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Art deco history of art & design
Art deco history of art & design
Art deco history of art & design
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The Art Deco movement had its beginnings in Paris, at the 1925 Exposition Internationale des Arts Decoratifs which was a showcase for new inspiration and was initially meant to advertise the authority of the French in the creation and manufacturing of luxury goods. With a small, yet faithful following from the early 20th century, Art Deco evolved from nationalism, Art Nouveau, Cubism, Futurism, Neo-Classism, and modernism, and flourished after World War 1, achieving global popularity between the two world wars, primarily in the jazz age of the roaring 20's and 30's. As a result of a civilization ravaged by war and the deprivation and poverty that follows war, intertwined with the hopefulness of the machine age and the new women's liberation …show more content…
It was the Swing era of jazz music, big bands, and flappers, as well as the birth of the silent movie and silver screen charm where celebrities reveled in lavish indulgence. As a result of the considerable reforms in social, personal and economical matters of post World War 1, expensive, hand crafted and formal Art Nouveau lost its support and was replaced with a new design concept of mass produced modernism. The jumbled floral patterns, pastel colors and the overly decorative curls and designs of Art Nouveau were cleared down to angular geometric shapes, uncomplicated, vivid and striking colors, crisp shapes and stylish, elegant characteristics of the new style Art …show more content…
Art Deco was heavily influenced by mass travel and the ‘mysticism' it represented. As travel wasn't as widespread and easily accessible as it is today, the fantasy of far of lands with exotic people, cultures and fashion became almost an obsession, and motifs which represented far off reaches of the globe like the sunburst from ‘the land of the rising sun' Japan, zigzag and chevron patterns from the Aztecs, Triangles and hieroglyphics from Egypt, as well as tribal patterns from Africa, as a few examples. European interest in Eastern art was first stimulated by trade in the 16th and 17th centuries. By the 19th century with the arrival of the railroad and steamship, lands that were previously unknown to westerners became accessible. Interior Decoration and Decorative arts were associated with romantic fantasies of opulence and "barbaric splendor". Other influences were a result of England's massive control over lands in the Pacific, India, China, and Africa. By mid 19th century, many eastern forms of design and ornamental motifs made its way into the European Decorative
In the 1940s, much was changing in the world due to the effects of World War II, specifically in the parts of Europe. Suffused with dictators and totalitarian governments the artists of the era wanted to escape the environment and embark upon a new journey and a fresh start. America during that time was a capitalist with a culturally and ethnically rich background in music, films and fashion. This was the best opportunity for the artists to visit America. Thus a group of artists with their modernistic approach, went to New York City and started a new wave known as the “The New York School”. To come up with originality, the American designers inspired by the European Avante Grante/Modernistic art, added new techniques and concepts which created a complete new direction in art and design that shifted the world’s attention.
He used the ideas from Art Nouveau, Art Deco, constructivism, and fellow artists like Wassily Kandinsky. Art Nouveau was a movement from the late 19th early 20th century, that inspired the use of geometric, and organic forms, ultimately making natural forms more angular. Art Deco was a material style movement from the 1920s, that was a blend of modernity with classical pasts. Those were expressed through geometric shapes and streamlined forms; it was a sophisticated kind of elegant. Constructivism movement was one of art and architecture that was geared towards unity or social change since it developed after World War I. The style of the movement was abstract and accepted modernity, normally geometric, but was preferred to be of objective form not subjective. Artists like Wassily Kandinsky were abstract expressionists, embracing the expressionism movement, that was geared towards showing emotion and universal themes. They blended the concepts of surrealism and abstract art to generate a style that fit postwar moods (anxiety, trauma). Bubbles used key elements of all these movements that were before his time in his work, which defined his style. He used the elements of color, geometry, symbols, and art history, as well as others in his visual designs. The styles used in Bubbles work always went against what society accepted as design
Futurism celebrated advanced technology and urban modernity. Destroy older forms of culture and demonstrate the beauty of modern life, the beauty of the machine, speed,
Art Deco was a style that flourished throughout 1910 to around 1935. Known for its advancements in the art of advertising, the style had begun to prosper around the start of World War I (1914 – 1919), and had further developed to become a combination of various styles, as well as a rebellion against the concepts of Art Nouveau. Originally known to be referred to as the Art Moderne style, the name was changed only after the period had already passed its peak. The origin of the name involved the idea of decorative arts, hence the shortened name Art Deco, but previously the style had taken root within the time period of Modernism. Modernists sought to abstract the form and move away from the naturalistic curves found within the Art Nouveau period,
The Art Nouveau style and movement, at its height between 1890 and 1910, enabled a sense of freedom for both its artists and the public as a whole. It offered strikingly original ideologies and transformed both the artistic and the mundane world alike with common characteristics like curvilinear shapes and a sense of the return to the natural and to nature as well as being at the crux of a fundamental change in how artworks were mass produced. The Art Nouveau style seemed to walk between the two worlds: it was simultaneously fantastical and grounded in reality and there was no artist in the period that was better equipped to “know and see the dance of the seven veils,” (Zatlin) than Aubrey Beardsley. It is impossible to fully discuss the value
During a time when the population was only around 132 million, versus today’s 318 million, and swing music would fill every room, the children were happier and families were richer. With no problems, society focused on entertainment and passion, leading to a decade of fads reminisced today. Inspiring today’s fashion and music, the 1940’s played an instrumental role in creating history in the American culture. While we still have reminiscence of the $43 billion debt from back then in our trillions, moments such as jitterbug dances and Casablanca reruns define the Swing Era. With life expectancy up in the sixties, people had years of life to live and make the world their own. With discoveries beyond Antarctica and news greater than Truman’s next
The Art Nouveau movement stands as a marked shift in artistic production and artist liberties as it existed between two worlds: it was simultaneously fantastical and irrevocably real. It offered a return to the natural with characteristics like meandering curvilinear shapes and bold colorings. There is no artist within the Art Nouveau movement that was better equipped to “know and see the dance of the seven veils,” (Zatlin, 8) than Aubrey Beardsley. To attempt discussions of the complexity of Art Nouveau without including Beardsley is to not fully envelop the movement and style, as Beardsley himself moved between the two worlds of the fantastical and the real. He illustrated the sexuality and grotesque decadence of the era while maintaining
American abract work has became more acceptable for some artists who all had something in common. It gave artist their own emotional them of how he or she feel. Most of the Abstract Expressinism matured in the early 1900s and it came to be more personal to them. By the 1940s most artist has left their styles behind and also learned much from their early work. It also encouraged them create something new that he or she has never done before. It also made it easier for them blend more colors and add more colors to their work to creat a new theme or colors all away around. Most European modernists began to come to New York in the 1930s and 40s to escape a upheaval and war. New York was a things for artists to become famous and show their artwork.
In addition, there was a need to politically regroup. With a lack of a stability, the art world went through many changes, including many of its artist fleeing to America. A few remained such as Pablo Picasso and Pierre Bonnard. Modernism grew as artists felt that the traditional forms of art and architecture were becoming dated in the time where there was a new economic, social, and political formations rising due to the upcoming industrialized world. Consequently, 1950s, Switzerland and Germany developed a design movement called International Typographic Style. This design movement spread throughout the world and is still being used today. Just after World War II, minimalist elements were evident as seen in the use of system of grids and sans serif type. Evolving from Futurism, Constructivism and the Bauhaus, this system was based on the idea that the typography should be totally clear allowing no distraction from the content. In this modern style historical traditions are disregarded. This international style allowed for it to be used and adaptable to many sectors like architecture, furniture and graphic
Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and
Arts and Crafts: This movement was similar to the Art Nouveau, although it began in Great Britain in the late 19th Century. In architecture, the style advocated a return to the Gothic architecture in order to restore the values missing in the industrialized world. “Perhaps nowhere else does art and architecture capture this vernacular and cultural landscape as perfectly as is the case in New Mexico.” (Cummings, 2001, p. 8)
The pop art movement is an artistic movement that began in the mid 1950s to early 1970s, reaching its peak in the 1960s. Pop art began in New York by artists Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg.
By 1914, tradition was already broken in literature and virtually everything was taking the trend of modernism. Almost everything was being focused on being modern. This is from cubism, futurism, expressionism, and pure abstraction in painting, abandonment of tonality in music and functionalism, and flight from ornament in architecture (The Arts p. 179). In 1914, modernity was already famous and many people who would b...
They all stressed the importance of handmade, decorative, ornamental and functional designs. William Morris started the movement as a reaction against the machine and stressed the importance of working with your hands. He didn’t see the beauty in mechanically produced things and neither did Art nouveau artists and Modernista architects. They all collectively stressed the importance of new never before seen structures and styles that would inspire people and bring beauty to a world that was becoming bland and repetitive.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.