Paul Laurence Dunbar Sympathy Essay

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Captivity can occurs behind closed doors, outside the view of the general public. Even in plain sight it remains unseen as it hides behind something generally perceived as beautiful. This makes it easier to continue, overlooked and justified. Paul Laurence Dunbar speaks up for the misunderstood captives around the world and throughout history through his poem, “Sympathy.” This poem brings to light the nonsensicalness of believing a caged bird’s song to be representative of anything short of a broken spirits prayer for freedom. Dunbar wishes for his audience to stop admiring the song of the caged bird and to set it free. In “Sympathy,” Dunbar uses the imagery and controlling metaphor of a caged bird to describe the reflected perspective between …show more content…

It is evident that Dunbar is the one relating to the caged bird as indicated on the first line, “I know what the caged bird feels alas” The captive’s experience is one both man and bird share intimately. In order for Dunbar to have sympathy for the bird he must have known a similarly disguised entrapment. He compares his own woe to the birds. In line 15, Dunbar proclaims “I know why the caged bird sings, ah me.” This is the only time the word “me” is used in the poem. It is placed as punctuation as if to exclaim, ‘I know why I sing!’ The use of metaphor to portray a misunderstood captivity, throughout the poem, is a repeated habit of beginning and ending each stanza with “I know,” and filling up each middle with “him” and “his.” Within the poem, the pronoun “he” is in reference to the bird, where “I” is referencing Dunbar. This repetitive back and forth grant the illusion that Dunbar and the bird are interchangeable. This also aids with the understanding that like the bird, Dunbar’s ill contentment with his situation has been misread. The captor is a third party to this poem, though not mentioned directly within. The captor is the intended audience to the poem, as though Dunbar were the bird’s interpreter. Line 20 begins with an indent and reads “But a plea, that upward to Heaven he flings.” He is correcting the misinterpretation, and restating it as it was …show more content…

He begins and ends the second stanza with “I know why the caged bird beats his wing.” The use of the word “know” here, is almost in answer to a halfhearted secret. As if in response to an idle wonder as to why a bird might fly against the bars of its cage. Perhaps a wonder of a captor as to why its prey attempts escape at its own peril. This question hangs idly for the captor because it is clear that the bird’s attempts to fly through the bars cannot succeed. Dunbar ends by declaring the heart of the miscommunication between bird and captor. The concept of man and bird being one is sealed as the third stanza again repeats the metaphor. “I know why the caged bird sings.” When he says “know” a third time he is more declaring that the captor does not choose to know. The captor prefers to see the bird rejoicing in its condition, rather than admitting to himself as Dunbar demands, that the bird’s song is a lamentation towards the freedom to which the bird knows it belongs. These three phrases not only reaffirm Dunbar’s oneness with the bird but simultaneously describe the movement from longing for freedom to beating wings to singing as one in the same. The caged bird, like Dunbar, feels his wings beaten and can do little more than sing, as Dunbar might pray for assistance. The metaphor of a caged bird representing Dunbar’s masked bondage can be seen through the

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