Insidious Decoded Insidious was released on July 21, 2011 and was directed by James Wan. James Wan is a very credible director. He won 10 awards throughout his directing career. This is a mystery and horror film that is about a family that thinks their house is haunted, and how they figure out that it’s not the house that’s haunted. It’s their son being possessed by some spiritual entity. The poster uses different ways to persuade the audience to come to see the movie. The ways include Ethos, which appeals to the audience through ethics and credibility; Logos, which appeals to the audience through logical reasoning; and pathos, which is appealing to the audience through emotion and feeling. Pathos is used most effectively when trying to appeal …show more content…
The poster reads “From the makers of Paranormal Activity and Saw.” This is their way of showing some evidence that this movie will be great because Paranormal Activity won a horror/thriller award in 2010, and Saw won the Pegasus audience award in 2005. That statement appeals to anyone who have seen those movies and received a thrill out of watching and would want to receive that same thrill again. However, the thrill can be better expressed in the use of pathos. The use of pathos in the color scheme appeals to everyone seeking a thrill. If you didn’t see Paranormal Activity or Saw, you wouldn’t be attracted by the use of ethos but might be drawn in by dark gloomy day and the red letters in the title Insidious. Another way that the poster tries to appeal to the audience through ethos is listing well-known actors and actresses. With these famous names listed, there come all of their fans that love seeing them in movies and will now want to see them in this film. Along with the fans comes the haters. You will also have people that totally disregard these actors and actresses and never go to see the film just because they are affiliated with them. The use of pathos in the poster comes with no bias. The character Dalton standing in the middle alone staring into our eyes gives you all the chills you’ll need to want and go to watch this
Rolf de Herr’s 2002 film The Tracker represented some human beings in the past who have been extremely naïve, barbarous, and bigoted when it came to dealing with Indigenous Australians. This film portrayed white racism in the characters of the Fanatic, the Veteran, and at first the Recruit until he becomes stronger and eventually changes his demeanor towards the Aboriginal people. Even though the Tracker experiences immense hardship throughout the movie he was always two steps ahead of his bosses since he was very familiar with the land and was also able to outsmart his superior officers. The Tracker is a gloomy film which presents the dark past of Australia that must never be forgotten.
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
...a film that was revolutionary in its production, its subtext as understood in historical reference, and its lasting effects on the horror genre.
As see and discussed last week, the film Presunto Culpable translated to Presumed Guilty presented its viewers the harsh reality of the criminal justice system in Mexico as compared to the system used in the United States. The title itself captures the difficulty with this system. There the defendant is automatically presumed to be guilty at the moment of custody, and that presumption affects the way crimes are investigated and criminal charges are adjudicated. This affects the style of police investigation as see in the documentary, making them care less as long as they produce someone to give the charge too. Here it does not need to be supported by a legit evidence test of the evidence gathered by the police such as forensics, eye-witness
Giallo is a slasher genre that was prominent in the late twentieth century especially in Italy where the genre was made up of mystery and horror elements. The origin of the term is from cheap mystery novels, similar to penny dreadfuls, where they were adorned in bright yellow covers of which the genre was suitably named after as "giallo" is yellow in Italian. Though the term "giallo" is not just recognized in just Europe as internationally it is considered to have greatly influenced the sudden influx of American slasher and splatter films in the latter 1970s period. Films such as Blood and Black Lace and Black Belly of a Tarantula are classified as early giallo due to their "distinctive characteristics" that will be explored in this essay.
...er apparently created successful persuasive appeals for the crowd to be attracted and enjoy a movie that will be funny, colorful, and full of adventures that eventually will teach a life experience to the public.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
Even the Rain (also known as También la lluvia) is a 2010 Spanish film about a director Sebastian and executive producer Costa who travel to Cochabamba, Bolivia to shoot a movie about the exploration and exploitation of Christopher Columbus in the New World. Sebastian and Costa find themselves in a moral crisis when their key native actor, Daniel, persistently leads the escalating Cochabamba Water War. As the shoot progresses in and around the city of Cochabamba, a real battle is brewing. The government has privatized the entire water supply and sold it to a British and American multinational. The price of water jumps by 300 percent, leading to remonstrations and riots in the streets of Cochabamba. The protest is calm at first, but things become aggressive when the government fights back, and Daniel's participation almost disturbs the shooting schedule. As Sebastian and Costa struggle with their film, the violence in the community increases daily, until the entire city erupts into the infamous Cochabamba Water War. This film takes on significant questions of everyday life, as well as moral and human responsibility.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Hocus Pocus is a 1993 film directed by Kenny Ortega. It is a very enjoyable movie with a good cast. The movie genre is comedy, horror, and fantasy. The film is based on a story about Garris and David Kirchner. And it is starring Bette Midler, Kathy Najimy, and Sarah Jessica Parker. The story follows the villainous trio of witches, who are inadvertently resurrected by a teenage male virgin. It takes place in Salem, Massachusetts.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
Christopher Nolan’s 2010 action thriller Inception provides a discerning outlook into the specificities of human thought processes and dream meaning through exceptional cinematography, labeling it an exemplar of filmmaking. The film follows the ambitious corporate thief Dom Cobb as he attempts to infiltrate a man’s mind and place an idea through the act of inception. Employing “dream sharing”, Cobb controls both the appearance and feel of the subconscious world, but at the alarming cost of being trapped should he fail his mission. Nolan brilliantly combines mise-en-scéne elements of setting and sound design, with inimitable cinematography and editing styles to project the dream world on a film medium, narrating a story that reveals the blurred line between fantasy and reality. By doing so, the film builds upon traditional conventions of moviemaking while developing its own style and motifs that are remarkably distinctive.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?