuvre the story page by page on two different levels. The narrative provides an unsurpassed prospect to read in a split fashion, due to this the reader has the freedom to shift from ghostly story to character study. However, even though the reader is free to alternate from one interpretation to the other, as one advances further into the narrative, each version develops more horrifying stature than the former. With this gruesomeness building, the lovely Bly country house credibly disappears. The house, that at the beginning of the story brought beauty and sweetness into the hearts of the readers, peels off like rotting flesh from the skull of a corpse. This new, infernal landscape is made up of bones and stones, with a lavish amount of spaces to run, but unfortunately no place to hide.
Examining James’s tale closer, it becomes certain that the narrative is constructed in such a demanding way that the reader is almost certain to fall in love with the governess. Even though this implied love is challenged in the events of the story, the governess’s tale leads the reader back to compassion for her misery. One can even say that sympathizing with the governess allows the reader to accept uncertainty, thus accept the terror. This terror comes from not knowing what the governess has done, this terror outwardly haunts her to the day she died. But the governess did not let go even after her death, she passed on her horrific tale to Douglas, who in return became haunted. And presently, the tale comes to haunt its readers. This vicious circle of terror is never ending, and will continue to terrify many readers. Neither the governess, nor the reader can know if Miles was saved or just evi...

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... beings are tangible there are rough flaws in the interior of the natural versus supernatural dimensions, thus no one is safe for long. Does not matter what kind of ghost stories one reads, the most frightening ones will always have subliminally tactful narrative that understands the far-reaching disproportionateness. James’s The Turn of the Screw demonstrates that the good and evil are not correspondingly harmonised, even though good might conquest evil and the saved souls might find its way to the celestial afterlife, evil will nevertheless go down without a fight. It has shimmering serpent appearance, which mesmerizes and then chocks the final breath from the breast. The ones that relegated themselves to the eternal allure of evil are damned and restless in their purgatory. Maybe some of them are too horrid for the underworld, thus they sometimes walk among us.

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