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An interview with a Korean American on cultural differences
Culture and national identity literary essay
Culture and national identity literary essay
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In “The Good Daughter” Caroline Hwang writes about her struggle between two cultures as an American and as a daughter of Korean immigrants when she got corrected for mispronouncing her last name by a fellow countryman. She confronted her mother about it, but her mother replied that mispronouncing her name is not a big deal because she is an American and Caroline began to wonder if she would be happier if her parents stayed in Korea. Caroline Hwang's narrative expresses a truth about the pressures and demands made by some immigrant parents wanting their child to grow up in the best social environment and be successful without thinking what their children really want to achieve. On the scene where the dry cleaning lady didn't recognize her as
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
Written by Margaret K. Pai, the Dreams of Two Yi-min narrates the story of her Korean American family with the main focus on the life journeys of her father and mother, Do In Kwon and Hee Kyung Lee. Much like the majority of the pre-World War II immigrants, the author’s family is marked and characterized by the common perception of the “typical” Asian immigrant status in the early 20th century: low class, lack of English speaking ability, lack of transferable education and skills, and lack of knowledge on the host society’s mainstream networks and institutions (Zhou and Gatewood 120, Zhou 224). Despite living in a foreign land with countless barriers and lack of capital, Kwon lead his wife and children to assimilate culturally, economically, and structurally through his growing entrepreneurship. Lee, on the other hand, devoted herself not only to her husband’s business but also to the Korean American society. By investing her time in the Korean Methodist Church and the efforts of its associated societies, such as the Methodist Ladies Aid Society and the Youngnam Puin Hoe, Lee made a worthy contribution to the emergence and existence of Hawaii’s Korean American community.
In their articles, Chang Rae-Lee and Amy Tan establish a profound ethos by utilizing examples of the effects their mother-daughter/mother-son relationships have had on their language and writing. Lee’s "Mute in an English-Only World" illustrates his maturity as a writer due to his mother’s influence on growth in respect. Tan, in "Mother Tongue," explains how her mother changed her writing by first changing her conception of language. In any situation, the ethos a writer brings to an argument is crucial to the success in connecting with the audience; naturally a writer wants to present himself/herself as reliable and credible (Lunsford 308). Lee and Tan, both of stereotypical immigrant background, use their memories of deceased mothers to build credibility in their respective articles.
For immigrant, minority, or English learning student, name has historical and hereditary significance. They may have stories behind their name which are suppressed when they are regularly compelled to adjust to an “Americanized” setting. However, that transition forces students to take name that do not define them. Yee Wan moved to United States from China when she was 17. When she enrolled to a school at United States, she was forced to change her name-- she had to decide whether to keep her native name or change to American name so that it would be easier for her teachers to pronounce her name. Realizing that there was no choice, she had to change her name to Winnie. (McLaughlin 1). Similarly, Michelle-Thuy Ngoc is a US born teen
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
Koreans are the third largest and fastest growing minority populations in the United States. They are mainly middle to upper middle class, well-educated individuals who are strongly defined by their native culture. This population is defined by three groups: first generation- which are people born in Korea to Korean parents, who have immigrated and reside in the United States, and are either American citizens or have obtained permanent status. A very small part of this population is made up of college-age young adults who have student visas who may or may not have established family or social support. The second generation is comprised of individuals born in the United States to first generation Korean parents. There is a third group, who are individuals who have been in the United ...
The subject of this paper is Liz, a 52-year old, 1.5 generation female immigrant from Hong Kong. What this means is that she immigrated to the United States when she was a child, around 7-years old (Feliciano Lec. 1/4/2016 -. As a child of a family that consists of five siblings and two parents that did not speak any English prior to immigrating, the focus of this paper will be on the legal processes that the family went through to become legal immigrants and the various factors that aided in her path towards assimilation. Liz’s family is from a city called Kow Loon in Hong Kong.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
Sin Sun Far’s “In the Land of the Free” explores the theme of maternal love through the characterization of Lae Choo as a symbol of the sacrifice immigrant parents make for their children’s’ futures. The mother speaks about the severance of her son being away from her. “You do not know –man- what it is to miss the feel of the little fingers and the little toes and the soft round limbs of your little one” (133).
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Throughout Asian American literature there is a struggle between Asian women and their Asian American daughters. This is the case in The Joy Luck Club, written by Amy Tan and also in the short story "Waiting for Mr. Kim," written by Carol Roh-Spaulding. These two stories are very different, however they are similar in that they portray Asian women trying to get their American daughters to respect their Asian heritage. There are certain behaviors that Asian women are expected to have, and the mothers feel that their daughters should use these behaviors.
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
It is hard for anyone to let go of their past, whether their memories are painful or pleasant. The past is an especially tricky topic for immigrants, who might be able to divide their lives into two; before migrating and after. Immigrants must choose not only how to relate to their past but also how to explain their past to their offspring. In The Gangster We Are All Looking For, lê thi diem thúy tells the story of her family’s immigration to America through detailed vignettes from her mother’s and father’s life. Her mother especially has struggled relating her past to her present. Ma sees the struggle of talking about her life in Vietnam as an opportunity to omit and erase the negative memories from her past. In Vietnam, Ma spent most of her
"Two Kinds" by Amy Tan is about the intricacies and complexities in the relationship between a mother and daughter. Throughout the story, the mother imposes upon her daughter, Jing Mei, her hopes and dreams for her. Jing Mei chooses not what her mother wants of her but only what she wants for herself. She states, "For, unlike my mother, I did not believe I could be anything I wanted to be. I could be only me" (Tan 1). Thus this "battle of wills" between mother and daughter sets the conflict of the story.
In this interview Ben Bagley asks Theresa Han about the difference between Korean and American culture. Theresa is a teenager who recently moved to the United States so she has an excellent perspective for understanding the differences and similarities between these countries.