The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art. By definition art is an expression of human creative skills that are appreciated for their beauty or emotional power. Since The Heart of Darkness consists of somewhat dark themes, it has received mass criticism from people like Achebe …show more content…
The notion blank space suggests that Africa is uninhabited and, therefore, any country can assert power over it. Again, Conrad eliminates Africa from the rest of the world by calling it a blank space and denying the fact that it is a country with its rules and people. The Heart of Darkness talks about the exploitation of Africa by the Eldorado Exploring Expedition, it is a group of five white men and their purpose is to exploit Africa out of its resources, mostly ivory. In doing so, they also spread their culture, religion and laws onto the natives. The first law that the Europeans imposed was taxation since the natives didn’t have money they sold their bodies to work, and eventually the Europeans became slaveholders. They treated the native’s body as an object and inflicted several atrocities on them, including cutting off hands and feet. They justified their actions by stating that they are civilising the savage natives, but as we read the text we begin to question who are the real animals; the primitive natives or the educated Europeans who instigate nefarious activities on those …show more content…
Joseph Conrad states that “they, the women are out of it, should be out of it. We must help them to stay in that beautiful world of their own.” (pg.122) In The Heart of Darkness women are portrayed as naive, innocent creatures who cannot face reality or the truth, hence they remain delusional. A perfect example of this is the Intended, who is incapable of accepting the truth and is the only character who remains in her delusional world. Conrad describes the women in a stereotypical, old-fashioned manner and this is why he receives criticism from Nina Pelikan, who says, “Marlow presents a world distinctly spilled into male and female realms, the first harbouring the possibility of truth and the second dedicated to the maintenance of delusion.” In The Heart of Darkness, Conrad has exhibited a male dominant society where men have the upper hand and women are subservient to men. The Intended is a perfect example of this, she remained servile to Kurtz, who was the dominant figure in her life and controlled everything. Conrad shows the innocence of women in the beginning when Marlow’s aunt views him as an emissary of light who will educate the African native, but Marlow tells her that the company is run for profit, not missionary work and later tells his friends how women are out of touch with the truth. It is ironic how Conrad depicts women as a symbolism for innocence, yet it is the women who facilitate the men at
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
Joseph Conrad’s “Heart of Darkness” is the author’s most celebrated work. The book conveys the story of Marlow, who is a sailor on the ship. Marlow narrates the story describing particularly what he came across during his journey and experienced. When we look at the events that take place in the book, it is unquestionable that Women do not occupy a significant portion of the story; the story is predominately male dominated. However, does women’s lack of appearance make them minor characters? Or do women have a minor effect in the story? Having analyzed the book under the scope of “Feminist View”, we can answer these questions and say that women play considerable roles even though they occupy a small portion in the story. In my essay I will
Joseph Conrad's Heart of Darkness is more than a mere exploration of the harsh realities of European colonialism in Africa during the late nineteenth century. In fact, it is rich in symbolism as demonstrated by his negative portrayal of women. Conrad chooses his language well, for his prejudice towards women is easily recognizable. To him, women were nothing more than soft, delicate, and naive. However, Conrad's condemnation of women is no longer a valid interpretation of women in the 21st century; thus, we must overlook Conrad's invalid judgment of women and take a modernistic approach in scrutinizing the women's actual representation in Heart of Darkness. When looking at the role of women in Heart of Darkness through a twenty-first century perspective, it becomes apparent that these women represent parts of the European societies that were in the dark about the brutalities of colonialism. Conrad used Marlow to demonstrate his attitude towards the obliviousness of women, who paralleled the unawareness of the European society as a whole.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
In Joseph Conrad’s novel Heart of Darkness, he asserts man’s extensive capacity for evil. Through the method of European imperialism, Conrad contrasts the civilized outer European world to the dark uncharted African jungle. Charlie Marlow, the protagonist of the story, recounts his journey into the Congo to resupply the ivory stations and his quest for a man named Kurtz while explaining his adventures to four other men on ship called the Nellie, which happens to be heading towards London on a river called the Thames. Marlow decides to share his trek when he notices the London skyline and begins to think of “ ‘one of the dark places of the earth,’ ” thus referring to the African Congo (11). Mr. Kurtz serves as the mysterious character in the
middle of paper ... ... Conrad and Masculinity” are all very persuasive essays that suggest there is in fact a gender theme throughout Heart of Darkness. Smith, Watson, and Bergenholtz give both Marlow and Conrad a different voice that some readers may miss. Works Cited Belsey, Catherine. A. Critical Practice.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
In the opening of his novel, Heart of Darkness, Conrad, through Marlow, establishes his thoughts on colonialism. He says that conquerors only use brute force, "nothing to boast of" because it arises, by accident, from another's weakness. Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such an endeavor. However, Marlow challenges this viewpoint by painting a heinous picture of the horrors of colonialist ventures as we delve deeper into the recesses of the novel. Here we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle darkness." Further, he sees such conquests as taking land and materials away from those people who "have a different complexion or slightly flatter noses." As he understands it, colonization is only successful if there lays within it a "devotion to efficiency" and a creation of civilization, not exploitation (Conrad, 4). In the novel, as seen through the eyes of his narrator Marlow, Conrad offers a frank critique of European imperial colonialism be alluding to the poignant differences between black and white and dark and light.
Imagine what it must be like to live in a world of darkness. Marlow, the main character in Joseph Conrad’s Heart of Darkness experiences this first hand. As he travels through Africa, Marlow lives in a world of darkness as he witnesses the effects of imperialism, drastically altering his view of human kind. In the beginning, Marlow desires to travel to Africa because it is unclaimed land, only to discover imperialism now casts darkness upon the land. As the story progresses, Marlow witnesses the dark treatment of the natives as a result of imperialism. Upon Kurtz’s death, both Kurtz and Marlow realize the detrimental effects of imperialism, casting a dark shadow on humanity. At the end of the novella, Marlow lies to Kurtz’s fiancé because the
Heart of Darkness is a tale of one man’s frightening journey to the Congo named Marlow. He recalls his time as an agent for the Belgian Company. He speaks about the brutality, hatred, and evil of those trying to colonize and the native Africans that are fighting for their territory. During this journey he saves a fellow agent that goes mad due to him succumbing to mental and environmental issues and unfortunately tragically dies. Through the Narrator who tells the story and Point of View from which the story is told, we get a better understanding of the overall theme, which is the hypocrisy of imperialism, the madness it causes, the absurdity of evilness, and how anyone is capable of evil.
Women have gained equality with men over the many centuries of the evolution of the modern western civilization. Hence, it cannot be overlooked that there still exist many literary examples of social disregard for woman potential. Joseph Conrad's "Heart of Darkness" exemplifies the Western patriarchal gender roles in which women are given the inferior status. Not only are women portrayed as being inferior to men, but Marlow's (the protagonist's) seldom mentioning of them in his Congo adventure narrative symbolizes his view of their insignificance. There is a total of five women presented in Marlow's narrative but only three of them are significant minor characters: Marlow's aunt, Kurtz's African mistress, and Kurtz's "Intended." The following essay will examine how the presentation of each of these three women in Marlow's narrative contributes to connecting events in the story.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
Throughout Heart of Darkness by Joseph Conrad, a sense of imperialism is present. Imperialism is defined as “acquiring and holding colonies and dependencies”. Through the novel, many of the travels Marlow encounters contain imperialist ideas. The whole continent is used as a symbol for this theme. So therefore you can tell that imperialism is just as bad as the disease that many people get from the Congo, they become infected.
Colonialism and imperialism was at its peak during the late nineteenth century. During this time, the African continent was partitioned by different European nations. In Heart of Darkness, author Joseph Conrad, explores this nature of colonial imperialism in African country, Congo. European nations were going to these African countries to “civilize” the natives of that continent. The European nations viewed the people of Congo as “savages.” “We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet” (Conrad). This description from Conrad gives us the impression that the people of Congo were “prehistoric” and did not develop a sense of civilization. However, the Europeans were in Africa for the exploitation of resources. To the Europeans in Congo, “progress” meant the exploitation of the natives. Through the means of cruelty and treachery and violence, the Europeans took advantage of the innocent natives. Violence instilled fear in the natives and ...