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Music As Cultural Aspect
Music As Cultural Aspect
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I went and saw Mariachi Oro de Mi Tierra performed at the Herreras Salon and it was an amazing experience. The whole audience was just so cheerful, and everybody was having a great time. The Mariachi were dressed in black charro suits, and the instruments they had were violins, guitars, trumpets, vihuela, and guitarron. The whole atmosphere was just so lively, and everybody was dress in party attire. The music they played were dance, romantic, and sentimental songs, and the genres were either ranchera, cumbias or boleros. The songs that made people excited were La Bamba (1958), El Rey (1971), Gema (1959), El Mariachi Loco, La Bikina (1964), and Cielito Lindo (1882).
Mariachi music makes everybody want to dance, sing along, and whistle with
Tex-Mex is a fusion of Northern Mexico and Southern Texas culture that initiated some time after the Spanish-American war when Texas was originally a part of Mexico. Tex-Mex can be used to talk about food as well as music, a culture in its own community. Tejano music dates far back into the mid-part of the 19th century, starting with a “more pop-oriented urban form relying on keyboards and synthesizer in place of the accordion.” (Broughton, 2000) It is said that this genre of music initiated when German, Polish, and Czech immigrants introduced the accordion, and from then on, evolved into three subgenres of Tejano music. Something that stands out about Tejano music is its instrumentation and orchestration as seen in conjunto, Banda, and grupo, the three subgenres that emerged throughout the spread of time with the influences of many artists
Over time Tejano music became my favorite. I feel this music has so much feeling and love in it and at times it makes me emotional. "Corrazon", by Intenso, always reminds me of an old heart break and I no matter what everytime I hear it I have to sing along. Every time I want to feel sad and happy all at once, I turn the radio to a Tejano station. I feel my roots in the music that our culture has created; I don't believe Tejano music could be taken away from me now.
Salsa, tango, and bachata have very different historic backgrounds, but come from the same culture. Latin music is popular for various genres in Latin America, mainly in Cuba, and is unique for the type of rhythmic structure it builds. The music is so alive that is pulls at the feet and hips of dancers, driving them to the dance floor. When dancing to the music their hips sway in time, and their feet mark the beat. If people did not grow up with this type of music, its complex rhythms can be intimidating.
The Role of Music in Puerto Rican Popular Culture What is Puerto Rican music like? Where did it develop, and when did it develop? What makes it so good? These are very valid questions for anyone who does not know anything about Puerto Rican music or Latin music in general.
For example, they performed the Samba from Brazil, La Marinera from Peru, Salsa Caleña from Columbia, Bachata and Merengue from the Dominican Republic, and etc. Along with the dancers, there was also live musicians
Meta description: A multicultural and multicolored tradition in downtown L.A., La Fiesta de las Flores’ tropical pageantry is a celebration of the Mexican-American community.
For Report 9, I chose Ezequiel Peña’s interpretation of the song,”El Alazán y el Rosillo” because I enjoyed his singing style better compared to the other tracks. I enjoyed hearing the way he changed his vocals. As he was singing you could hear the different vowel formation, he would use a combination of back and front vowels. I also had the opportunity to visit a live concert of his on my birthday last year and he knows the way to begin a show. He has people dance on stage, while he is performing. I honestly enjoyed his singing style because he would change the instruments used from banda to mariachi. Attending his concert, is very interesting because he changes the rhythm of music to keep the audience attention. Aside from that I believe
In Guadalajara Mariachi music is vital to its culture, they have Mariachi at weddings, birthdays, baptisms, and even funerals.
The two concerts that I chose to go see were Stanislaus State Wind Ensemble and Jazz Ensembles & Combos Concert. These two concerts are both very similar yet different in their own ways. Each piece also has many attributes to contribute and it was fun being able to watch two very different genres.
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
The regional Mexican music comes from a whole variety of genres and performances styles. Whether for a big or small celebration, its significance is of love, passion, history, and legend, among other things. According to Billboard, Banda, nortena, and ranchera-rooted music is now the:
The plan in place for this research is to learn about the development of the genre of music and dance known as salsa. The support written will include how salsa affected a people and why it became identifiable with the Puerto Rican culture this will also include how this music and dance crossed social and racial barriers. In addition to personal interest, it is important to share the cultural aspects of the pride that Puerto Rican’s have about music and dance and how they identify with salsa. How this opened the communication with other races and may have even defined a newly found ethnicity (“ethnicity is determined based on the social and cultural groups you belong to”). “Ethics vs Morals.” Diffen.com. Diffen LLC, n.d. Web. 2 Feb 2016.
People do not take into account the impact that colonialism had on Mexico and Mexico’s culture of dance and music. The merging of Indigenous tradition and European culture left a strange mark in Mexico, where both those diverse cultures were combined into its own Mexican identity. There is no bigger example of this than the traditional Mexican dance, of the state of Michoacán el danze de los viejetos or in English the dance of the old men. What the dance used to represent pre and post the conquering by Spain is radically different, since Mexico itself changed through colonization. The dance of the old men is still being danced now but the original meaning and what it represents now has changed,
The video featuring Paco de Lucia- Entre dos Aguas (1976), is an instrumental piece, with the guitar as the main focus. Paco de Lucia plays the guitar with a great deal emotion and intensity. The ensemble plays a variety of instruments which represents a traditional style of band arrangements. The bongo player is instrumental in keeping the beat and rhythm through the song. The flamenco music echoes a jazz influence. While listening to this performance, I could sit back, relax and enjoy the music!
This is a critical acclaim encyclopedic production in which reflects on as well as celebrates the history of the roots of rhythm the popular sounds we call Latin music, to the tribal celebrations in African jungles and the wild carnivals which focuses on array artists such as Gloria Estefan, Tito Puente, Dizzy Gillespie, Desi Arnaz, Celia Cruz, Ruben Blades, Isaac Oviedo, King Sunny Ade also the rare archival footage features Dizzy Gillespie's 1948 number "Manteca," bandleader Xavier Cugat's "Gypsy Mambo," and a cartoon clip of Donald Duck doing "Tico Tech