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Evolution of horror movies essay
The evolution of the horror genre
The evolution of the horror genre
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The horror film has the honor of being one of the few genres aside from the Christmas film to own an entire month out of the year. The moment it becomes October, in the United States especially, the haunting themes of Halloween begin to take over. Anyone can guarantee that if an individual goes out of their house during the October month, they will come into direct contact with pumpkin spice flavored items from coffee to Oreos, Halloween candy in all shapes and forms, and the horror movie. Whether it is the film that started it all, The Haunted Castle, released in 1896 and directed by Georges Méliès or to the recent string of repetitive horror of the Paranormal Activity or Insidious franchises, the horror film is a long-lasting genre with one …show more content…
The film follows a group of friends who fall victim to a family of cannibals while on their way to visit an old homestead. Although it was marketed as a true story to attract a wider audience and as a subtle commentary on the era's political climate, its plot is entirely fictional; however, the character of Leatherface and minor plot details were inspired by the crimes of real-life murderer Ed Gein, similar to Psycho’s Norman Bates and Silence of the Lamb’s Buffalo Bill. The Texas Chain Saw Massacre is without a doubt a horror movie. It features a group of friends traveling through the Texas state to a homestead belonging to the family of one of the group. Along the way, they pick up a hitchhiker who proves to be more than they bargained for, so they ditch him. The group separates at the homestead and two lovers plan to go to a waterhole, but find it dried up. The two characters then hear a generator running in the distance and follow the sound to a house where they intend to ask for gas as their vehicle is running low on fuel. It is here that Leatherface makes his first appearance, bashing one of the character’s head in with a hammer, and kidnapping the other. Soon enough, final girl Sally, portrayed by Marilyn Burns, is the last one standing and she is held at the mercy of an entire family of psychotic cannibals with Leatherface serving as the muscle-bound slave of
Jeannette Walls, American writer and journalist, in her memoir, The Glass Castle, shares her vividly stunning childhood growing up with her family. Due to her misguided and dysfunctional parents, Jeannette and her siblings had to suffer through poverty, negligence, and abuse. Jeannette Walls states, “Some people think my parents are absolute monsters and should’ve had their children taken away from them. Some think they were these great free-spirited creatures who had a lot of wisdom that a lot of parents today don’t [have].” Although a handful of individuals believe that the Walls’ parenting style was justified and has led to the sibling’s success, their children should have been taken away to be raised properly because their parents were unfit, and they experienced an immense amount of physical and sexual abuse and neglect throughout the process.
Adam Hochschild's "King Leopold's Ghost" is a lost historical account starting in the late 19th century continuing into the 20th century of the enslavement of an entire country. The book tells the story of King Leopold and his selfish attempt to essentially make Belgium bigger starting with the Congo. This was all done under an elaborate "philanthropic" public relations curtain deceiving many countries along with the United States (the first to sign on in Leopold's claim of the Congo). There were many characters in the book ones that aided in the enslavement of the Congo and others that help bring light to the situation but the most important ones I thought were: King Leopold, a cold calculating, selfish leader, as a child he was crazy about geography and as an adult wasn't satisfied with his small kingdom of Belgium setting his sites on the Congo to expand. Hochschild compares Leopold to a director in a play he even says how brilliant he is in orchestrating the capture of the Congo. Another important character is King Leopold's, as Hochschild puts it, "Stagehand" Henry Morton Stanley. He was a surprisingly cruel person killing many natives of the Congo in his sophomore voyage through the interior of Africa (The first was to find Livingston). Leopold used Stanley to discuss treaties with African leaders granting Leopold control over the Congo. Some of the natives he talked to weren't even in the position to sign the treaties or they didn't know what they were signing.
In the movie, The Glass Castle, the young girl Jeannette Walls was played by three different actresses, Chandler Head, Ella Anderson, and Brie Larson, as she grew up throughout the film. Jeannette was the protagonist in the film and her parents, Rex and Rosemary, played by Actor Woody Harrelson and actress Naomi Watts, are the antagonists. The other characters that play a big role in Jeannette’s life are Lori, who is played by Olivia Kate Rice, Sadie Sink, and Sarah Snook, Brian, who is played by Iain Armitage, Charlie Shotwell, and Josh Barclay Caras, and Maureen, who is played by Eden Grace Redfield, Shree Crooks, and Brigette Lundy-Paine. Later in her life she married David, actor Max Greenfield, and then they divorced and she Married John, who was not mentioned in the movie.
In the memoir The Glass Castle by Jeannette Walls, the author's earliest memory is her injury at the age of three, and in this memory she is all but unhappy. Jeannette's childhood was full of inconveniences. The Walls family had a hard time conforming to society and shaping their future life for success. Rex and Rose Mary had different morals than others when it came to raising their children: Brain, Lori, Maureen and of course Jeannette. During her childhood, Jeannette was dealt with hardships, but showed maturity and independence throughout it.
Was Eleanor mentally healthy or unhealthy? In the book The Haunting of Hill House, written by Shirley Jackson, the main character was Eleanor Vance. She was a 32-year-old woman that showed signs that she was mentally unhealthy. After receiving an invitation to stay at Hill House from Dr. Montague, a stranger to Eleanor and the rest of the invited guests, she made the carefree decision to accept the invitation to the comfortable country home (2). She felt as though Hill House was her calling, even though she had never laid eyes on the property and had no knowledge of what to expect. There was no way to know if the doctor could have been a psychopath that wanted Eleanor for some crazed morbid “experiment,” yet she had
The novel We Have Always Lived in The Castle by Shirley Jackson is a very unique book. This is due to the very strange behavioral patterns from the two sisters, Merricat and Constance, in the poem. But what is the most unusual about the two sisters is their definitions of happiness. To see Merricat’s definition of happiness is best seen when she refers to the “moon” and under the same weekly routine schedule she has always been under since she her family was murdered. Constance’s definition of happiness clearly displayed when Charles comes to the house and when she starts embracing Merricat’s “moon” fantasy world. By looking at the two girls’ definition of happiness we can see what the girls truly need and want in order to be happy.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
The Tower of London is one of the most famous historical buildings in the world. Constructed by William the Conqueror in 1078, this grim, grey, and awe-inspiring tower, is the most haunted building in England. Perhaps the most well known ghostly residents of the Tower of London are the spirits of Anne Boleyn, Sir Walter Raleigh, The Princes in the Tower and among others.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Jeannette Walls has lived a life that many of us probably never will, the life of a migrant. The majority of her developmental years were spent moving to new places, sometimes just picking up and skipping town overnight. Frugality was simply a way of life for the Walls. Their homes were not always in perfect condition but they continued with their lives. With a brazen alcoholic and chain-smoker of a father and a mother who is narcissistic and wishes her children were not born so that she could have been a successful artist, Jeannette did a better job of raising herself semi-autonomously than her parents did if they had tried. One thing that did not change through all that time was the love she had for her mother, father, brother and sisters. The message that I received from reading this memoir is that family has a strong bond that will stay strong in the face of adversity.
In “The Glass Castle”, the author Jeanette Walls describes her childhood and what motivated her to chase her education and move out to New York City with her siblings and leave their parents behind in West Virginia. The main struggle Jeanette and her siblings had was the conflicting point of view that they had with their mother on parenting. Despite their father Rex Walls being an alcoholic, constantly facing unemployment, and being a source of hope for his children, Rose Mary Walls had her list of attributes that shaped her children’s life. Rose Mary had a very interesting view on parenting in Jeanette Wall’s memoir and this perspective of parenting influenced her children both positively and negatively.
Late autumn has arrived and with it comes the dark magic of Halloween--and, of course, the
The Haunting of Hill House is a gothic horror novel written by Shirley Jackson. Supernatural occurrences take place within the house revolving around Eleanor. Eleanor is a thirty-two-year-old woman who never once has felt the sense of inclusion. Eleanor seems to never recall the feeling of delight in her adult years due to the fact that she was a caretaker for her now deceased Mother; who took away most of her freedom by being incredibly restrictive. Dr. Montague, a doctor that specializes in analysis of the supernatural rents Hill House, a supposedly haunted house. During the renting period, Dr. Montague begins an experiment inviting individuals who have had involvement in abnormal events
a dull grey colour as if it had lost the will to live and stopped