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The investigation into whether or not Geoffrey Chaucer was ahead of his time in terms of his views on feminism has been up for debate for hundreds of years. The Wife of Bath’s Prologue is just one solitary example of the complicated nature of Chaucer’s belief system. On the one hand, we have many strong female characters that despite still being extremely dependant on the men in their lives, know what they want out of life. From a contrasting point of view, readers see a group of men, including Chaucer as the writer himself, making fun of the very nature of women as a whole. Is this really how Chaucer felt towards women, or is the prologue of The Wife of Bath’s Tale simply a parody of the opinions of his time?
When questioning Chaucer’s stance on feminism, one has to remember that feminism is a fairly contemporary term. The word ‘feminism’ did not even make an appearance in the English language until the 1890s (dictionary.com). The world around Chaucer also has to be taken into consideration when thinking about his possible thoughts on women. Though is it a fact that there were many writers who advocated women’s rights, it is also true to say that there are many who did not support right’s for women. An example of this would be John Gower, who was a known friend to Chaucer, wrote a poem called Confessio Amantis. Each chapter in this poem was based off of one of the seven deadly sins but also centers around a relationship he had with a woman (2013). This work just like Chaucer’s, is a tale of morality, seeking to teach a life lesson to those who happen to read its stories. In the diversity of the plethora of characters present in the various stories of The Canterbury Tales, it is easy to see that at the very least, Chaucer was a...
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...ucer an anti-feminist? It could be the case that he was simply trying to get his point across and inadvertently broached a sore topic for feminist of the modern era. It could also be the case that this story wasn’t completely written by Chaucer at all. Though this concept is less accepted by scholars, it must always be considered as an option when dealing with a work of literature that has been around for as many years as The Canterbury Tales. Despite all of the controversy surrounding Chaucer’s work, and his world views, there are a few things that can be made very clear. Regardless of how much time has passed since these stories were first written down, they have managed to stand the test of time, and still ring true today. Also, the feminist movement is strong now today than it may have ever been. Alyson would have fit in fairly well in this present-day society.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: U of California P. 1992. Print. (Kennedy Library PR1928.W64 H36 1992)
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through women's empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
In Chaucer's The Canterbury Tales, a reader is introduced to a rather bizarre and heterogeneous group of people leaving for a pilgrimage. The Wife of Bath is the most interesting and lively character of the group. Her "Prologue" and "Tale" provide readers with a moral lesson as well as comic relief. The Wife's "Prologue" serves as an overture to her "Tale", in which she states a very important point regarding the nature of women and their most sacred desires. According to this character, women desire sovereignty, or power, over their men most in the world. This wish seems to be most appropriate for women of the time period in which Chaucer lived. However, women today no longer wish to dominate their men - sovereignty of women over men is not relevant in the twenty-first century. The reason is that women are no longer deprived of power and freedom.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
...en compared with modern day women this is a truly outdated stereotype that carries very little weight if any at all. Chaucer’s work in the Wife of Bath stereotypes women as manipulating, sinful, and yearning to gain power over their husbands. And although not always projected in an entirely negative light, it seems that as a whole Chaucer attempted to create an evil stereotype of women.
The character of the Wife of Bath in Chaucer's The Wife of Bath's Prologue is a strong woman who knows what she wants from life. She is ahead of her time, seeing that women who portrayed themselves the way she does were not necessarily looked positively upon. In this sense, I believe that the Wife of Bath is a feminist. When I use the word feminist I do not mean bra-burning, men hating feminist. I mean a woman who is in touch with herself. She is her own genre when it comes to feminism. She is comfortable with her sexuality and what she wants from life. Through Chaucer, she is viewed as a promiscuous; however, she is actually in control of her sexual adventures.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
Hansen, Elaine. Chaucer and the Fictions of Gender. Berkeley: University of California Press, 1992. 188-207.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
Morgan implies, “Geoffrey Chaucer is a major influential figure in the history of English literature.” Chaucer battled problem that we face today. Chaucer fights the idea of the patriarchy by creating the character The Wife of Bath. The Wife of Bath challenges the idea that men are better than women. Chaucer claims on page 145 line 212, “Less than your wife, nay, than your very love.” The Wife of Bath wouldn’t listen to any man over her. She was an independent woman that only listened to