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Gender issues in the joy luck club
Gender issues in the joy luck club
Gender issues in the joy luck club
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Mother-Daughter Relationships in Amy Tan’s Joy Luck Club
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
The hardest problem communicating emerges between Suyuan and Jing-Mei. Suyuan is a very strong woman who lost everything she ever had in China: "her mother and father, her family home, her first husband, and two daughters, twin baby girls" (141). Yet she finds the strength to move on and still retains her traditional values. She remarries and has Jing-Mei and creates a new life for herself in America. She is the one who brings together three other women to form the Joy Luck Club. The rift is the greatest between Suyuan and June. Suyuan tries to force her daughter to be everything she could ever be. She sees the opportunities that America has to offer, and does not want to see her daughter throw those opportunities away. She wants the best for her daughter, and does not want Jing-Mei to ever let go of something she wants because it is too hard to achieve. "America is where all my mother's hopes lay. . .There were so many ways for ...
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...ght to America" (31). The trip she makes finally helps her to understand just where her mother was coming from, why she was the way she was, and she began to forgive her for all the misunderstandings they had.
The rifts between mothers and daughters continue to separate them, but as the daughters get older they become more tolerant of their mothers. They learn they do not know everything about their mothers, and the courage their mothers showed during their lives is astounding. As they get older they learn they do not know everything, and that their mothers can still teach them much about life. They grow closer to their mothers and learn to be proud of their heritage and their culture. They acquire the wisdom of understanding, and that is the finest feeling to have in the world.
WORKS CITED
Tan, Amy. The Joy Luck Club. New York: Random House, 1989.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
The Greek army’s greatest warrior during the Trojan War, Achilles was born of the goddess Thetis and the mortal Peleus. (Murnaghan, 1997, p.xxv)“Strong, swift and godlike” as Lombardo translating Homer puts it (1997, p.5), his presence on the battlefield reverberated fear through his enemies. Being a general in the Achaean army, his original rationale as to engage...
In Amy Tan's The Joy Luck Club, four Chinese born mothers and their four American born daughters tell stories from their own point of view about their relationships with one another. These four mothers demonstrate the finest parenting by trying to keep their heritage alive and educate their daughters, while being immigrants. Through the mothers' actions, they are able to teach and influence their daughters about their Chinese heritage, about everyday life and situations, and how to stand up for themselves all while being in an overwhelming American society.
Within The David Story, the Hebraic code of justice revolves around retributive justice and how it is administered by God. Simply stated, talio is the law of God. This law is a form of retributive justice, more so a punishment identical to the crime committed. All Kings of Israel must be chosen by God, and undergo a number of steps to ascend to the throne. The first king, Saul, loses the divine favor of God after his disobedience is showcased. His predecessor, David, acts out unjustly and also loses divine favor. Once God's scornful words come to fruition, both David and Saul bear the brunt of their wrongdoing. This justice creates a sense of equilibrium weighing one's offenses against one's punishment, and balances them. Within The David Story, the law of talio is defined by God, and once Saul and David disobey God's commands, the law of talio is used in a manner in which fits their crimes and sets out for justice, and like punishments for their crimes.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Ares was is an Ancient Greek god who was common throughout Greek mythology because of his important powers and symbols. Often, Ares is still written
Most of the conflicts that June and her mother face are based on misunderstandings and negligence concerning each other's feelings and beliefs. June does not understand or even fully know her mother because she does not know about her tragic past and t he pain she still feels from the memory of it. Because Suyuan lost two daughters in China, and her entire family was killed in the war, she leaves this place behind her and places all of her hopes in America and her family there. She wants the very best for her daughter June. Even her name, Suyuan, meaning "long-cherished wish," speaks of this hope for Jing-Mei, meaning "the pure, essential, best quality younger sister." Suyuan tells her daughter June that she can be anything she wants to be, and that she has great talent. At first June is excited and dreams about what she will become: "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and father would adore me. I would be beyond reproach. I would never feel the need to sulk for anything." (Tan 143) Suyuan pushes June to be successful in many different areas such as dance, academics, trivia, and piano.
In this study, researchers wanted to know young adults’ views of marriage in the United States. In order to do so, they asked simple questions about marriage and commitment to 424 people ages 21 to 38 from various socioeconomic and ethnic backgrounds. The results showed that there are two major types of marital constructs, and two major arguments in the debate of marriage’s current state. The two categories of people who think of marriage are called the marriage naturalists and the marriage planners. Both groups of people have nearly opposite views on the idea of what is needed to be able to have a good, healthy marriage. The major arguments about the current state of marriage in the U.S are the marriage decline and the marriage resilience perspectives. These are also polarized, naturally.
Claybourne, Anna. "Achilles." Gods, Goddesses, and Mythology. Marshall Cavendish Digital, 04 Jan 2012. Web. 13 Mar. 2014. http://marshallcavendishdigital.com/articledisplay/41/8483/89264.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
Ares is the Greek god of war. His parents are Zeus and Hera and he is one of the powerful Twelve Olympians. Although both Ares and his half-sister Athena are war gods, Ares represents the cruel, physical, and violent part of war, while Athena represents the strategic part of war. He was married to the beautiful goddess of love, Aphrodite, in the Iliad. However, Ares was only her lover in the Odyssey.
The theme seems to be about how the expectations of a parent can lead to resentment from the child when the child fails to meet those expectations. The theme is partially set in the opening paragraph with the statement, "My mother believed you could be anything you wanted to be in America" (Tan 1), and again in the second paragraph, when the mother tells the daughter, "Of course you can be prodigy, too" (Tan1). Throughout the story, the mother constantly insists on making of Jing Mei a child prodigy. In the beginning, Jing Mei is excited about the possibility. She even likens herself to Jesus saying, "I was like the Christ child lifted out of the straw manger, crying with holy indignity" (Tan 1). When Jing Mei realizes she isn’t succeeding, she loses hope and so chooses not to succeed. In this she resents her mother for constantly trying to make of her something she is not.
Charles Lane. "Justices to Hear Internet Porn Case" Washington Post. November 13, p. A08. Washington Post Company, 2002