Romanticism in Music Romantic: of, characterized by, or suggestive of an idealised, sentimental, or fantastic view of reality… concerned more with feeling and emotion than with form and aesthetic qualities. The Concise Oxford Dictionary, Eighth edition, 1991. The term romantic first appeared at sometime during the latter half of the 18th Century, meaning in quite literal English, "romance-like", usually referring to the character of mythical medieval romances. The first significant jump was in literature, where writing became far more reliant on imagination and the freedom of thought and expression, in around 1750. Subsequent movements then began to follow in Music and Art, where the same kind of imagination and expression began to appear. In this essay I shall be discussing the effect that this movement had on music, the way it developed, and the impact that it had on the future development of western music. Origins of Romanticism -- a Revolt Against Classicism In many respects, and with hindsight, it seems natural that the Romantic composers and writers would take a new direction in their approach to expression, reacting against the classical and neo-classical ideas of reason and order from the previous age. It was a revolt against classicism, and against the pre-prescribed rules that defined it. The main catalyst for this change was the French Revolution in 1789, where the French monarchy and aristocracy was overthrown by a rebellion of the people and France became a republic. This, in a musical sense, had an immediate impact on French opera, with the emphasis of the stories now beginning to be drawn into the present as opposed to the ancient world, and the old hierarchy of the Gods and feudal systems. T... ... middle of paper ... ... Britain: The Romantic Age 1800-1914, Nicholas Temperley, (1981), Athlone Press London The New Oxford History of Music, OUP The Oxford History of Music, OUP The Oxford Concise Dictionary, Eighth Edition, (1991), OUP WEB RESOURCES: Emory University Website, www.emory.edu/music (Dec 2000) Music History 102, www.ipl.org/exhibit/mushist (April 1999) MISU Website, by Dr. Monty Cole, (Dec 2000) www.misu.nodak.edu/woods/Music_Appreciation/Lecture_Notes/Romanticism/romanticism.html WH Smiths Web Resources, http//ebooks.whsmithonline.co.uk/encyclopedia, Excerpts taken from The Hutchingson Family Encyclopedia, (2000). ARTICLES: Taken from articles written for introductions of albums of the same name. Dvorak's Symphony no. 9, Lionel Salter, (1980) Edward Elgar's Enigma Variations and Cello Concerto in E Minor, Michael Kennedy, (1985)
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
For many, saying or hearing the word romanticism evokes numerous stereotypical and prejudged definitions and emotions. The biggest reason this probably happens is because of how closely romanticism sounds like romance. The similarity of the sounds and spelling of the two words can lead to some thinking that the two words mean the same thing or are closely related. Although romanticism and romance do share some similarities in their spelling and pronunciation, they couldn’t be more different. In the Merriam Webster Dictionary, romance is defined as, “a love story”.
Romanticism has been described as a “‘Protestantism in the arts and letters’, an ideological shift on the grand scale from conservative to liberal ideas”. (Keenan, 2005) It was a movement into the era of imagination and feelings instead of objective reasoning.
In this essay I am going to be looking at Richard Wagner’s most Influential Opera’s “ Der Ring Des Nibelungen” also known as ‘The ring Cycle.' This cycle is made up of four operas.It begins with the beginning of the world and ends with the fall of the world. This piece begins as a mythic story and ends with modern humanity. This work in total is sixteen hours in length.I will be looking at the story behind the first opera or introduction entitled ‘Das Rheingold,' as well as his use of motifs and his use of development throughout the opera. The aim of this essay is to give a brief understanding of the complexity of western music in the 1800s.
Western Music has developed in many ways since the middle ages through its form, sound, and message. Throughout these different periods in western music one thing has remained constant, the true essence of music, a way to communicate with someone on a much more divine level than be by rudimentary conversation. Though Ludwig Van Beethoven and Paul McCartney may seem completely opposite they have one in common through their music they changed the world’s perception of its self
{Stephen Leacock} (Romantic: Displaying, expressive of, or conducive to love {Farlex Loving/ Passionate/ Tender/ Amorous/ Adoring/ Sexual/ Starry-eyed/ Idealist/ Optimist/ Dreamer);
Encyclopædia Britannica gives us a very broad, yet elegantly stated, definition for Romanticism: “Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental. ”1 Romanticism evolved as a reaction to the philosophies of Classicism and the Enlightenment. This new ideology rebuffed its predecessor’s rationalist ideals, including order, harmony, and balance. Romanticism rose into prominence out of the ashes of the French Revolution in the 1790s and remained as the dominant philosophy until about the 1860s.
When many hear “Romanticism” they think of love, but Romanticism isn’t mainly about love. Yes, it may have some love, but it’s also about reasoning, nature, imaginations, and individualism. Like American Romanticism, that occurred from 1830 – 1865. It was actually caused by Washington Irving and James Fenimore Cooper. For Americans, “it was a time of excitement over human possibilities, and of individual ego. American writers didn’t know what “America” could possibly mean in terms of literature, which was American and not British. It questioned their identity and place in society, creatively” (Woodlief). It was characterized by an interest in nature, and the significance of the individual’s expression on emotion and imagination; good literature should have heart, not rules. Some of the most famous authors who wrote during American Romanticism were Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Henry David Thoreau, and Ralph Waldo Emerson. American Romanticism is important because it was the “historical period of literature in which modern readers most began to see their selves and their own conflicts and desires”. Romanticism was a literary revolution.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
"Romanticism." Gale Student Resources in Context. Detroit: Gale, 2012. Student Resources in Context. Web. 27 Apr. 2014.
Ludwig van Beethoven, the famous German born composer and pianist, composed the Romance in F major in 1798. It was likely first performed in that year, but was not published until 1805 in Vienna. It was originally written for violin and orchestra but the edition being performed today was transcribed and edited for saxophone and piano by Peter Saiano. During this period of his life, Beethoven was still known as perhaps the greatest pianist in existence and he was busy touring Europe as a performer. He had not yet achieved the status he now holds as a composer, and during this period he was also working on his first set of string quartets.
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).
The definition of Dark Romanticism varies. It is used by different people in diverse situations. Some may describe it as a Gothic novel from the eighteenth -century while others remember the word being used to describe pop music from the 60’s and 70’s. Consulting a dictionary to find the actual meaning of the word, it was a surprise to not find the term “Dark Romanticism”. However the terms “dark” and “romantic” were there. The definitions gave an understanding that the term Dark Romanticism is in fact, a contradiction. The dictionary stated that dark romantic may be sentiment...
Romanticism was an artistic and literary movement that began in the late 18th century Europe that stressed the individual’s expression of emotion and imagination, glorification of the past and nature, and departure from forms of classicism. The movement emerged as a reaction against the ideas
Romantic music was a different form of music that didn’t focus on religion, political or social tendencies. According to Lawrence Kramer the author of the book Why Classical Music Still Matters, “historically, the ideal of romantic love, tended to substitute for broader schemes of political, social, vocational, or religious meaning, as part of an increasing general tendency to rely on private rather that public schemes of fulfillment.” Meaning that romanticism had an impact on music in which religion, political and social meanings were substituted by a new form that rely on private situations instead of general public situations. This music form influenced the most in modern music because most of them are not based on