“Temperament lies behind mood; behind will, lies the fate of you character.” Writers use stylistic techniques to help the story really be visualized by the read. In “The Treasure Of Lemon Brown” by Walter Dean Myers the author uses descriptive adjectives and purposeful word choice to develop characters and mood. In “The Treasure Of Lemon Brown” the author uses descriptive adjective to develop the mood and the characters of the story. First, the story talks about “The small pale green kitchen”. The descriptive language helps you visualize the the kitchen, you can infer the kitchen is old and not very appealing. Second, the story states “Then returned the graffiti-scarred building to the grim building.” This helps describe the mood, bleak
Sherwood Anderson depicts all the characters throughout his 24 short stories as a grotesque. He prefaces most of the stories with the old writer’s definition of what it means to be a grotesque. This definition frames how the book is to be interpreted throughout the different stories. Anderson paints every character as a grotesque. However, he does not paint them in the same light. What may make one person a grotesque may not make another person a grote...
Every writer set the tone when it comes to writing their story. In the story “Tell-Tale Heart” Edgar Allan Poe tone for this story was sadness and nervousness. Poe’s character suffers from mental illness which he believe that he do not have. It said it right in the story “True! - nervous - very, very dreadfully nervous”(Par 1). Right there lets the readers know right of the back
In contrast, syntax provides a new perspective to the narrator s behavior as sentence structure draws attention to her erratic behavior. By her last entry, the narrator s sentences have become short and simple. Paragraphs 227 through 238 contain few adjectives resulting in limited descriptions yet her short sentences emphasize her actions providing plenty of imagery. The syntax quickly pulls the reader through the end as the narrator reaches an end to her madness.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
Johnson sets a tone for the reader that changes over time in order to express an alteration in emotion. He first starts comically and unrealistically, saying, “I’m one of the monkeys they’ve got typing,” which is meant to amuse the reader, but then says, “They stay too long… but the bananas flow,” showing confusion of the monkeys; they want to leave but they need the bananas. Toward the end he says, “One keeper killed my father,” showing his grief. These shifts in tone are meant to signify the change in the writer’s attitude over t...
In his style, word choice play a role as evidenced in Arthur Dimmesdale’s last moments when Chillingworth “[tears] away the ministerial bands from before his chest” and the “down he [sinks] upon the scaffold” (210). Here, words like “taken” are replaced by “tore” and falls by “sank.” By doing this, the tone is not monotonous, rather it is theatrical and thrilling. As for sentence structure, it is obvious that Hawthorne’s sentences is unconventional to the modern eye as it uses an unconventional amount of commas. The reasoning behind this is not nearly likely to confuse readers, rather the wordiness adds depth to the story and can keep the intrigued reader thirsty to learn more. In some instances, even a suspenseful tone is created since the sentences are dragged on. The dynamic tone can switch from a peaceful one where the setting is being described to a suspenseful one such as where Chillingworth lurks over Dimmesdale’s sleeping body. This ability to seamlessly flow from one feeling to another adds to the overall flow of the story as well. Hawthorne liberally uses motifs for tone. One example is the repetition of Pearl’s strange yet acute behavior. He does this to emphasize the fact that Pearl is a product of sin. As for tone, it makes for a dreadful tone since Hester does not enjoy being incessantly reminded of her sin and crime. She explicitly expresses this position
Another way the author develops his consistent style is in the way he describes certain images. For example, there are a few different occasions where his way of describing what he sees around him are similar to eachother in a way that they all make reference to the fact that the day is going by and it will soon reach dusk. Like when he said 'the soft dew of morning which had glistened and twinkled on the blades of grass which grew in clumps by the side of road quietly disappeared.'; This indicates that the day is going on. At another point in the story the author makes reference to the shadows saying that they have grown longer, which would indicate the sun was setting. Also, the author never exactly comes right out and says the obvious. He uses his descriptive ways to give you an idea of what is going on or happening. For example, he never exactly says that the man he encounters on the road is an old man. He just gives certain physical characteristics that would associate with an old man. I feel his reasoning for this was to also indicate that this man was not just old but a man of wisdom, which very often is associated with old age.
Style is a literary technique that authors use to reveal information about various aspects of the narrative. Style can be utilized as a way for the audience to read between the lines and unveil key information. Pejorative language expresses criticism and bad opinions. Flannery O'Connor's pejorative style is exhibited in many of her short stories. From the dialogue of a convict in “A Good Man Is Hard To Find” to the thoughts of not so wise Hulga in “Good Country People” her pejorative style unveils the perceptions of characters.
Through Steinbeck’s use of rhetorical devises such as foreshadowing, characterization and symbolism, he is able to covey the cruelty in human nature to the reader. The reality Steinbeck creates in his depression era novel exhibits the cruel nature in all of humanity. Although a tough subject, Steinbeck uses rhetorical devises to create lessons the reader can learn from the cruelty.
Several literary devices are implemented in the novel to convey the author’s experiences and feelings, thus contributing to the overall appeal of the writing. In his younger years
6. What form of figurative language does the author use in line 12 of page 212 to make his writing more interesting?
In John Irving's novel titled, A Prayer for Owen Meany, suspenseful events are of abundance, and there are multiple ways the author creates this suspense. Among these methods of creating suspense, four that stand out are the use of setting, the pace of the story, the involvement of mysteries to be solved, and the ability of the reader to easily identify and sympathize with the protagonist. By placing a character in a gloomy or solitary place, uncomfortable feelings are created, which append to the suspense. Pace and structure of the story also play into the foundation of suspense, as shorter sentences and stronger, more cutting verbs and adjectives are often used to keep the reader highly interested and reading at a rapid speed. Of course, suspense could not be considered what it is if there were no mystery involved. The element of not knowing what is in store for the future and having the urge to find out is the essence of suspense. Also, if the reader cannot easily relate to and sympathize with the character in the suspenseful situation, a loss of interest can arise, and therefore spoil the spirit of the tension. Uncomfortable settings, pace and structure, use of mysteries, and capability to relate to the main character are four techniques that John Irving uses to create suspense.
Diction plays a critical role in the development of the tone in a story. The type of words the author uses directly leads to the tone of the entire literary work. If ...
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.
To be considered a good descriptive essay, according to what I read in, “Essentials of College Writing”, a descriptive essay must use specific language, use specific d...