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Essay about the impact of fast fashion in the modern world
Essay about the impact of fast fashion in the modern world
Fashion industry effects
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This essay will discuss Fast Fashion and the Impact of Technology. I will focus on the different levels of the market, the effect of fast fashion on fashion design, how copying effects high end designer brands and the impact of technology on the fashion industry. There are three different sectors in the fashion industry. These are Haute Couture, Prêt- à-Porter (Ready to Wear) and High Street (Mass Market.) There is a huge difference between the three sectors ranging from the cost, manufacturing, design and its customers. 1. Haute Couture Haute couture can be referenced back as early as the 1700s. Rose Bertin, the French fashion designer to Queen Marie Antoinette, can be credited for bringing fashion and haute couture to French culture. French leadership in European fashion continued into the 18th century when influence was sourced from art, architecture, music, and fashions of the French court at Versailles were imitated across Europe. Visitors to Paris brought back clothing that was then copied by local dressmakers. Stylish women also ordered fashion dolls dressed in the latest Parisian fashion to serve as models. As railroads and steamships made European travel easier, it was increasingly common for wealthy women to travel to Paris to shop for clothing and accessories. French fitters and dressmakers were commonly thought to be the best in Europe, and real Parisian garments were considered better than local imitations. ‘Haute Couture, or High fashion, refers to the creation of exclusive custom-fitted apparel. Wearing Haute Couture is a very expensive way of life, It is manufactured by using expensive, often unusual fabric and produced with extreme attention to detail and finishe... ... middle of paper ... ...hough technology has advantages and disadvantages within the fashion industry it is obvious in this day and age that the technology that we have plays a vital function in the work force of this industry. As mentioned, the three main sectors Haute Couture, Ready to Wear and High Street have contributed to the development of fast fashion in different ways due to their various traits. Bibliography & References • Haute Couture News (2011) What is Haute Couture? [online] Available at: http://www.hautecouturenews.com/what-is-haute-couture/ [Accessed 23 March 2014] • Hollander, A. (1992) The Modernization of Fashion Design, Design Quarterly: Walker Art Centre. • Kilkenny, N. (2014) ‘Fast Fashion and Copyright’, Lecture, March 2014, Griffith College, Dublin. • Nudelman, Z. (2009) The art of couture sewing, New York: Fairchild Books.
...rk of hierarchy within the royal court, haute couture was brought to life through the founding of the House of Worth which lead to the successful production of luxury goods and ultimately the starting point of prêt-à-porter. The recreation of couture garments reflecting the dress of Parisienne court was disseminated across Europe through the use of ‘Pandora’ dolls and eventually paper patterns. However, as technology and new methods of production, such as industrial machines rapidly changed throughout the second half of the 20th century, the arduous tasks of creating haute couture garments and its demand diminished, leaving ready to wear to control the fashion industry. Nevertheless, haute couture will always be the paragon of skilled craftsmanship and tailoring that has influenced the consumption, production and dissemination of fashion since its establishment.
When Vogue launched in New York in 1892, the topics such as fashion, Art, Decor, House and Drama was a very little section of the magazine. The industry wasn't widely appreciated yet, it was in its infancy. In the early 1900s "Haute Couture" was on the rise. Women of the upper class would wear clothes such as persian designs, which also set the tone for the rest of the western fashion world. It was the major fashion in magazines like vogue it was used to inform people about horse races and what was going on in their small world. What was mainly worn was corsets and full skirts which enhanced unnatural curves, and hats which set off the whole look. However, WW1 was soon to begin in 1914, and the attention of fashion was diminishing, and was focused upon resources and necesites.
In this essay I am going to study two outfits created by designers of haute couture fashion. Christian Dior was designing in the post war years and the two pieces from his collection that I have chosen are from the late 1940’s/50’s. The other designer is John Galliano who joined the House of Dior much later. The two Galliano designs I am looking at, are from the late 80’s and 90’s. Within this essay I am going to consider what has influenced the designers and their works, their results and how succesful they are.
Defying fashion can be as difficult and ambiguous as an attempt to defy art and sex. What is fashion? What can be defined as fashion? and what is the purpose of it. The definition of fashion has always fascinated many fashion writers and many have attempt to conceptualise it. In this essay, I will focus on the principles of fashion by looking into its history and trends to try and understand how it is defined and what purpose does it serve. In addition to this, I will look more closely into fashion and its relationship between sexuality and eroticism and how extreme fashion trends have affected us as consumers.
Generally, when people think of ‘fashion’, they instantly think about the “glitz and glamour” however, they never give much thought into the sociological aspect behind it. Humans by nature, do not gravitate towards ‘trendy’ clothes, one does it out of influence, better yet, out of sociocultural needs, which brings me to my next point. French fashion now and for past centuries has been out of influence and a reflection of cultural events.
First, we will talk about how French fashion differs from American fashion. When looking at the two countries’
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Throughout European countries including Italy, clothing only first became “fashionable” throughout the 11th century. During this time period citizens were designing extravagant robes, textiles, jewelry, shoes, elaborate dresses, and more. These designs began spreading through major cities, such as Milan, Florence, Venice, Rome, etc. The stages of fashion continued to improve up until its peak during the 14th century, other known as the “Renaissance Era”; with the help of the Medici’s family who were located in Florence. Italian fashion flourished throughout the country, as well as art, music, education, and so on. Art had a major influence on fashion, with the help of Michelangelo, Leonardo da Vinci, Raphael, and other famous artists masterpieces. Fashion for the women became much more extravagate once they invented velvet, ribbons, brocades, and jewels. During this time period the ladies also drifted away from the traditional pleated skirts, and began making more revealing skirts/dresses, which included slits in the material. However shortly following, in the 17th century fashion quickly declined when the English, Spanish and French courts took prime. During this time, France quickly rose to the most popular in all of
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
This has come to mean high sewing in the current times. High fashion originator dresses are customized particularly for the estimations of the individual who will wear the dress. The Haute Couture article of clothing is stunning and elite in style and taste and extremely costly. Just the exceptionally rich can stand to have Haute Couture dresses made for them in view of restrictive costs. This sort of cost buys you a stand-out dress that others are not ready to copy. The primary purpose behind the cost of a Haute Couture dress is the amazing level of value and that stand-out style and fit. The look and feel of the dress is constantly more imperative for the planners as opposed to the cash invested or energy
...the fashion industry for hundreds of years, as it is home to the world’s leading designers and has imbedded a natural sense of effortless style in its residents. Paris Fashion Week is the finale of the four fashion weeks and is still depended upon for dictating next season’s trends. The world’s most glamorous names in fashion like Yves Saint Laurent, Coco Chanel, Lanvin, Louis Vuitton, Hermes and many more are still based out of the city. Paris was home to the first fashion house and it was the city to coin the terms of haute couture and prêt-à-porter. To this day use they implement high standards and use unions to protect these sects of the industry. It is home to the Golden Triangle; shopping districts of Champs-Elysées, Avenue Montaigne and Avenue Marceau. For these, and plenty of other reasons, France can still rightly claim its title of world fashion capital.
Gardner, Marilyn. "Fast Fashion Is a Problem." The Fashion Industry. Ed. Roman Espejo. Detroit: Greenhaven Press, 2010. Opposing Viewpoints. Rpt. from "Fashion Industry Gives Rise to a 'Disposable Culture, '." The Christian Science Monitor. 2007. Opposing Viewpoints in Context. Web. 22 Nov.
Fashion in the 21st century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3). Works Cited Finkelstein, Joanne. A.S.A. & Co. Fashion: An Introduction to Fashion. New York: New York University Press, 1998.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...