All day yesterday on my social media feed there was talk of Trev Rich’s concert and how people are “jocking” him. I found all this talk intriguing because very few people voiced their opinion on this matter until the day of his concert. My blood boiled as I read the ignorant, backhanded comments plastered all on Facebook from “fans”. I soon felt the need to express my feelings and explain the difference between being a fan and “jocking”, in a live Facebook video. I did what needed to be done and corrected a lot of the uneducated “fans” that were basically haters. All the energy from reading and talking about those comments made me excited to watch some of the top Dj’s and rappers in Colorado perform last night at the Gothic Theater. I can’t
A warrior is a hero, a role-model, fearless, loyal, persevering, brave - there are few that are able to fulfill these standards. Yet Melba Beals, a fifteen year old girl, not only claims this illusive role, but cannot escape it. Through the journey into integration Melba acts as a dynamic juxtaposition, moving from a scared little girl to a fierce soldier, yet never truly satisfied with her position. This conflict arises from her personal, family, and religious values, the impact of integration in Little Rock, and her experiences during her time at Central High. The title Warriors Don't Cry is employed as a command as well as a way of life and later a regret as this memoir progresses.
Sport fans, sometimes also called sport devotees, followers, or supporters, are persons who are enthusiastically devoted to a particular athlete, team or sport. They may show their enthusiasm by often attending sporting events or watch on television, being members of a fan club, follow sport news through newspapers, online websites, and creating fanzines. Their disposition is often such that they will experience a game or event by living through their favored players or teams. These behaviors manifest itself in different ways. To enable better understanding of these behavioral patterns, we have to classify these sports fans into groups based on their devotion to teams: fair-weather fans, bandwagon and the super-fans.
On Monday March 25, some members of the baseball team, my girlfriend, and I traveled to Murray State University to watch a concert performed by Nelly and the St. Lunatics. It was a terrible night to go anywhere because it was raining and storming the whole way, but there was nothing that was going to stop us from going to the concert. We where all so hyped up about it and couldn’t wait to head out. My brother, who attends Murray State, had gotten us excellent seats about seventy-five feet away from the stage.
“If I was gay / I would think hip-hop hates me / Have you read the YouTube comments lately? / ‘Man that's gay’ / Gets dropped on the daily / We've become so numb to what we're sayin.'” In these few lines, Macklemore brings up the fact that the genre of hip-hop has become one that is “anti-gay.” Hip-hop is a very common genre of music and it reaches a large population of people, mostly young people who will have an effect in the future of America. This is Macklemore’s target audience: the general public who can make a difference. Macklemore has surprised many by coming out with this popular, pro-gay, hip-hop song. It is rational to see that he took a stand against the issue as well as a risk in his career by supporting this idea. The listeners understand that those lines are very truthful; the hip-hop genre and most of society has become anti-gay. Almost all of his audience is familiar with YouTube and can understand where Macklemore is coming from in these lines. Most of his audience has seen comments on YouTube similar to “Man that’s gay.” Macklemore is bringing attention to the fact that his audience has become numb to harsh words like so and the general public has lost a sentimental feeling. Macklemore goes on to give an example of the desensitizing of society by giving the reference to “faggots”, “a word rooted in hate, yet our genre still ignores
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
The show starts at 8pm. The time was 7:30, I was just leaving the house, and it was raining. My wife and I had to hurry because it would take almost all of 30 minutes to get to the “The Boogie Woogie Christmas Show”. Feeling pressured to get to the show on time I started to feel frustrated. When we got there, it was still raining. We go in, get the tickets, and seat ourselves in the middle of the middle row. Looking around and observing the audience, I unintentionally stereotyped the show. I noticed quite a few older people and to make a simple sentence of my thoughts, I undermined the show. The stage décor and characters apparel was of the 1940’s era so I said to myself, “Let’s see what they got.”
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States.
Punk rock often attains to individuals who are against the order and corruption of society and especially the music industry. As ticket prices for arena shows skyrocketed, the popularity of small underground venues with low entry prices increased. These venues are very willing to let local punk rock bands play if they can draw in a large crowd. This intimate experience sparks the thrill of playing on stage. As more of these club venues open, more up and coming musicians get a taste of the spotlight drug. When the audience of a punk rock show pick up on the performer’s adrenaline rush, they also receive a taste of it.
Josh Delmar Zimmerman is responding to a problem that has been increasing as social media and technology have evolved; the stereotypes imposed by society depending on the kind music you like. His bold language and extreme sincerity seek to a wake up call towards social judgment. The author claims our culture has enacted us to judge and label depending on the likings of the young community. His article states that “uncreative” people would try to categorize and profile someone’s identity from the way they dress or behave. Throughout his article, Zimmerman defies social judgment towards the punk community by supporting his claims with personal experiences as a young adult who had to overcome society’s stereotyping and judgement.
Conversation about hip hop has contributed to its current state of crisis. Rose writes about how over-generalized criticisms in conversations about hip hop lead to ugly stereotypes and disdain for young black people. Hip hop has become a sort of scapegoat for people
Music reflects the times. In the 60's and 70's, musicians preached peace and empathy towards the human race. In the 80's music was a form of rebellion. Today, music has manifested itself into many different forms, one being "hip hop" more commonly known as "rap". In the early 80's, rap was about break-dancing and graffiti. Now, as we approach the year 2000, hip hop has become the most listened-to form of music nation-wide and many rap artists have adopted the new title of "pop-artists", pop. meaning "popular culture". A hip hop single recently took the number 1 spot on the Billboard charts for most sales recorded. The problem here is the message many rappers are telling the world. From the beginning, rappers have flaunted their money with the expensive cars seen in their videos and the thick gold chains they wear in public, not to mention the numerous references made to wealth in their lyrics. However, many rappers are telling tales of violence and wealth as one. In fact, there are more than 10 hip hop songs actually entitled "Crime Pays". In the chart topping single, "Money, Power, Respect", Yonkers based rapper DMX raps "hit him up/ split him up/ shut him up/ then watch him come/ get him up…CLICK, step back like I did work", portraying a beating, then murder, the "CLICK" being the sound made by the trigger of a gun. The chorus then goes on to proclaim "Money, Power, Respect,...
For the past four decades, African-Americans have been highly visible in the realms of popular culture through the legacy of the hip hop nation. Hip hop culture has vast and complex formations across the country and the globe, but popular representations are most frequently tied to the “culture of poverty” and violence that many social scientists have claimed exists within poor, urban, African-American communities (Ensminger 1). The diseased language of discourse surrounding the “tangle of pathology” that pervades hyper-visible misrepresentations of particular black communities and black expressive cultures are frequently utilized to dehumanize and devalue the black lived experience. This has produced a narrow scope through which blackness is represented and understood, as well as a lingering effect in African-American self-perception that is both disempowering and limiting to self-expression. In 2003, James Spooner disrupted popular representation by examining the marginalized experience of African-Americans in the predominantly white punk scene, while also expanding the category for black cultural expression in his documentary Afro-Punk: The ‘Rock n Roll Nigger’ Experience. Today, Afro-Punk (AP) embodies an online cultural movement that represents what afropunk.com refers to as “the other black experience.” From the general AP website, to Instagram and Twitter accounts, to an active Facebook page with almost a hundred thousand likes, this small but growing community has moved beyond the confines of the punk music genre and become a cultural movement which celebrates “the creativity and freedom of spirit in alternative Black culture” by exhibiting music, art, film, fashion, and more (Afropunk, Facbeook.com). Guided by the punk pr...
In the article “Youth Sport: Positive and Negative Impact on Young Athletes” by Donna Merkel suggest that children have to be at least 6 years of age before participating in a sport. She also claims that parents and coaches have to work together to change youth sports to decrease the negative effects and instead be able to get a positive result in children who participate in a sport.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.