Comparing Time of the Temptress and Gone With the Wind
In the Harlequin romance Time of the Temptress, by Violet Winspear, the author seems to be trying to write an intelligent story of romance, bettered by its literary self-awareness. She fails on both counts. Winspear appears to recognize that more valued literature tends to involve symbolism and allusions to other works. It seems she is trying to use archetypes and allusions in her own novel, but her references to alternate literature and culture are embarrassingly obvious and awkward. Another inter-literary connection, though, is more difficult to notice unless the book is pondered -- something the typical romance reader is not likely to do. Although Winspear attempts to give her book literary value by tying it to Gone With the Wind, because of the limitations of her chosen genre, and her own apparent inabilities as a writer, she cannot grasp the depth that makes Gone With the Wind a highly regarded romance work.
The first clue to the correlation of the novels is given through the name of the Time of the Temptress character Wade O'Mara. The name does not flow very well. When the last name is considered, it seems familiar. Almost anyone can recognize O'Hara as the last name of Gone With the Wind's heroine, Scarlett. What many do not know, as this bit of her life was cut out of the movie version, is that Scarlett had a son named Wade. Scarlett's son Wade's last name was not O'Hara, but the name "Wade O'Mara" is obviously a play on the names of Margaret Mitchell's richly developed characters. That Wade O'Mara has a cousin and a son with the last name of Mitchell further indicates the connection to Gone With the Wind.
This is t...
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...ief novel. It is as though she tried to rewrite the story, with the same characters in a different situation, and with a happy ending.
Winspear would have been better off if she had been comfortable enough with her Harlequin romance novel writing to accept that the genre does not require literary value. Instead she tries to enhance her book by throwing in absurd associations with movies, archetypes, and Gone With the Wind, which make her writing seem cheap, and overly and awkwardly self-conscious.
Works Cited
Mitchell, Margaret. Gone With the Wind. New York: The Macmillan Company, 1936.
Winspear, Violet. Time of the Temptress. Toronto: Harlequin Books, 1978.
Woodruff, Juliette. "A Spate of Words, Full of Sound and Fury, Signifying Nothing: Or, How to Read a Harlequin." Journal of Popular Culture 19.2 (1985): 25-32.
In some novels, strong impressions are exploited to conceal other meanings. Unraveling these symbolic word puzzles may reveal insights into the author's perspective and one's own secrets. A careful analysis of selected passages of two books: Zora Neale Hurston's Their Eyes Were Watching God and Francis Scott Fitzgerald's The Great Gatsby, will show that symbolical language can reveal even more insight. In this comparison, symbolism in the passages containing variations of the words "blossom" or "blooming" will be examined to reveal human development beyond sexuality and anatomy.
The international sport of NAASCAR started from the illegal bootlegging of alcohol but it has grown to be one of the most beloved sports ever. It has many fans spread throughout the globe. It has had several rule changes and scandals that has lead it to become the great sport it is today. With the continuing advancing technology NASCAR will not only improve but will become the number one entertainment for the new world. Although NASCAR has had rough times It is rapidly becoming the most watched and entertaining sport televised ever.
Supernatural values and natural imagery are a major theme throughout Charlotte Bronte’s novel, Jane Eyre. This essay will examine the representation of natural and supernatural values that play an integral role in developing the story in Jane Eyre.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
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Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
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