Gender, Race, and Power in Colonial Virginia
In Colonial Virginia in 1661, Rebecca Nobles was sentenced to ten lashes for bearing an illegitimate child. Had she been an indentured servant she would also have been ordered to serve her master an additional two years to repay his losses incurred during her pregnancy. After 1662, had she been an enslaved African woman she would not have been prosecuted, because in that year the Colonial government declared children born to slave women the property of their mother's master. A child born to a slave brought increased wealth, whereas the child of an indentured servant brought increased financial responsibility. This evolving legislation in Colonial Virginia reflected elite planter interests in controlling women's sexuality for economic gain. Race is also defined and manipulated to reinforce the authority and economic power of elite white men who enacted colonial legislation. As historian Kathleen M. Brown demonstrates in her book Good Wives, Nasty Wenches and Anxious Patriarchs, the concepts of gender and race intersect as colonial Virginians consolidated power and defined their society. Indeed, gender and race were integral to that goal. In particular, planter manipulations of social categories had a profound effect on the economic and political climate in Colonial Virginia.
First, I want to establish that English settlers did not bring a concrete ideology of race to their new colony. As Brown explains, while English traders had contact with other peoples in Ireland and on the West African coast, the everyday English concept of race was very much abstract in the early seventeenth century. That is not to say that the English did not justify their domination of other peo...
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...usion that race is deployed "in the construction of power relations."* Indeed a "metalanguage" of race, to use Higginbotham's term, was employed by colonial powers to define black women as separate from English women, and that process is deconstructed in Good Wives, Nasty Wenches, Anxious Patriarchs. However, Brown's analysis rests mainly on the shifting English concepts of gender and race imposed on colonial society by the white elite, becoming at times a metalanguage of colonial gender. Nonetheless, Brown's analysis of overlapping social constructions is instructive for understanding the ways gender and race can be manipulated to buttress dominant hierarchies.
Works Cited:
*Evelyn Brooks Higginbotham. "African American Women's History and the Metalanguage of Race" in Feminism and History, ed. Joan Wallach Scott (NY: Oxford University Press, 1996), 201.
In Myne Owne Ground, the authors argue that it was not inevitable that black men and women were made subordinate to white colonists in colonial Virginia because in the early days there was more about wealth, economic standing, and religion than the color of one’s skin. For example, when a white man, Richard Ackworth, ask John Johnson to give testimony in a suit which Ackworth had filed against another Whiteman (Myne Owne Ground, 16). They were unwilling to allow a black man to testify in legal proceedings involving whites at first, but when they learned that John had been baptized and understood the meaning of an oat, they accepted his statement.
According to Jacqueline Jones’ perspective of the treatment of African American women during the American Revolution in “The Mixed Legacy of the American Revolution for Black Women” in our early history there was an obvious status differentiation in black women’s
Anna Julia Cooper’s, Womanhood a Vital Element in the Regeneration and Progress, an excerpt from A Voice from the South, discusses the state of race and gender in America with an emphasis on African American women of the south. She contributes a number of things to the destitute state African American woman became accustom to and believe education and elevation of the black woman would change not only the state of the African American community but the nation as well. Cooper’s analysis is based around three concepts, the merging of the Barbaric with Christianity, the Feudal system, and the regeneration of the black woman.
and the academic endeavour, to illuminate the experiences of African American women and to theorize from the materiality of their lives to broader issues of political economy, family, representation and transformation” (Mullings, page xi)
In the beginning of the book Hunter proceeded to tell us about the history of African-American women in a broader narrative of political and economic life in Atlanta. Her first chapter highlights the agency of Civil War era urban slaves who actively resisted the terms of their labor and thus hastened
Beale, Frances. "Double Jeopardy: To Be Black and Female." An Anthology of African-American Feminist Thought. New York: New, 1995. 146. Print.
Upon a first reading of Eudora Welty’s, “A Worn Path”, it appears to be a simple story about an old woman going into town to procure medicine for her sick grandson, who has swallowed lye (Welty 3). After further readings and doing research, the deep meaning and depth of the story becomes apparent. The worn path is much more than a routine route regularly traversed into town and back to home. The protagonist Phoenix Jackson has many more layers than the way she is perceived as an apparent no account drifter, charity case, whose only reason to head into town is to see Santa Clause (Welty 2). There is significant meaning behind the interactions with people, places, and objects that Phoenix crosses paths with on her journey into town. Every interaction and situation presents Phoenix with the opportunity to learn and grow as a person and as a culture. The sick grandson represents more than a sick boy at home waiting for medicine to heal his physical ailment (Welty 3). Welty uses a myriad of symbols to tell the story of the long and arduous journey blacks take going from slavery to free Americans. A journey that takes lifetimes of accumulating knowledge, gaining wisdom, and then passing everything learned to the children. The next generation builds on to, and hones the gained wisdom and further refines the knowledge as they pass it on to the next generation. It is the gained wisdom that is constantly reborn like the Phoenix in mythology (Mercantante 527). In, “A Worn Path” by Eudora Welty, Phoenix Jackson symbolizes the past and present population of black Americans and the worn path represents her experiences and the wisdom she has gained, soon to be reincarnated in her grandson, the future generation of black America.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
In Eudora Welty’s “A Worn Path”, an elderly woman goes through trial for the greater good. Ms. Phoenix Jackson goes on a journey, most people could not take, to save her grandson’s life. Rachel Lister, an author of Literary Context in Short Stories Collections: Eudora Welty’s ‘A Worn Path’, states what kind of person Phoenix is: “[A] female subject [that] makes her way through a wood on a mission to help the afflicted” (par. 5). She goes through obstacles to get to her destination: she is attacked by a black dog, she goes through a barbed wire fence, she encounters a white hunter, and etc. Rachel Lister implies, “She faces a series of challenges and temptations” (par. 5). Nevertheless she is ambitious to finish her journey, although it is a cold winter day. “A Worn Path” is full of symbolism. Rachel Lister asserts, “The chains …, the thorns, and the barbed wire symbolizes the continuing oppression which restricts the social mobility of the African American people in the south” (par. 5). Ms. Phoenix is just not a character but she is a symbol for hope. Her character is portrayed as a Christ-like figure. She goes these trials to save her grandson from death...
Non-slave-owning women clung to the belief that owning slaves would relieve them of domestic chores and transform them into the figure of the Southern plantation mistress. Although wholly exaggerated, the women who did own slaves projected themselves to the rest of the South through the image of the mythical Southern mistress in order to uphold their role in society”
In "A Worn Path", a short story by Eudora Welty, the main character, an old colored woman named Phoenix, slowly but surely makes her way down a "worn path" through the woods. Throughout her journey, she runs into many obstacles such as a thorny bush and a hunter. She overcomes these obstacles and continues with her travels. She finally reaches her destination, the doctor’s office, where she gets medicine for her sick grandson back home. Many critics have speculated that this short story represents the love a grandmother shows for her grandson. Others say this story represents life and death, where Phoenix represents an immortal figure. Dennis J. Sykes disagrees with the other critics by saying, "A parallel exists between the journey described and the plight of the Southern blacks after the Civil War" (Sykes). Ultimately, Eudora Welty demonstrates how blacks have been persecuted in a white world.
In the short story, “A Worn Path”, Eudora Welty uses normal everyday things and occurences to symbolize the ups and downs of life. Eudora Welty’s story is a web entwined with metaphors and similes that link all the usual southern activities of that time period to deeper meaning. With this complex story, Welty reveals Phoenix Jackson’s quest.
In the novel, the author proposes that the African American female slave’s need to overcome three obstacles was what unavoidably separated her from the rest of society; she was black, female, and a slave, in a white male dominating society. The novel “locates black women at the intersection of racial and sexual ideologies and politics (12).” White begins by illustrating the Europeans’ two major stereotypes o...
It is believed by the author that the feminist movement in many ways parallels the struggles faced by African Americans in the US during the same time period. The authors will offer ideas on where the pro...
In the story A Worn Path, Eudora Welty shows an old woman living in a time period where racial prejudice is rampant and out of control. Phoenix Jackson is a grandmother whose only motivation for living is to nurture her grandson back to health. The strength of love may make people do or say unusual and implausible things. The central idea of this story is that love can empower someone to over come many life-threatening obstacles. The idea is shown when an old woman conquers all odds against her to show her everlasting love for her grandson. Throughout the story Phoenix Jackson has to overcome many types of obstacles that hinder her in her devotion to help her grandson.