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The portrayal of women in shakespeare plays
The portrayal of women in shakespeare plays
The portrayal of women in Shakespeare's plays
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Incest and Sexism
What role incest and sexism play in Shakespeare’s play Hamlet? This complex play exhibits themes such as incest, sexism, death, revenge, and love. The two that we will be focusing on are incest and sexism. Incest is the “sexual intercourse between closely related persons, or marriage between persons within the degrees of consanguinity or affinity wherein marriage is legally forbidden”. After reading Hamlet we had the opportunity to follow the central character, Hamlet, who was the Prince of Denmark. Throughout the novel other various characters were introduced such as Polonius, Laertes, Gertrude, and Ophelia.
Polonius is the father of Laertes and Ophelia. His contribution to the ideology of sexism and incest is not as direct
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Another example of incest that was perceived was the relationship between Laertes and Ophelia. Laertes believes that Hamlet is just using Ophelia for sexual satisfaction. He tries to explain it to her, but she is reluctant to listen. Laertes knows and understands the danger that his sister is being put up against. Although Ophelia is being insubordinate, Laertes still attempts to save his sister’s heart and soul from the heartless Hamlet. Ophelia believes that her brother is too concerned about her sexuality. The play portrays the intellection that Laertes was a little bit closer to his sister than the average brother. Also, Laertes’s reaction to Ophelia death was the reaction of a husband losing a wife. While at the funeral, Laertes jumped into Ophelia’s grave to hold her. Although a loving and caring mood was being set, it was not the type brother/sister that was being displayed. Along with protecting his sister from the unlawful Hamlet, Laertes tries to protect the family’s reputation. He believes that Hamlet is to out manipulate his daughter and if he doesn’t put an end to it, entire family will be ruined. Other royals will begin to look down the family if the secrets and between Hamlet and Ophelia are ever …show more content…
Hamlet’s vernacular and tone towards woman was completely different his vernacular and tone towards men. This is a result of the intense and angered relationship between Hamlet and his mother, Gertrude. Hamlet addresses his mother with a sense of disgust. The idea that Hamlet was lead to believe that women would and could be controlled by their sexual appetites can be ascertained. As a result from past experience, Hamlet releases a rage of anger and frustration out on
At the beginning of the play, Laertes spoke to his sweet, loving sister Ophelia about his departure of Denmark to go to England and also his concerns of she and Hamlet’s relationship. He warned her of what he thought Hamlet's true intentions were.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
William Shakespeare’s play Hamlet is the dramatic story of a son who felt betrayed by both his mother, and the woman that he loved. Written in the Elizabethan era, around 1600, “Shakespeare's focus on Hamlet's intellectual conflicts was a significant departure from contemporary revenge tragedies… which tended to dramatize violent acts graphically on stage” (Hamlet). The play depicts Hamlet, the Prince of Denmark, who it visited by the ghost of his father, King Hamlet. The ghost reveals how he was murdered by his brother Claudius, who then claimed the title of King, and married Hamlet’s mother, Gertrude. Hamlet vows to avenge his father’s untimely death. Hamlet is in love with Ophelia, but her brother, Laertes, and father, Polonius, warn her that Hamlet can never really love her. Ophelia, following her father’s wishes, is unwittingly enlisted to spy on Hamlet, which leaves him feeling betrayed. Hamlet rejects Ophelia, accidently stabs and kills Polonius, and then hides the body. Ophelia becomes so distraught over her father’s death, that she ultimately drowns herself. Hamlet is devastated when he learns of Ophelia’s death. The play culminates with a sword fight between Hamlet and Laertes. Hamlet’s mother dies from inadvertently drinking poisoned wine that was intended to kill Hamlet. Laertes and Hamlet are both stabbed with a poison-tipped sword, but before dying, Laertes confesses that Claudius was the mastermind behind everything. Hamlet forces Claudius to also drink the wine and the irony is that everyone dies in the end. One of the most controversial topics in history is the relationship between Hamlet and Ophelia. Hamlet’s letters express his sincere feelings, and reveal that he was very much in love with Ophe...
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
In my readings of Hamlet, sexism was a immense element in the story. It is not fairly unambiguous where the incest comes in and who is involved, but the unorthodox relationships that have taken place shows how things were during the Elizabethan Age, or were they? My goal in this paper is to research the gender roles between the males and females in the story and to prove how women were treated during these times, and to determine who was involved in incest and sexism. The characters in focus will be Hamlet, Prince of Denmark, and son of the deceased King Hamlet; Polonius, counselor to Claudius; Laertes, Polonius’ son who has returned home due to King Hamlet’s death; Gertrude, Hamlet’s mother and Queen of Denmark; and Ophelia, daughter of Polonius and the sister of Laertes, also Hamlet’s girlfriend.
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
Hamlets ridiculed feelings for women was because of his mother’s disappointing action. Hamlets mothers’ marriage with Claudius not so long after his father’s death did not show her devotion to her husband’s memory in the way a loving wife should. ”O god a beast that wants discourse of reason would have mourned longer” (l.2.150) degrading Gertrude, as he believes an animal would find the loss of its mate more upsetting than the queen did when she lost her husband. In his mind women are frail and weak this is why he says that women is just another name for weakness. “Frailty, thy name is woman” (l.2.148) generalizing that all women are frail and incapable to withstand temptation. His bitterness has lead him to believe that all women are dishonest and untrustworthy because his mother easily moved on from the husband she so thought to have loved and worse married his brother a month after his death. Hamlet starts to torment his mother by telling her that she is sleeping with her husband’s killer. “But you live in the rank sweat of an enseamed bed, stewed in corruption and making love over that nasty sty” (3.4.100) trying to make her realize the wrong that she has done, being easy to fall in love with another man because she required comfort. To Hamlet his mother is weak, surrendering to lust, changing Hamlets view and sparking his hate for women, seeing how they are not loyal. “When the compulsive ardour gives
Marrying Claudius, the king’s brother, is in fact the most treacherous sin in Hamlet’s eyes. This sin “makes marriage vows as false as dicers ' oaths,” and by the way these words are written it could be assumed that his tone expresses distrust of the words of gamblers (scene 3.4). Hamlet desexualizes his mother as a way to in turn desexualize all women and make him sexually invulnerable to pain, regret, and unfaithfulness that is presumably caused by all women. Inevitable Hamlet suppresses his sexual desires for Ophelia because there is no reason to trust women when Gertude had easily broken her vows to her husband as easily as she said
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
The way that Polonius acts as a good father towards Ophelia is mostly how he doesn’t want her to get hurt by Hamlet. Ophelia tells Polonius all about what Hamlet has said and given her. She tells her father that Hamlet gives her presents and tells her nice things out of affection.
Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective father's deaths. Hamlet and Laertes love Ophelia. Hamlet wishes Ophelia to be his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmenship. Both men loved and respected their fathers, and display deviousness when plotting to avenge their father's deaths.
Laertes’ view on women and Ophelia specifically is made evident as soon as the reader is introduced to the pair. While discussing Hamlet, Laertes warns her, “Fear it, Ophelia; fear it, my dear sister, / And keep you in the rear of affection,
Just like in society the men in Hamlet follow the rules for a patriarchal society. The three most masculine characters in Hamlet are Claudius, Polonius and Laertes. “Man is supposed to be strong, courageous, rational and sexually aggressive; while woman is weak, timid, emotional, and sexually passive” (De-Yan 1). The first identifiable masculine characters are Laertes and Polonius as they are introduced in the play conversing with Ophelia. In this scene they tell Ophelia what she is allowed to do and command to her to not be with Hamlet, “For Hamlet and the trifling of his favor, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward not permanent sweet, not lasting...” (1.3.5-9). After Laertes leaves, Polonius enters the scene and rebukes Ophelia for believing Hamlets words of affection. As in a patriarchal society the males of the household are the leaders. First in command is the father, and then the brother. Therefore just like in Act one scene three, Ophelia has to do what her father and brother tell her. Claudius is another masculine character in Hamlet. He shows this by murder...
...course, ultimately infuriates and intensifies his urge for revenge. Because of Gertrude’s refusal to acknowledge her sins, Hamlet becomes even more personally motivated to kill Claudius for revenge. Queen Gertrude, though ignorant, has a huge impact on the play because her betrayal and abandonment motivates Hamlet to get revenge.