Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Use of Symbolism
Use of Symbolism
The use of symbolism in the novel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Animals come to represent, both purity and the relationship human beings have with the world. Animals play a key role in Timothy Findley’s novel, The Wars, whether it's for the interference, necessity, affection or compassion towards the characters. In The Wars, several characters share this close bond with the animals, that serve to emphasize the different qualities of each character’s personality. The animals connect with the main character, Robert Ross, in ways that reflect his uncommon character and the obstacles that he faces throughout the war. Robert enlists into the army as a Canadian soldier, shortly after the tragic death of his younger sister, Rowena. Throughout the novel, Robert grows a connection with the soldiers in the dugout and to several animals he meets along his journey. Many of the characters highlighted by Timothy Findley, have a deep respect and admiration for the natural world, despite having the setting taken place during the war. Yet it is between all, Robert Ross feels the greatest reverence and appreciation for the animals. The link between Robert Ross and the animals such as, rabbits, horses, coyotes and birds, shows the reader that human nature is not much different from animal’s nature. Robert shares a special relationship and bond with animals, in particular rabbits. The rabbits are a symbol of Rowena, not only because they were her prize possession, but also because the rabbits remind Robert of his younger sister. Both Rowena and the rabbits are characters of innocence and purity. Being considered as small, fragile and precious to those who love and look after them. Findley uses the rabbits to evoke feelings of guilt from Robert, during the constant appearances in the novel. When Rowena dies, R... ... middle of paper ... ...n rabbits, Robert’s sense of protection is perceived in the presence of birds and his wild edge is from the coyote. This is an indication that animals and human beings are essentially one being, struggling for survival within a harsh world. Works Cited Reynolds, Ann. "The Wars." Masterplots II: British & Commonwealth Fiction Series (1987): 1-4. Literary Reference Center. Web. 9 Apr. 2014. Sanderson, Heather. "Robert And Taffler: Homosexuality And The Discourse Of Gender In Timothy Findley's The Wars." Textual Studies In Canada 8 (1996): 82-95. Literary Reference Center. Web. 9 Apr. 2014. Kich, Martin. "The Wars." Cyclopedia Of Literary Characters, Revised Third Edition (1998): 1. Literary Reference Center. Web. 9 Apr. 2014. YORK, LORRAINE. "Wars, The (1977)." Oxford Companion To Canadian Literature (1997): 1168. Literary Reference Center. Web. 9 Apr. 2014.
Robert's encounter with the coyote is a significant step in his understanding of animals and, in turn, this leads to a greater understanding of himself. For Robert to be a soldier, it is important for him to see the point of view of a hunter. He learns from the coyote that a hunter must be generous and kill only in order to survive ("Animals and Their Significance" 1). Robert follows the coyote and watches as it passes two gophers and does not even "pause to scuffle the burrows or even sniff at them. It just [goes] right on trotting--forward towards its goal" (26). The coyote seems to sense Robert's connection with animals and realizes that he is not a threat. This is why the coyote continues to let Robert follow behind when it knows he is there. They drink together at the river, enjoying a "special communion" (Pirie 73). Then the animal tries to communicate with Robert by barking at him, "telling Robert the valley [is] vacant: safe" and then barks another three times to announce its departure (28). When Robert returns to the base, he pays the price for his time with the coyote and is confined to the barracks, but the experience has a profound impact on him. In his confinement, he feels as if the coyote has become a part of him, and he wishes "that someone would howl" (28).
Hicks, Patrick. "War, Literature and the Arts." War, Literature and the Arts. An International Journal of the Humanitie, n.d. Web. 6 Dec. 2013. .
The Wars written by Timothy Findley shares a great relation to many of the ideas surrounding postmodern society, thus implementing many of the prominent ideas of the time around politics and societal norms into the plot of the story itself. Findley successfully depicts the plot of the novel taking place in the early 1900's; a time in which the western world was emerging from an industrial revolution, bringing radically foreign ideas on politics in the world, including the materialization of the Marxist political theory. The seemingly negative reception of the Marxist theory has denied it the right as a valid political view. One thing that cannot be denied is that a majority of the foundational ideas of the theory, describe basic human society and nature very accurately, which is something Findley explores in depth. The ideologies of power, class, and struggle are key factors in Marxism. These are the ideas that usually dictate; many of the actions that we make as people and in the journey's that we encounter in our lives. "Marxism attempts to reveal the ways in which our socioeconomic system is the ultimate source of our experience" (Tyson 277). The protagonist in The Wars ,Robert Ross, is an example of this experience. He is a young man from an elitist family that encounters these ideologies throughout his journey. The archetypal journey of Robert Ross in The Wars contains many elements of political theory from Marxism, showcased through the class system, the distinction between the oppressors and the oppressed, and the revolutionary actions that occur.
Sigmund Freud once argued that "our species has a volcanic potential to erupt in aggression . . . [and] that we harbour not only positive survival instincts but also a self-destructive 'death instinct', which we usually displace towards others in aggression" (Myers 666). Timothy Findley, born in 1930 in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars. It is human brutality that initiates the horrors of World War I, the war that takes place in this narrative. Findley dedicated this novel to the memory of his uncle, Thomas Irving Findley, who 'died at home of injuries inflicted in the First World War" (Cude 75) and may have propelled him to feel so strongly about "what people really do to one another" (Inside Memory 19). Findley feels a great fondness for animals, and this affection surfaces faithfully in many of his literary works. The Wars is a novel wrought with imagery, and the most often recurring pattern is that of animals. Throughout the novel, young Robert Ross' strong connection with animals is continually depicted in his encounters with the creatures. Findley uses Robert to reveal the many similarities between humans and animals. The only quality, which we humans do not appear to share with our animal counterparts, is our inexplicable predisposition to needless savagery.
Throughout Timothy Findley’s The Wars novel, Robert Ross has a special connection to nature and wildlife. He is happiest when connected to the animal world, especially horses. By the end of the novel, Robert realizes he has no regard for human life, instead he feels peace and belonging when he is with animals and will do anything to protect them even if it costs him his life. The animals Robert has a special connection to the most and contribute to his ties to nature getting stronger are the coyote, the horses, and the dog.
Robert Ross is a sensitive, private boy; last person you would expect to sign up to fight in World War One. In The Wars by Timothy Findley, symbols are used in conjunction with Ross’ story to cause readers to reflect on symbols in their own lives, and to allow then to dive deeper into the world of an innocent boy who is placed into a cruel war. The various symbols in The Wars provide for a graphic and reflective reading experience by emphasizing Robert’s connection with nature, his past, and his experiences during the war.
The title of this novel, “The Wars” is illusory. Upon first glance, it makes one expect a protagonist who goes to an actual war, uses physical strength to fight on the battlefield and becomes a war hero.While part of that is true, there are also other significances of the war associated with this title. This novel recounts the journey of the protagonist, Robert Ross as he starts out as a shy, introvert and an inexperienced person before he goes to war; he experiences a change in himself as a result of the people and the battle(s) that he fights with the factors in his surroundings. Therefore, “The Wars” doesn’t necessarily mean the war with the enemy but it includes the wars at home, wars against nature and wars of relationships. Which
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
Robert Ross is a pure, righteous, ethical person in the beginning of the novel; he obtains a strong morality. Roberts’ integrity prevails when Mrs. Ross asks Robert to murder Rowena’s rabbits. “Why do the rabbits have to be killed? …I’ll take care of them. Please!!! Robert-control yourself. Silence. Who’s going to kill
...ks with Robert throughout the whole book is his sister and her care and love for animals.
Norman, Mailer. The Armies of the Night: History as a Novel, the Novel as History. New York: Plume, 1995. Print.
Slay, Jack, Jr. "A Rumor of War: Another look at the Observation Post in Tim O'Brien's Going After Cacciato." Critique 41, No. 1 Fall 1999: n. pag. Rpt. in Contemporary Literary Criticism. Vol. 211. Detroit: Gale, 2006. 193-96. Literature Criticism Online. Web. 14 Apr. 2014.
Ellison, Ralph. "Battle Royal." Making Literature Matter: An Anthology for Readers and Writers. 5th ed. Boston: Bedford/ST. Martin's, 2012. 1494-505. Print.