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Women portrayal in movies
Gender inequality in the movie industry
Gender inequality in the movie industry
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Modern day superheroes still reflect the misogynistic and chauvinist society in which they were first created and this will be argued with reference to two of the films studied.
With reference to “Superman 1”, the leading lady, Lois Lane, is often placed in the face of danger and needs to be rescued. In the year in which “Superman 1” was created, woman were not yet seen as equal to men as they are in the present. With that in mind, Lois Lane would have been seen as a more independent woman as she was living alone in an apartment, working in a career field often dominated by men at the time of the movies creation, but never the less, Lois is still a passive woman who often is not able to escape from danger by herself. In “Superman 1”, the criminal Clark Kent and Lois Lane encounter, is a male who in actual fact
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She is depicted as a woman who Lex Luthor only has due to her appearance. This is misogynistic as it provides the assumption that men are more superior and intelligent than women
With regards to Superman himself, in his interview with Lois, Superman’s voice can be heard more clearly and is louder than Lois’s voice. This places him in a position of power and authority over Lois. Superman is often flying or hovering when he is seen by Lois Lane and Miss Teschmacher thus the camera is forced to be at a low angle to him. This, once again, places Superman in a position of power. This can also be seen in “Man of Steel”.
With reference to “Man of Steel” and “Superman 1”, Superman is much taller than Lois resulting in her constantly having to look up at him and having him shot with a low angle from the point-of-view shot of Lois Lane, having the effect of Superman seeming more powerful. Superman’s adoptive mother is also a stereotypical, stay at home mother while his adoptive father
Women are stereotypically viewed as leeser to their male counterparts, as mainly portrayed in Hamlet. Women can also hold the general role of men as the powerful leaders, expressed in One Flew Over the Cuckoo’s Nest. Views on gender roles are also changing in society today. The one woman who was truly respected and liked, was the asian nurse in One Flew Over the Cuckoo’s Nest. She was both compassionate and caring, but was also powerful and a
During the fight that takes place in Small Ville Superman gets shot in the chest. This blast does not kill him, and he shows no sign of pain. This depiction of masculinity promotes the popular belief that superheroes are indestructible and instills in young children that even when experiencing agonizing pain heroes suck it up and keep fighting.
On one end of the spectrum lays Superman, an alien who from birth is comparable to god, and on the opposite side lays Lex Luthor, a genius human who comes from nothing and created a financial empire. Superman
Men are looked at as brave, selfless people and are perceived as heroes all throughout society. Johnson addresses this point saying, “The idea of heroism, for example, has been appropriated almost entirely by patriarchal manhood. From movies and television to literature to the nightly news, our ideas of who and what is heroic focus almost entirely on men and what they do” (548). Since men have power in this world, they have generated a society that pleases them. Superhero movies are a huge money maker in today’s world. But, the most popular superheroes are exclusively men such as Batman, Superman, Captain America, The Flash and The Hulk. This media only feeds into the ideology that men are the heroes in the world and they are the ones making sacrifices for others. They see a world that appeals to them and do not see a reason to mess with the system. Kilbourne writes, “When power is unequal, when one group is oppressed and discriminated against as a group, when there is a context of systematic and historical oppression, stereotypes and prejudice have different weight and meaning” (499). Men now see patriarchy as natural and how life should be. They can look back at previous generations and see that they succeeded with patriarchy and feel they should do the same. Men see absolutely no reason as to why they should relinquish their position of
For example, masculinity is typically characterized by dominance and aggression, and femininity by passivity and submissiveness (390). In repudiation of these norms, Lois exhibits numerous masculine characteristics, controlling both the family’s schedule and acting as sole disciplinarian, she embodies the masculine position typically reserved for the male half of the parental unit, confident and outspoken, she won’t take no for an answer, cares little about the thoughts and criticism of other people, rarely shows emotions other than anger and never shows weakness in front of her children (462). When Malcom’s teacher visits their home, she is baffled by Lois’s brazen choice to answer the door topless, after a brief exchange dominated by Lois’s exclamations she is finally able to meekly express her reason for calling. It is clear. Husband Hal, by contrast avoids conflict, he looks down and away when challenged by his wife and children, He cannot make a decision and ignores the issue, at the dinner table when faced with a possible decision he changes the subject to the fact the ice tea is always empty when he gets home. Due to his passivity can be viewed as the more feminine
Society favors the outlaw hero because we relate with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the child like talents that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have. Superman’s image has remained unchanged over the years. A blue suit accompanied by boots, a belt and cape have always been the Superman style, along with the Superman emblem on his chest. Superman’s real name is Kal-El, a descendant of the Kryptonian family of the house of El, with his father known as Jor-El and mother Lara. Krypton was discovered to be in the last seconds of life due to the coming supernova of its sun by Kal-El’s father. The other members of Krypton did not believe Jor-El could not tell others of his answers and examinations. Jor-El promised that neither he nor his wife would leave and with every last possible choice eliminated, Jor-El would send his newborn son to the planet Earth. Kal-El then crash landed into the care of Jonathan and Martha Kent, two farmers in Kansas. He then adopted the Kent family name,...
Superman II (1980), directed by Richard Lester, the continuation of Superman: The Movie (1978), is a film that tells the tale of Superman’s identity, romantic relationship and battle for the greater good. The film follows Superman as he progresses his romantic relationship with Lois Lane, unaware of the three Krytonian criminals’, General Zod, Ursa and Non, insidious agenda. In conjunction with the three criminals, Lex Luthor escapes from prison determined to destroy Superman once and for all—only furthering the obstacles and tribulations Superman must combat. In Robert Jewett and John Lawrence’s article, Heroes and Superheroes, they explain that there are several types of religious heroes and heroines.
Strong Female Protagonist vs. Violence Superheroes fight crime the whole purpose of superheroes is to stand against some kind of evil. In the standard American superhero narrative, superheroes all battle against villains and villains are almost always portrayed as being physically beaten by the hero. The appeal to superheroes is that they fight crime and beat evil, in any standard American superhero story it is seen that superheroes normally do resort to violence to fight villains. What normally is not shown is superheroes who defeat evil or villains without using any type of violence. It is a rarity in itself that there would be American superhero narratives that do not deploy the use of violence.
But all that changes when he meets Lois Lane, who is the first person to truly understand him even if her childhood or upbringing and pain wasn’t the same as his. She understands him truly for the first time and he understands why he must be Superman, because he must protect his world and she is his
The message that the first episode of Kim Possible conveys about gender roles is how females characters are and should be conveyed as equal in society and media compared to male characters. It conveys that females are capable and the same of male characters and tries to break the gender roles that society has created. The main character in Kim Possible is a female and is a hero that saves many people in distress as they call for her to come save them. Her sidekick is a male character that is not as intelligent as Kim and she is the hero of which she does follow a classic ‘damsel in distress’ trope of which is saved by a male character. It is kind of the reverse of a damsel in distress trope in which the ending is the hero getting the girl and
In fact, every human quality is celebrated in Superman’s character, to its maximum splendor, in the most extreme sense of the term. Almost as a God, representing a divinity. In this sense, Superman is a God’s representation. Conversely to most of the other characters who would then follow Superman, he does not wear any mask, neither a costume, because he does not have the need to hide his identity. Detail that does not have to be underestimated, as the costume is seen as the representation of superheroes’ skin, its appearance facing the world.
3). Jeff Alexander's wife is just one example of how many non comic reading women may feel about superhero culture. Women have played the helpless damsel for a long time and some tire of seeing that. Black Widow however may have changed helped change the industry and has a strong and independent personality that women may embrace and want to see (Alexander, par. 3). Female superheroes have hardly ever been the main characters in comics even though the evolution of feminism continues to grow.
Former Man of Steel, Dean Cain, claimed that this version of Superman was extremely dark as compared to Superman he knew. I am actually okay with DC being dark but not everyone. For example, a person who has no knowledge of comic books wouldn’t want to go to see a DC movie because he would think that it is boring. There is not much action and they just tell story in a dark way which could be boring. DC has announced that their upcoming Justice League movie will have some humor since it has The Flash and Flash has been known for his funny nature.
However, this simplicity plays in its favor, showing each element in a clear and orderly way, unlike "Batman vs Superman: Dawn of Justice" and "Suicide Squad"; other DC Comics tapes that were a disaster in this regard. This has also allowed it to be considered one of DC Comics’ best film since the Batman trilogy directed by Christopher Nolan. Its lack of transcendence in the narrative field has, as a result, a story that hardly displeases, but that for the most demanding public ends up being insipid and even boring in some moments. Apart from this, the performance of Gal Gadot, who plays the Wonder Woman, has outperformed his most popular male counterparts, namely Ben Affleck's Batman and Henry Cavill's Superman.
The article expounds upon the characters: Harley Quinn, Catwoman, and Poison Ivy. The author discusses how these female fatales were seen as a threat because of their power and authority. They are objectified because they used their sexuality in order to achieve their goals. For example, Batman recounts to Albert, his butler how Harley Quinn used her sexuality in order to advance her goals to become a psychiatrist during graduate school. In the franchise, the characters exhibit a defiance of societal norms. As a result, the women are portrayed as dangerous and monstrous. However in order to survive in society, they each rely on their displays of sexuality and seduction to advance their motives. For example, Poison Ivy uses her feminine symbols such as kisses and flowers for destructive purposes. The author adds how there are differences between male and female villains, especially when it comes to verbal connotations of labeling. They are often underestimated, especially when fighting men, who are hindrances in the women’s path. However, they are also punished when they are seen as “too powerful”. For example, the Joker punishes Harley Quinn when she comes closer than hi to defeating Batman. These female fatales exemplify what