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The importance of literature in Christianity
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Then God said, "Let lights appear in the sky to separate the day from the night. Let them be signs to mark the seasons, days, and years.” God created all from none so that his people could praise him eternally. Edward Taylor uses allusion, simile, and rhyme in “From Preface to God’s Determination” to relay his message that there is a higher power that created all.
Edward Taylor’s background of living in a district noteable for its cloth making and weaving is very evident in this poem. His background is made evident by his word choice that connects so closely with sewing. His background as a Puritan preacher is also evident in the poem as he shares many of his puritan views and beliefs. The strongest being predetermination and the belief that
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Taylor does this because he is now finished with his rhetorical questions and he is ready to relay is point. He has slammed the reader with rhetorical questions and if they have not understood the poem, this is where the reader comprehends what he is talking about. During these two lines Taylor uses an alliteration. He does this to contribute to the rhythm of the poem. Since Taylor is no longer using end rhyme, he uses this alliteration to keep the rhythm going. This use of an alliteration also speeds the poem up so that Taylor can slow down where he really needs to, in line twenty. This is important because line twenty is arguably the most important line in the poem. Taylor gets his point across with saying “It’s Only Might Almighty this did do.” Taylor was setting the reader up with numerous rhetorical questions to give he or she a hanging feeling. This hanging feeling is taken away for a brief moment, but quickly instilled back into the reader by the final line. “His Glorious Handiwork not made by hands…” Taylor does not use a rhetorical question this time, but instead he uses an ellipsis. By using an ellipsis the poem leaves a lingering feeling in the reader’s
In the first chapter of God Behaving Badly, David Lamb argues that God is unfairly given a bad reputation. He claims these negative perceptions are fueled by pop culture and lead many to believe the lie that the God of the Old Testament is angry, sexist, racist, violent, legalistic, rigid, and distant. These negative perceptions, in turn, affect our faith. Ultimately, Lamb seeks to demonstrate that historical context disproves the presumptuous aforementioned. In addition, he defends his position by citing patterns of descriptions that characterize God throughout the Old Testament. “Our image of God will directly affect how we either pursue or avoid God. If we believe that the God of the Old Testament is really harsh, unfair and cruel, we won’t want anything to do with him” (Lamb 22). Clearly, they way Christians choose to see God will shape their relationship with Him.
... defines the scriptural meaning of the word “day” and explores its usage throughout the Scriptures to provide evidence for a literal six day creation. MacArthur dispels the notion that each day was a long period of time, an idea held by old-earth creationist, through scriptural insight that “whenever the word [day] is modified by a number the clear reference is to a normal solar day” (40). To MacArthur the word day marks “clearly defined boundaries” instead of indeterminate span of time (39). MacArthur beautifully challenges his readers to see that the purpose of Scriptural account of creation is to reveal an infinitely powerful God, who created everything perfectly in a short period of time (41).
How many readers have considered that the utter simplicity within the Nathaniel Hawthorne short story, “The Minister’s Black Veil,” might be an expression or reflection of the utter poverty within the life of Hawthorne? It is the purpose of this essay to clarify this issue.
However, each writer conveys the same message by providing the reader separate accounts of God’s works. In Taylor’s “From God’s Determinations”, Taylor explains how God is the creator of all things. He explains that he created the Earth, the sun, the moon, and the overall universe. In short, Taylor believes that God is the grand architect of his reality. From the information that is provided, one can infer that God, who is a supernatural being, has played a huge role in his life. According to Taylor’s writing, God is probably the one who Taylor believe, is responsible for breathing the gift of life into him in the first
John Milton tries to connect everything religious with light. It is a sign of pleasantness and delight. For instance, Milton said, "As far remov'd from God and light of Heav'n" [1.73].This light is expressed in the same way in the Judeo-Christian traditions. In Genesis, it says, "God separated the light from the darkness" [1:4]. This light is powerful and better than the darkness and comes directly from God. The origin of light is from God and it's an important imagery symbol in religious concepts of goodness. This quote by Milton is saying, without God there is no light. The absence of light is a place in which no one in society wishes to be in because it is what makes them see and enjoy the things around them. The absence of this light is also a symbol of God's grace being removed. Milton took the words straight from the source, the bible.
The capture of Louisbourg in June of 1745 was, according to George Whitefield, a victory “contrary to all human probability.” (WHITEFIELD 134). The siege at Cape Breton was part of the ongoing King George's War and has been remarked by contemporaries and modern historians alike as an example of God's Providence. Against what was considered little odds, a New England coalition of colonial militia managed to conduct a covert expedition against the French forces at the fort. Contemporary preachers wrote sermons and correspondence on the event that has proved valuable not only in piecing together the event itself but the event in the context of the fervor of the Great Awakening.
In closing of this chapter it is worthy to note that it is clear from the beginning that God existed before creation. Thirty four times the word God is paired with an action verb, clearly this chapter is about who God is and less stress is placed on the “how” of creation.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
According to a Christian, there is one true God, and he revealed Himself through the Holy trinity, which is made up of three people; Father, Son and Holy Spirit. They also believe that God alone created the world and everything that encompasses it from nothing in six days. They believe that the world was good until Adam sinned against God, and now all people are born into sin. They believe that God sent his only son Jesus to save the world from sin and that Jesus died for all their sins and rose from the dead. They believe that the Holy bible is the sacred word before and after Jesus’s time and that they should live by it to please God and thank him for his son. They believe that people are saved by faith through the grace of Jesus Christ.
“For you, lord, had made the world out of unformed matter, and this you made out of nothing and made it into almost nothing. From it you have then made these great things which we, the sons of men, marvel at.
Edward Taylor’s Upon Wedlock, and Death of Children and Upon a Wasp Chilled with Cold are similar in their approach with the illustration of how beautiful and magnificent God’s creations are to humankind. However, each poem presents tragic misfortune, such as the death of his own children in Upon Wedlock, and Death of Children and the cold, enigmatic nature of human soul in Upon a Wasp Chilled with Cold. Taylor’s poems create an element of how cruel reality can be, as well as manifest an errant correlation between earthly life and spiritual salvation, which is how you react to the problems you face on earth determines the salvation that God has in store for you.
Edward Taylor’s poem “The Preface” consist of questions as to how the world was created. The purpose of this poem is to reveal God's sovereign authority over creation and life itself. No sooner do you understand one paradox that he changes to a different set that gets a little confusing. The need to understand the next set of metaphors and picture it and then to put all together to get the message that Taylor was trying to give.
The Puritan life, although simple, demanded diligence both mentally and spiritually which put stress on even the most faithful of followers. Although the common practice entailed brushing religious struggles under the rug, few writers bravely wrote of their religious doubts and endeavors to become better Puritans. Author Anne Bradstreet shows in her work “Here Follows Some Verse upon the Burning of Our House, July 10th, 1666” that religious struggles are often met by Puritans and it takes brave souls to admit their difficult time with their religion. This poem shows a woman dealing with a religious crisis and how even though she struggles her faith still holds strong in the end. Bradstreet’s poem displays a crisis of faith in her content and reflects her struggle with the Puritan beliefs, however, the form and structure of the poem reflect her internal religious solidarity.
In the first line, Edward Taylor asks that God be the master spinner behind his spinning wheel self which indicates his desire for the Lord to take control of his life and to use that life to create what He will. He then expounds upon this idea by incorporating many of the parts of a spinning wheel into the analogy. Taylor asks that all that he believes come from the Holy Word (his distaff) and that all that he longs for be kept in line with the Lord's wishes by His "swift flyers". He wants his conversation to spring forth from that which the Lord is creating in him, just as the thread, once spun, does not change in nature as it is wound around the reel. Essentially, in this stanza, he is saying: Lord, take me and mold my heart for I am Yours.