Dovlatov's Letter To Igor Markovich

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The Zone depicts Dovlatov’s ability as an author to take an ironic narrative of camp life, and turn it into a thematic philosophical comparison between the prisoners and the guards. This thematic juxtaposition suggests that although many differences exist between the guards and prisoners, in the end, they are strikingly similar. In his March 19, 1982 letter to Igor Markovich, Dovlatov mentions that like the German philosopher Herbert Marcuse he realized that a “striking similarity” existed between the camp and outside, the prisoners and the guards, the “burglar recidivists and the controllers of the productions zones.” This idea comes from Dovlatov as having been a guard and witnessing the criminal acts perpetrated by both guards and prisoners. Dovlatov observes that both groups, speak the same “criminal” slang, sing the same “sentimental” songs, have the same “crew” cuts, and the same “weather beaten faces.” The important question is, why does Dovlatov create such philosophical comparison from a book that mainly depicts his growth as a writer? …show more content…

The guard, correspondingly, is a monster and villain, the incarnation of cruelty and violence.” Dovlatov also notes that there is a certain tradition of “police” literature (from Chesterton to Agatha Christie”), where “the inmate appears as the monster, the fiend, while the policeman is a hero, a moralist, a vivid artistic personality.” From his experiences, Dovlatov says, taught him that these contrasts of character were in fact completely wrong. Dovlatov writes that “we were very similar to each other and even interchangeable.” “Almost any prisoner would have been suited to the role of a guard. Almost any guard deserved a prison term. I repeat—this is the main aspect of prison life. Everything else is peripheral. All of my stories are written about

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