Animal Farm: Allegorical Representations and Rhetoric

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Author George Orwell’s animal farm is an allegory because it propounds a symbolic society of farm animals. Certain farm animals represent specific historical characters in the rise of communism taking place at that time in history, for example, “Napoleon” as Stalin, “Snowball” as Trotsky, and “Old Major” showing as a sort of amalgam for Marx and Lenin in some parts. These characters were not created by Orwell to entertain, but to mold according to preexisting people from history, aiming to teach. Orwell’s original inspiration placed the able, ardent stable of activist animals eternally on the farm: He witnessed a young boy on a cart, somewhat capriciously whipping his hardworking horse. In that moment, Orwell stated, he saw how “men exploit animals in much the same way the rich exploit the proletariat” This stands as the spectrum of Animal Farm.

b. What are the rhetorical components of this allegory? The cohesive coupling of “logos” and “pathos” show the
Even greater pathos is painted by the proverbial “road-to-hell-is-paved-with-good-intentions” mindset of most animal characters, who seem to strive toward a Great Society and a better world, but bombastically “bomb out” in this quintessential quest. “Ethos,” the piercing propounding of community or communal tenets, is arguably employed third-most in the searing saga, while “kairos” brings up the rear in raw rating of the components, due to the stark fact Animal Farm is timeless in its theory, and merely because its penning at the pinnacle of the red-hot “Red Scare” worldwide does not render it now moot, nor moored inextricably in that time and place.

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