Between the Lines Appearance matters. What people express towards others, ultimately, results in a variety of reactions. In the play The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, every major character shows the audience their real personalities through Polonius’s words, “This above all: to thine own self be true” (1.3.79). If someone becomes true to himself, he will be true to others. However, these characters have facades where they put on a different personality to hide their true feelings, as well as to deceive others. In the end, these false personalities lead to their demise. Intense rage alters Hamlet’s frame of mind after he realizes that his uncle, Claudius, attributes to King Hamlet’s death. The situation quickly …show more content…
Polonius starts to question Hamlet’s sanity and soon enough, Hamlet begins to display this behavior more often and towards more people. Hamlet’s odd demeanor affects Polonius, when he later taunts Polonius by giving vague answers to his questions. For example, when Polonius asks Hamlet about what he reads, Hamlet responds saying “words, words, words” (2.2.210). Hamlet finds other ways to taunt him, such as calling him an old fishmonger, as well as indirectly insulting Ophelia by saying “your daughter may conceive, friend, look to ‘t” (2.2.202-203), meaning Ophelia, his daughter, could be pregnant. Besides Hamlet, other characters possess obvious facades. Claudius also exhibits a fake appearance towards his court and even Hamlet. Near the beginning of the play, Claudius addresses the court, saying how he marries his sister-in-law and how he feels sorrowful for “[his] dear brother’s death” (1.2.1). Claudius presents a facade when he reveals that he holds responsibility for King Hamlet’s death. Nevertheless, Claudius acts innocent and covers up his crime. Hamlet discovers Claudius’s guiltiness after watching the play; Claudius prays and asks for forgiveness for murdering his …show more content…
Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
When Polonius discovers that Hamlet was acting in a terribly strange manner towards Ophelia by tearing his clothes and screaming at her, his response is that “this is the very ecstasy of love” (2.1.114). Without having access to Hamlet’s mind, Polonius has no idea what the circumstances surrounding Hamlet’s behavior are, but he assumes that the prince has gone mad because Ophelia will not sleep with him. Though this is not the case, it seems to be the most reasonable explanation to Polonius, so it is easier for him to believe. When Hamlet comes across Claudius praying in the church, he decides to kill Claudius at “a more horrid hent” (3.3.93). Hamlet imagines that Claudius is repenting for killing King Hamlet, and he refuses to kill Claudius when he might go to heaven. However, once Hamlet exits the scene, Claudius admits that his “words without thoughts never to heaven go” (3.3.98-99). Claudius realizes that he has no feelings of guilt for murdering his brother and that his prayer is meaningless. Hamlet’s impression that Claudius is presently innocent is the result of his expectation of the words spoken in prayer to be true. These characters often think they know the motives of others, and that keeps them from finding out what is
There are many parents who are too strict and do not let their children do things that might embarrass them. Other times a parent may use their child to do certain things in order to gain social prestige. Polonius demonstrates a similar type of behavior in Shakespeare's Hamlet. Polonius is "a domestic tyrant wreaking on his son and his daughter revenge for his own spoiled life" (Bloom 111) and "is an elderly and longwinded courtier and chief counselor" (Dominic 96) to the king. Polonius is in a high position in the Danish court, and he has a problem with talking too much. He is only concerned about his reputation, not Ophelia, "the young and innocent daughter of Polonius . . . ("Polonius" Benet). The main character, Hamlet, is the son of Queen Gertrude and King Hamlet of Denmark. King Hamlet has recently died, supposedly from natural causes. Hamlet despises the fact that his mother has remarried his uncle, now King Claudius, so soon after the death of King Hamlet. Later Hamlet sees the ghost of his father and King Hamlet tells him Claudius murdered him by putting poison in his ear. The ghost wants Hamlet to kill the new king, but to not harm his mother. Meanwhile, Hamlet is in love with Ophelia, but Polonius refuses to let her see him. Ophelia believes this obedience to her father has caused Hamlet's madness. However, in order for Polonius to please Claudius, he uses her to figure out the cause of Hamlet's abnormal behavior. After Polonius' death, Ophelia dies, and her death was because of her father's selfishness and poor decisions in doing all he could to satisfy Claudius.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
In life, one goes through different experiences which makes and shapes us into the person who we become. Whether something as little as a "hello" by a crush or a death in a family, they contribute to the difference, as they are all equal in importance. In the play Hamlet by William Shakespeare, the protagonist Hamlet struggles throughout his life as he is in search of his true identity. The Webster's dictionary, under the second definition, defines identity as "The set of behavioral or personal characteristics by which an individual is recognizable as a member of a group." As life only moves forward for Hamlet, he struggles to find his place in life, nonetheless to revenge the murder of his father.
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
Hamlet, a young prince preparing to become King of Denmark, cannot understand or cope with the catastrophes in his life. After his father dies, Hamlet is filled with confusion. However, when his father's ghost appears, the ghost explains that his brother, Hamlet's Uncle Claudius, murdered him. In awe of the supposed truth, Hamlet decides he must seek revenge and kill his uncle. This becomes his goal and sole purpose in life. However, it is more awkward for Hamlet because his uncle has now become his stepfather. He is in shock by his mother's hurried remarriage and is very confused and hurt by these circumstances. Along with these familial dysfunctions, Hamlet's love life is diminishing. It is an "emotional overload" for Hamlet (Fallon 40). The encounter with the ghost also understandably causes Hamlet great distress. From then on, his behavior is extremely out of context (Fallon 39). In Hamlet's first scene of the play, he does not like his mother's remarriage and even mentions his loss of interest in l...
Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He questioned Ophelia’s motives by asking whether she was honest and fair. He breaks her heart upon the realization she is not on his side. He tells her that he once loved her, then their conversation spirals into nothing more than Hamlet hurling insults at his former love before storming out.
In contrast to Laertes speculation of his father’s killer, Hamlet assumes the individual spying on his conversation with Gertrude is Claudius. “Nay, I know not. Is it the King?” (Act III Scene 4 line 28). Without thinking, Hamlet automatically thrusts out attempting to kill who he believed was Claudius and actually kills Polonius.
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Polonius takes this opportunity to spy on Hamlet and informs Gertrude that he will hide behind a tapestry and eavesdrop on their conversation. During their conversation Hamlet forces his mother in front of a mirror as to literally reflect on herself and the betrayal she’s caused him to feel. He tells her that he wants to reveal the figurative inmost part of her, but she takes this literally and thinks that he means he is going to murder her. She cries out for help which causes Polonius to cry out as well. Hamlet, thinking that the voice of the man who had just cried out for help belonged to his uncle, stabs Polonius through the curtain and kills him. Gertrude laments the murder of Polonius calling it a bloody deed and Hamlet retorts, “A bloody deed! Almost as bad, good mother, As kill a king and marry with his brother” (Shakespeare 1862). In this scene, Hamlet reaps revenge on Gertrude by emotionally torturing her so she may feel the utmost guilt for betraying her son and husband. Then, Hamlet’s unremorseful character is revealed in his ability to murder Polonius when he thought it was Claudius he had heard behind the curtain. Hamlet then justifies his murdering Polonius by equating it to Gertrude’s sin of marrying the man, her brother in law, who killed her
Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.
After Hamlet talks to the ghost of his father, he finds out that Claudius killed him to gain the throne of Denmark. Hamlet has to get revenge by killing Claudius. To do this, he must act insane to draw away suspicion from himself. Hamlet says to Hortaio "How strange or odd some’er I bear myslef as I perchanse hereafter shall think meet to put an antic dispostion on,"(I;v;170-172), this indicates that from this moment Hamlet will act insane. He believes this way he will be able to kill the king and get away with it. Polonius becomes aware of Hamlet’s madness and wants to uncover the reason behind it. He says "Mad let us grant him then, and now remains, that we find out the cause of this defect, for this effect defective comes by cause."(II;ii;100-103). Claudius and Polonius spy on Hamlet and Ophelia as they talk. After hearing their conversation Claudius says "And I do doubt the hatch and the disclose will be some danger; which for to prevent, I have in quick determination thus set it down: he shall with speed to England"(III;i;163-166). This means that Claudius is starting to believe Hamlet is dangerous and wants to send him to England. From this point Claudius is very suspicious of Hamlet, he suspects that Hamlet is plotting against him, he says, "Madness in great ones must not unwatched go.
Gertrude and Ophelia both love Hamlet, yet they love him in different ways. Gertrude, his mother, loves Hamlet in a motherly way, placing his honor under her current husband Claudius, which is Hamlet’s uncle, and also the brother of Gertrude’s deceased husband and Hamlet’s late father. Hamlet thinks of his mother as a whore because she married Claudius right after her husband’s untimely death. Gertrude is not a whore;
Hamlet is a tale of tragedy by Shakespeare which tells the story of the prince of Denmark who is on a quest to avenge the death of his father at the hands of his uncle whom subsequently becomes king of Denmark. This is what fuels the fire in the play as Hamlet feels the responsibility to avenge his father’s death by his uncle Claudius; however, Claudius assumed the throne following the death of hamlets father. It is in this context that we see the evolution of hamlets character from a student and young prince of Denmark to the protagonist and tragic hero in the play.