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Treatment of women in literature
Gender in literature
Gender in literature
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For centuries, women have turned and have entrusted in men for advice to fulfill their lives with romance. Some women, even though they had difficulty establishing a satisfactory bond with their spouse, still had a tendency to have a dependency on the male spouse for identity. For a woman to become a "wife" was a defining role in women's lives back then, especially within the eastern European cultures. Sadly, marriage is not always shown to be flowery and romantic as expected. Although Anton Chekov portrays his protagonist character Olga as kind hearted and attractive and favored, she often longs for “love” from the male gender, and serves as the embodiment of female disempowerment.
From Olga’s perspective as the story is told, “she cannot exist without being love” (Literature and its Writers, 109) and her life only takes on a meaning through a relationship to the men she attaches herself to. In this story “The Darling,” Olga explores and molds herself into many personalities and interests of the men in her life. For instance, After her father’s death, Olga is left with only material wealth, and again there is an absence of “love,” that Olga wants. So, Olga first marries a theater owner-Kukin. When married to him, she thinks and speaks only of the theater and “repeating Kukin’s words to the actors and theater” (Literature and its Writers, 110) also saying “theater is the most important thing in life.” Her parroting of her husband’s wo...
On the surface, the protagonists of Silko's "Yellow Woman" and Chopin's "Story of an Hour" seem to have little in common. Yet upon closer inspection, both stories relate tales of women who are repressed by the social tenets that define their roles as wives.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
Newland and Countess Olenska's love is in strong contrast with the emotional vacuity of their peers, and it is this very contrast upon which the pathos of their story hinges. The lovers relish the moments they manage to steal with one another, absconding to a remote log cabin or savoring a clandestine carriage ride. The film is permeated by this sort of foreplay, teasing the viewer from beginning to end with auspicious meetings between the two lovers. Each time, however, the promising moments are snuffed by the pressures of New York high-society. Conjugal constraints force Newland and Countess Olenska to repress their longings, and in the drudgery of everyday ...
Marriage, often thought of as a sacred union of the utmost importance, is portrayed in both A Hero of Our Time by Mikhail Lermontov, and The House of the Spirits by Isabel Allende, as a minor issue rather than a key part of the lives of the main characters. Marriage is unimportant to both main characters Pechorin and Clara. Lermontov uses Pechorin?s refusal of commitment, while being an object of desire and passion, to illustrate that men should keep their independence from women to protect their power. On the other hand, Allende uses Clara?s priorities of spirituality and children above her husband and marriage to suggest that women?s power does not depend on men.
Not only was the idea of love shared between two females carried out throughout the play, but between two males as well. There is an unceasing controversial topic of men dominating women in all social aspects, which I find significant to Jastrem’s view. Jastrem highlighted the lesbian romance in response to the patriarchal society because she felt that male relationships got too much attention. However, it is important to explain that the homosexuality was shared between both male and female in the play to prevent the analysis that lesbian romance is of higher importance than a homosexual relationship between two males.
This story mostly takes place in a vacation spot called Yalta. Throughout the whole story Yalta is explained as peaceful, romantic and with magical surroundings. The weather is warm and the scenery consists of white clouds over the mountaintops. The flowers smell of sweat fragrance and there is a gold streak from the moon on the sea. The two main character’s Gurov and Anna visit this vacation spot to get away from the lives that they are unhappy with. Both are unhappily married. The author explains Gurov as a women’s man, women are always attracted to him. However he thinks of women as the lower race. Knowing that women liked him, he always just played the game. He was always unfaithful to his wife. When he sees’s Anna walking around in Yalta with her dog he thought of it as just another fling. The character Anna is a good honest woman. When she is unfaithful to her husband for the first time she starts to cry to Gurov. She explains how she despises herself for being a low woman. This was the first time a person was not happy with Gurov. The soon realizes that she is unlike other women and describes her as strange and inappropriate. The story then takes a twist and Anna is to return home to her husband who is ill. This was their excuse that they need to part ways forever and stop this affair. Yet when Gurov returned home to Moscow he found himself lost without her. The
In “The Story of An Hour” by Chopin, she illustrates the role of woman in marriage and in the society during her time. It demonstrates the issue of male dominance. There are some similarities and differences in the role of women in marriage and in the community in the 1940’s compared to the way women are treated today. And these are seen in the rights of women and in the responsibilities of family and marriage. We read “A Story of an Hour” written by Kate Chopin.
Time had changed, the housekeeper was not the symbol of the woman anymore. Some women put down their responsibility for the family to look for so-called “passion,” which caused potential risk for family. In the article “What’s Hidden in Kate Chopin’s ‘the Storm,’” Bartee, professor at Strayer University, stated, “One can be free to make a choice if you want to be with a person and not have to be stuck in an unwanted relationship.” She explains that the selective right was not just for men but also for women; they were not affected by the feudal ideology. On the other hand, Readers were able to substitute into woman’s inner thought and sense through the effective tone and third person narration; it allowed us to understand the desire of modern women who pursued the excitement outside of their marriage. Even though it was a good phenomenon that woman had the freedom of choice, was everyone happy as the storm
Chekhov reminds the readers that Anna is young compared to Gurov. Chekhov’s novel states, “As he went to bed he reminded himself that only a short time ago she had been a schoolgirl, like his own daughter” (3). The images of Anna being a schoolgirl not too long ago, when Gurov has a daughter of similar age, brings the sense of abnormality between the relationship of Gurov and Anna. It’s hard to imagine such a huge difference in lovers especially in the strict culture of Russia in the late 19th century where these occasions were unthought-of. The uncomforting thought of the difference in age goes back to differ the meanings of love and romance in the novel because against all odds and differences, Anna and Gurov hide away from these obvious facts. The thought of love in this culture is between a man and woman of similar age. According to Chekhov’s novel, “He was sick of his children, sick of the bank, felt not the slightest desire to go anywhere or talk about anything” (9). Chekhov’s description of sickness reveals that Gurov has a huge moment of denial, denial of family and denial of age. This denial of age, helps Gurov cope with the oddities of their relationship, the oddities of the love they had with the characteristics of a romance. Gurov was trying to change the definition of their relationship on his own mental terms. While Gurov was trying to bring out a spontaneous, younger
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
Anna Karenina by Leo Tolstoy is a novel about love and marriage among the Russian aristocracy in the 1870s. Anna is young, beautiful woman married to a powerful government minister, Karenin. She falls in love with the elegant Count Vronsky and after becoming pregnant by him, leaves her husband Karenin and her son Seryozha to live with her lover. Despite the intervention of friends such as her brother Oblonsky, an adulterer himself, she is unable to obtain a divorce, and lives isolated from the society that once glorified her. As a man, Vronsky enjoys relative social freedom, which causes Anna to have increasingly intense fits of jealousy. Because of her constant suspicion, she thinks that Vronsky’s love for her is dwindling. Their story is ended by an exciting finale that moves the reader.
First, the characters understand that their relationship is based on future aspirations and second, they have historical relationship disappointments. This third insight into the psychology of love supports the fact that many relationships and marriages often fail because of unrealistic expectations. Psychology research SHOWS that individual expectations for relationships actually sows the seeds of discontent. People are expected to provide not only provide safety, security and support, but also facilitate personal growth and freedom. Even though they come from an older period in history, Anna and Dmitri are stereotypical people who have unhappy pasts and hopeful futures. They are thrown into an intense relationship with limited mutual understanding. Chekhov’s limited dialogue and straightforward narrative leaves plenty of cognitive room for readers to ruminate about their own experiences and how they relate to the
An article from the Library of Congress states, “Russian women did not enjoy the same position as men in society or within the family” (Curtis). In the 19th century, Russian men were dominant in the society over their female counterparts. In fact, it was not just social values that were held by the people. The patriarchy was codified into the law of Russia in the 19th and early 20th centuries. The Russian legal code gave the husbands, or male head of the household, almost unlimited power to make decisions within the family (“Russian”). The wives were expected to obey their husbands every wish and demand without a say so. While Madam’s husband is dead by the time we are introduced to the character, one can still see the patriarchy involved. Gayev, Madam’s brother, seems to be the one to make the final decision for the family in the play and he is the one to go with Lopakhin to the auction of the cherry orchard, even though he has proved himself time and time again to be completely incompetent at doing business. Madam surely knows this and does not react as it has been conditioned in her to obey a male’s every
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
The story “The Darling” by Anton Chekhov, illustrates a woman that is lonely, insecure, and lacking wholeness of oneself without a man in her life. This woman, Olenka, nicknamed “Darling” is compassionate, gentle and sentimental. Olenka is portrayed for being conventional, a woman who is reliant, diligent, and idea less. Although, this story portrays that this woman, known as the Darling needs some sort of male to be emotionally dependant upon, it is as if she is a black widow, she is able to win affection, but without respect. Only able to find happiness through the refection of the beliefs of her lovers, she never evolves within the story.