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Supernatural features in literature
The ghost influence on Hamlet's actions
The ghost influence on Hamlet's actions
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A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.
The play starts out with the ghost, dressed in the late king’s war attire, walking past the guards on duty. One of the guards interprets the ghosts passage as being a bad omen of something horrendous to befall soon: “In what particular thought to work I know not,/ But in the gross and scope of mine opinion/ This bodes some strange eruption to our state.”(Shakespeare I.i). This clearly foreshadows a major tragedy since supernatural figures were associated with Satan and damnation during Shakespeare’s time. After the guards speculate about the ghost, and who the ghost is supposed to be, it suddenly disappears as the sun rises. The guards find this to also be a warning, since the ghost only came out at night, and “faded on the c...
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Skulsky, Harold. "Revenge, Honor, and Conscience in Hamlet." PMLA. 85.1 (Jan. 1970): 78- 87. Rpt. in Shakespearean Criticism. Ed. Dana Ramel Barnes. Vol. 35. Detroit: Gale Research, 1997. 78-87. Literature Resource Center. Gale. Woodbridge Public Library NJ. 16 Dec. 2009 .
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There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
Hamlet: Hamlet's Sanity & nbsp; & nbsp; “Great wits are sure to madness near allied, and thin partitions do. their bounds divide.” Though John Dryden's quote was not made in regard to William Shakespeare's Hamlet, it relates very well to the argument of whether or not Hamlet went insane. When a character such as Hamlet is under scrutiny, it can sometimes be difficult to determine what state he is in at. particular moments in the play.
Hamlet also corrupted by the ghost of his father. After his father’s death, Hamlet mourned over his father and was left dark and bitter. Without even getting an adequate time to mourn he is approached by the ghost of King Hamlet. With Hamlet caught off guard by the ghost and its demands put Hamlet into turmoil. With thoughts of revenge and death, Hamlet is hesitate to make a resolve. The longer it takes for Hamlet to make a decision the greater the corruption takes control of him. The vengeance of the ghost sinks into Hamlet making is madness greater every moment that passes. Hamlet gripped with his own madness withdraws from the world. Unable to make up his mind, he hides from Claudius and won’t reproach him till his resolve is absolute. The crippling madness o...
William Shakespeare is widely known for his ability to take a sad story, illustrate it with words, and make it a tragedy. Usually human beings include certain discrepancies in their personalities that can at times find them in undesirable or difficult situations. However, those that are exemplified in Shakespeare’s tragedies include “character flaws” which are so destructive that they eventually cause their downfall. For example, Prince Hamlet, of Shakespeare’s tragedy play “Hamlet,” is seemingly horrified by what the ghost of his father clarifies concerning his death. Yet the actions executed by Hamlet following this revelation do not appear to coincide with the disgust he expresses immediately after the ghost alerts him of the true cause of his death. Thus, it is apparent that the instilled self doubt of Prince Hamlet is as the wand that Shakespeare uses to transform an otherwise sad story to an unfortunate tragedy.
Hamlet’s sanity began to deteriorate when learned that his father’s death was not an accident, but rather a foul deed committed by the newly crowned King of Denmark. “If thou didst ever thy dear father love – Revenge his foul and most unnatural murder” [Act I, v l .23-25]. As a mysterious ghost appeared in the terrace, Hamlet learned of a murderer that would prove his fealty towards his father. As he contemplated the appalling news recently brought to his attention, the control Hamlet had over his actions was questioned. “O villain, villain, smiling, damned villain! My tables meet it is I set it down, That one may smile, and smile, and be a villain. At least I am sure it may be so in Denmark,” [Act I, v l. 106-109]. Hamlet’s hatred toward his father’s killer caused him to relate the tribulations between murder and the aspects of Denmark as a country together. As with most of the conflicts Hamlet faced, his lack of ability to avenge his father’s death, furthered the deterioration of his life and surroundings.
The play within a play has been used for a long time in stories ; scholars have traced it’s use back to the Arabic, Persian and Indian storytelling traditions (Bonnie Irwin, 1995). It can also be identified in Homer’s Odyssey but the first time it was probably used for drama, was in Thomas Kyd’s Spanish Tragedy. By reusing this emerging literary organ, Shakespeare is sure of his success with the presentation of his work and demonstrates to what degree drama is powerful so as to make ones self see the truth in ones acts. It is with it that Hamlet manages to surface Claudius’ guilt and to be sure that the ghost’s truthfulness. Additionally, he uses all the conventions and themes of a revenge tragedy that where extremely popular in the Elizabethan and Jacobean era and present in The Spanish Tragedy. But Shakespeare moves well beyond the usual revenge tragedy form in this play. Hamlet became a play were the themes are complicates and the psychology of its models is deepened. This is done by Hamlet’s complex characterization were he is in conflict between the Roman values of blood-right and martial valor, and Christian values of humility a...
In the first act the ghost appears to two soldiers Marcellus, and Barnardo, as well as to Hamlet’s friend Horatio, who is a very credible and intelligent person. The same ghost appeared to Hamlet several times through out the play also. These facts eliminate the chance of this ghost being a figment of people’s imagination because too many people saw the same thing. In act 1 scene 1 it is revealed that the ghost appeared twice wearing the same armor King Hamlet wore when he fought the ambitious old Fortinbras, King of Norway, and also when he defeated the Poles. Young Fortinbras is determined to get back the land his father lost. This fact brings more in depth evidence to the ghost being real. The reason the guards are there on watch is a direct relationship to an attack from Fortinbras and the ghost is wearing the armor of the event that started this whole thing.When the ghost asks Hamlet to avenge his death, he reveals a true fact involving the death of King Hamlet:Ghost. I find thee apt; and duller shouldst thou the fat weed that roots itself in ease on lethe wharf wouldst thou not stir in this. Now, Hamlet, hear. ‘tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark in by a forged process of my death rankly abused. But know, thou noble youth, the serpent that did sting thy father’s life now wears his crown.Hamlet. O, my prophetic soul! My uncle! (1.3. 38-48) Later in the play is revealed that Claudius murdered King Hamlet in order to achieve the crown himself. This fact proves the reality of the ghost. Claudius admits to killing King Hamlet in a prayer: "…since I am still possessed of those effects for which I did the murder: My crown, mine own ambition, and my queen…"(3.3 57-59) The ghost told Hamlet about that fact before Claudias ever admits it.
makes the metaphysics of the play dark. The ghost says nothing despite the valiant efforts on the parts of Horatio, Marcellus, and Bernardo. Suspense is created when the audience is ignorant as to the purpose of the ghost. Later in the play the ghost is utilized to allow Hamlet and the audience knowledge of the vile murder of the king by Claudius, the kings own brother. When the ghost finally speaks, he tells Hamlet,
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
from that of the appearance of the ghost and the problems of Hamlet and his
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
The ghost is the guiding force behind hamlet. It asks hamlet to seek revenge for king Hamlet's death. This propels him into a series of events that end in his death.
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.