Lord Action’s words, “Power tends to corrupt, and absolute power corrupts absolutely,” undoubtedly would have William Shakespeare in agreement. Based upon Shakespeare’s play, Hamlet, one sees the correspondence between Lord Action’s quote and the plot of the play. The play, in its entirety, is centered around the corruptness of the royal court of Denmark. The king, Claudius, and queen, Gertrude, evidently have absolute power over the entire country; yet, the actions of Claudius spread corruptness throughout the royal court, as if a ramped virus spreads across the nation. In the midst of the chaos is Hamlet. The means by which Claudius is willing to discover Hamlet’s true intentions proves his scheming skills. The corruption of the royal court …show more content…
Seen from the early scenes of the play until Claudius’ last breath, Claudius’ only concern is gaining and maintaining power by any means necessary. His introduction into power begins with his own manipulative plot—that succeeds—to kill his brother, which the ghost tells Hamlet within the first act of the play (Shakespeare 59, 61). Claudius’ entrance into the position of king is centered around crime, murder, and manipulation, which in return is the basis of his reign. Further along into the play, readers notice that majority of the men portrayed in the play are concerned about justice or moral balance. However, the man in the position of absolute power is preoccupied with lust and schemes. As the play progresses, Claudius’ malfeasances become more apparent once Hamlet’s “insanity” reaches its peak and kills Polonius (171). More concerned with preserving his seat in the court, Claudius resorts to a plan …show more content…
The position of Gertrude’s character in the play raises numerous questions about her involvement with her former husband’s murder, along with her reasoning for marrying Claudius. Failing to question Claudius’ intentions with her son, Hamlet, Gertrude includes herself in the corruption. She is present at various meetings discussing her son’s whereabouts and plots to spy on him (83). Though she is conscious of the corruption in the court, she does not seek to resolve the matters. But rather, she involves herself in the conflict and schemes. Claudius’ ways definitely influence her judgment, which is seen when she allows Polonius to spy on her private conversation with Hamlet (169). Furthermore, when confronted by Hamlet, she admits, “Thou turn’st mine eyes into my very soul, And there I see such black and grainèd spots, As will not leave their tinct” (175). Her response to Hamlet’s raging interrogative and accusatory speech insinuates that she too has in some fashion contributed to the corruption in Denmark, though the specific circumstance is never revealed. Shakespeare’s portrayal of Gertrude shows a woman who is more concerned about self-preservation and remaining in power so much so that she involves herself with the plots of a man, who murdered her
Claudius feels much guilt about the death of his brother he also faces the desires of power. The guilt of his brother death drives Claudius to be on his toes around the kingdom. He remains very scared that someone like Hamlet Jr. might avenge his father’s death. Hamlet Jr. chooses to use a play to test Claudius’s guilt. He rewrites parts of the play to replicate the story voiced by the ghost. Hamlet Jr. watches Claudius carefully during the performance, and the king leaves during it (Gale). Claudius gets up and leaves because he cannot bear to see the reenactment of how he killed his own brother. The internal conflict of the guilt about his brother eats Claudius up and he goes to repent for the corrupt act he has done: “My stronger guilt defeats my strong intent,/ And like a man to double business bound,/ I stand in pause where I shall first begin,/ And neglect; what if this cursed hand,/Were thicker than itself with brothers blood” (3.3.40-45). Claudius repents but knows his words will mean nothing to the heavens because Claudius is an insincere being whom
Shakespeare specifically leaves out key details about her character. Was she in an affair with Claudius before the murder? Did she know Claudius was the one to kill King Hamlet? Did she plot against him? These questions prove that Gertrude is much more complex than the reader initially thinks.
Gertrude’s blindness to the whole situation is sickening. How she marries the brother of her former husband right after he kills him and never knows the truth is beyond me. She never cared about how her son felt before or after she married Claudius. She didn’t even wait very long after her husband died to get married again ( I; ii; 180-181. "Thrift, thrift, Horatio. The funeral baked meats did coldly furnish forth the marriage tables".). Therefore she is either a very slow, naïve woman or a very evil, coldhearted one. For someone to side with a person even after their own son has told them that the person they’re with has murdered their former lover is absolute lunacy ( III; iv; 29-30. "A bloody deed- almost as bad, good mother, as kill a king, and marry his brother".). Not knowing the truth in the first place is one thing, but turning your back on your own flesh and blood is another. Therefore without his mother on his side, Hamlet has lost all the family in his life that could have helped him get through his terrible time and he sinks lower than ever before.
It is without question that William Shakespeare’s Hamlet teaches us the truth about power and social status and how it can destroy one’s character and current status on the social scale. People are in constant battle and competition with each other, aiming to reach the highest of the highest. In Shakespeare’s Hamlet, there are many scandals that happen all at once. One scandal that happens in Hamlet is the unexpected and rapid marriage of King Claudius and Queen Gertrude.
It is here that one begins to see the theme of revenge and the idea that power can cause corruption. A family is supposed to be loyal and trusting of each other without any doubts; or so it was thought. Shakespeare uses Claudius’ betrayal of late King Hamlet to disprove the notion that family is always loyal. Claudius’ jealousy of his own brother and his desire to be the most powerful in Denmark corrupted him. It led him to betray his own family, a bond that is supposed to be unbreakable, and all the while feeling no guilt while acting as if he had not committed the crime. In addition to this, Claudius also takes late King Hamlet’s wife. Hamlet is enraged by the crime and adultery committed by his supposed family and feels he must seek justice for his father by taking out revenge on Claudius and therefore betraying him. Subsequently, the play becomes a slippery slope of events stemming from betrayal and revenge. The betrayal of one character became the revenge and betrayal of many others as seen when Horatio says, “… violent and unnatural acts, terrible accidents, casual murders, deaths caused by trickery and by threat, and finally murderous plans that backfired on their perpetrators,” showing that each act committed by the characters were returned back to them. This can be supported through the deaths of Claudius, Laertes, and Hamlet as these were just a
King Hamlet's "foul and most unnatural murder" (Shakespeare I.v.31) tops Claudius' list of egregious sins. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win the honorable queen Gertrude by using the “shameful lust [of her] will” (I.v.49…52-53). Claudius had to use verbal trickery to influence Gertrude into switching husbands that quickly after her husband’s death, which shows his true skill: lying convincingly. Claudius manages to validate his ascent to the throne by diverting attention away from him and to the attack by the young Fortinbras of Norway (I.ii.1-38). The most horrible of Claudius’ crimes is his lack of emotion over his traitorous fratricide. Claudius does not even give his late brother a word of respect; instead the focus is upon the future of Denmark. Claudius goes so far as to chastise Hamlet for his “unmanly grief” (I.ii.98), emphasizing that for the benefit of Denmark; all those affected by the death of King Hamlet should keep a strong façade. Later in Hamlet, Claudius begins to openly express his remorse and recognizes the immorality of his actions when he says himself: “O, my offense is rank, it smells to heaven;/ It hath the primal eldest curse upon’t, / A brother’s murder. Pray cannot I” (III.iii.40-42). He expresses his grief and sin in private but keeps a façade in front of the rest of the kingdom. Claudius is
... of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a false fencing competition and foolishly pushing the poisoned wine without considering the suspiciousness of the action. In his short-sighted and rash decision making, Claudius shows that he allows his inflated sense of regality and self-worth to cloud his judgment.
In his disoriented state, he kills Polonius and bids “thou wretched, rash, intruding fool, farewell” and that he “took thee for thy better.” (III.iv.37.39). Although Hamlet realizes that he did not kill his father’s murderer, in a twisted mood he still says that he is glad that Polonius is dead. At this point, he is so enraged that he would take the death of anyone close to Claudius as a success. He also becomes more impulsive as he does not even think about looking to see who was behind the curtain. As he has not really accomplished anything directly with Claudius, Hamlet decides that “from this time forth [his] thought he bloody or be nothing worth!” (IV.v.68-69). As Hamlet acknowledges that his time is running out, he truly becomes mad and begins to resolutely target Claudius. This is a stark contrast to the earlier Hamlet who did not necessarily want bloodshed. After finally accomplishing his goal of killing King Claudius, he “prophes[izes] th’ election lights on Fortinbras; Hamlet has [his] dying voice” (V.ii.392-393). In his last effort to rid Denmark of corruption, he decides to pass on the crown to Fortinbras. Since Fortinbras is the only leader present that is not of the corruption, it makes sense that he is seen as a worthy successor to the Danish
A person’s setting can tell you a lot about why they do certain things or behave a certain way. What’s taboo to us is normal to them. Their time and surroundings set the scene. Hamlet by William Shakespeare is set in Denmark during the late medieval time period: a time of dominant monarchies, a time of war. All of which plays into why the characters behave the way they do. They’re power hungry and hold a grudge like no other. Why? Social status, social status was everything throughout this time period, before this time period and very much after this time period. Thus they slaughtered each other and executed their tasks in secrecy, in hopes they would not be subject to the wrath of the one they wronged, to move up the social ladder. Throughout the time of kings and queens people struggled to climb the social ladder, not caring who they hurt in the climb to gain power. The power struggle that remained prominent throughout the ages is the underlying cause of most tragic events in Hamlet.
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
Polonius takes this opportunity to spy on Hamlet and informs Gertrude that he will hide behind a tapestry and eavesdrop on their conversation. During their conversation Hamlet forces his mother in front of a mirror as to literally reflect on herself and the betrayal she’s caused him to feel. He tells her that he wants to reveal the figurative inmost part of her, but she takes this literally and thinks that he means he is going to murder her. She cries out for help which causes Polonius to cry out as well. Hamlet, thinking that the voice of the man who had just cried out for help belonged to his uncle, stabs Polonius through the curtain and kills him. Gertrude laments the murder of Polonius calling it a bloody deed and Hamlet retorts, “A bloody deed! Almost as bad, good mother, As kill a king and marry with his brother” (Shakespeare 1862). In this scene, Hamlet reaps revenge on Gertrude by emotionally torturing her so she may feel the utmost guilt for betraying her son and husband. Then, Hamlet’s unremorseful character is revealed in his ability to murder Polonius when he thought it was Claudius he had heard behind the curtain. Hamlet then justifies his murdering Polonius by equating it to Gertrude’s sin of marrying the man, her brother in law, who killed her
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
...with the sharpness of an experienced leader and decisively acting on every issue of importance. Therefore, the actor must have an imposing and confident presence on stage, for Claudius dominates Elsinore and is in full control of Denmark. However, by the third act, the King must be depicted as a man who is growing increasingly fearful of Hamlet, and during the play, Claudius is so startled that he must appear as though he has seen the ghost of Old Hamlet. But in my opinion, Claudius’ defining moment comes during his lengthy soliloquy in which he acknowledges his guilt. As he mourns his condemned soul, he should seem so helpless that the audience views him with intense pity, for the character of Claudius, like Macbeth, is not intended to represent evil but instead to show the universal ability of power to corrupt and to destroy lives in the process.
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.