The dark and ominous appearance of the Carpathian Mountains made them the home and center of many Romanian folklores and superstitions. Superstitions are a major part of the history of the mountains and are a major part of the lives of the locals. Natives felt that at night this region was haunted by evil spirits or the supernatural. The Carpathian Mountains are a dangerous place with packs of wolves and malevolent creatures coming out at night. It is for these reasons Bram Stoker began and ended his novel Dracula in this mysterious location. The bleakness and darkness always surrounding the Carpathian Mountains and Dracula’s castle in these mountains represent Dracula’s true personality and malicious intentions as well as foreshadow the fate of any character within Dracula’s reach. In the novel, Count Dracula’s castle and its location in the Carpathian Mountains encourage the development of a sense of mystery and suspense that drive the actions of Count Dracula, Jonathan Harker, and Van Helsing.
Count Dracula lives in an isolated, old castle with “great doorway[s]” and “massive stone”. The castle is filled with “frowning walls”, “dark window openings” (21), and confusing hallways containing large rooms behind many locked doors. The castle is constantly dark and gloomy. The eeriness surrounding Dracula’s castle as well as the castle itself reflect and represent Dracula’s personality and his intentions. The obscurity around the castle symbolizes Dracula’s darkness and lack of a soul. He has the ability to summon fog and mist, which constantly encompasses his castle. The presence of fog at any point in the novel signifies Dracula’s presence and foreshadows that something bad is about to happen. The castle has no mirr...
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...stle, he looks for the graves of the three vampire wives and Dracula. He finds the graves and puts some of the holy wafers into Dracula’s tomb before killing the three sister wives. Van Helsing basically banishes Dracula from his own castle by putting wafers in his tomb and at every entrance of the castle. Van Helsing is taking away Dracula’s strength and security by making it impossible for Dracula to get into his sanctuary. The book begins and ends in the Carpathian Mountains, bringing the story to a full circle. In the beginning of the novel, Harker was supposed to die in Dracula’s castle. At the end of the novel, it is Dracula who dies near the castle. Dracula’ s death in the Carpathian Mountains symbolizes the death of superstitions as the world at the time this novel was written begins to industrialize and superstitions and the supernatural are less believed.
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an atmosphere of terror and villainy, while hinting at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for Castle Dracula, an old lady accosted him and said, "It is the eve of St. George's Day. Do you not know that to-night when the clock strikes midnight, all the evil things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully aware that something awful is going to happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.
The version that I focused on for the sake of this essay was the book. I did watch eleven of the thirty-three Dracula movies that I own, so some references will be made to the movies. The book is told from the perspective of Jonathan Harker’s journal, with some letters to and from his girlfriend Mina. The purpose of his visit with Count Dracula is that Harker is selling a building to Dracula. Carfax Abby was in England where Dracula wanted to move. Harker went to Transylvania to assist Count Dracula in his move to England.
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Stoker uses psychological and visual reckoning of light and dark; which establishes a perpetual mêlée amongst pure and evil. In Count Dracula’s mansion Jonathan Harker writes that “he has suffered from the night [and] how sweet and dear to his heart and eye the morning…..” is to him (Stoker 52). The daytime consist of pure neutral happenings; in contrast to night time there are mystifying paranormal events materializing. From the unnatural events at night Jonathan is petrified and prefers the morning. That is to say that wickedness is the strength that bedlam utilizes towards jurisdiction, and the moral is the compel that enlightens. The readers can surmise that in the commencement of the tome, “…the day and night system...
Within Bram Stoker’s Dracula and Joseph Conrad’s Heart of Darkness, the reader is introduced to two “men”, a term that is applied loosely, whom come to represent the realization of the dying days of the Victorian Era. Heart of Darkness’ Kurtz comes to be the representation of the realization in that he sees what is required from him, as well as the rest of humanity, in order for them to survive. Dracula, in contrast, is the idealization of what has to be done in order to survive. Furthermore, Dracula comes to represent the next step, in almost evolutionary terms, in that he starts to attack England on its home soil, going to so far as to transplant his own soil onto England. This reverse colonization by Dracula is the resultant action he takes based on the fact that he was able to do that which Kurtz is seemingly unable to do, sacrifice the last of his humanity to become a monster.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.