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Prophecy throughout the old and new testament
Prophecy throughout the old and new testament
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The Book of Revelation and the movie WALL-E serve as distinct forms of apocalyptic literature to expose the reality of the human condition beneath the surface. Even though there are blatant disconnects between the two, they both share common ground as criticisms of society and to warn humanity of its coming judgement. The Book of Revelation and WALL-E offer a frightening yet rectifiable future for humanity by remaining loyal to its “core values”. One of their most evident similarities is how they both harshly critique dominant society in their respective periods of time. Additionally, they both address the urgency for humanity to correct these societal issues before judgement arises. Consequently, the Book of Revelation and WALL-E can be interpreted as learning lessons for humanity by the …show more content…
writers calling attention to societal flaws that must be corrected swiftly. In the Book of Revelation, John tells the story of God’s wrath on humanity for refusing to repent and how he eventually develops into one of the “monsters” of Revelation who poses as a threat to the well-being of humanity due to their rebelliousness. In particular, God is angered by the complacency of Christians in “Babylon” (Rome) for assimilating into dominant Roman society as a result of the persecution they suffered due to their faith. Consequently, they have no longer remained faithful to their core values as God commanded. God’s vengeance upon the people for transgressing his command is explicated when the last of the three angels who have come to proclaim God’s judgement upon Babylon addresses those who have chosen the beast over God by crying, “‘Those who worship the beast and its image, and receive a mark on their forehead or on their hands, they will also drink the wine of God’s wrath, poured unmixed into the cup of his anger, and they will be tormented with fire and sulfur in the presence of the holy angels and in the presence of the Lamb”’ (14.9-10). In this case, God’s fury and relentlessness are conveyed to the reader through his warning to humanity of the coming severe death and destruction due to their disobedience. Accordingly, the people have only aggravated God further by worshipping his enemy, “the beast” over himself by receiving the “mark” on their bodies. As a result, this passage can be interpreted as a strong critique of society’s “hardness of heart” as it pertains to God. This ultimately provokes him to unleash merciless destruction upon Babylon in order to cleanse the Earth of its wickedness. This act is also necessary to establish a “new heaven and earth”. On the other hand, WALL-E also holds a similar underlying theme in its critique of society today. The director of the movie is able to convey his concerns for the state of present-day society by addressing issues including: pollution, obesity, mass-consumerism, and technology. Yet, unlike the Book of Revelation, the humans are already living in a post-apocalyptic society and never face judgement from a higher-power figure such as God. Therefore, the director is suggesting God’s absence and inability to prevent humanity from polluting the Earth, and that we are held solely accountable for our actions. Hence, the humans are forced to evacuate into space as part of their judgement for remaining complacent in a society that glorifies materialism and mass-consumerism. Now, there are also striking disparities in how the humans are judged in both narratives as well. In particular, the most glaring disconnects between the two narratives concern the severity of humanity’s judgement and the distinction drawn between the people who are judged and condemned. In the Book of Revelation, the people are inflicted with severe punishment and destruction in comparison to WALL-E.
This definite contrast is exemplified when the seventh bowl of God’s wrath is poured by the seventh angel to indicate the ending of God’s judgement as John then proclaims, “And there came flashes of lightning, rumblings, peals of thunder, and a violent earthquake, such as had not occurred since people were upon the earth, so violent was that earthquake” (16.18). As a result, this reveals God’s rage with an entire collective of people for refusing to repent of committing wicked acts such as the “worshipping [of] demons and idols” (9.20). Whereas in WALL-E, the humans never encounter death and destruction unleashed by the wrath of God for refusing to address societal issues. Instead, they are all given the opportunity to flee from Earth with the help of the monopolistic company “Buy ‘n’ Large”, which builds a gigantic spaceship named the “Axiom” for the humans to populate space. Even more, all of humanity is given a second chance for survival even after receiving harsh judgement. Another disconnect between the two is how in the Book of Revelation it is proclaimed that only the 144,000 of Israel were given salvation from God’s wrath as a reward for remaining faithful to the
end. Consequently, according to one of the elders who addresses John when referring to their salvation, he indicates, “They will hunger no more, and thirst no more; the sun will not strike them, nor any scorching heat; for the Lamb at the center of the throne will be their shepherd, and he will guide them to springs of the water of life,” (7.16-17). Meanwhile, in WALL-E, every human is offered the opportunity to flee from Earth when it becomes uninhabitable, and no specific group of people is denied access to salvation since all the humans receive the same judgement collectively and not one person is hurt during the process. When the robots WALL-E and EVE notify the Axiom’s captain of the Earth’s re-inhabitability, all of humanity returns to Earth and none are further punished. Whereas in Revelation, the dead and living are judged according to their actions on whether or not they will be punished or praised in the kingdom. Therefore, WALL-E can be interpreted as a more optimistic future for the wicked given the mild judgement they face in comparison to Revelation, whereas Revelation gives hope to the righteous for their salvation when the day of judgement arises. Nonetheless, both narratives offer promise to those who strive to remain faithful to their “core values” by restricting the complacent effect society has coerced upon humanity.
In M.T Anderson’s, Feed, and the motion picture, Wall-E, multiple parallels show. Feed takes place in a dystopian Earth some 200 years from the present time. Everyone has a machine in the back of the head, called a feed, which allows the user to access the internet or text other friends directly from their head. The omnipotent corporations control what people wear, buy, or learn about. When Titus meets Violet, they engage in a romantic relationship. They struggle to be together as a couple, and eventually Violet’s malfunctioning feed takes over her body, causing her death. Wall-E depicts a trash compactor, named Wall-E, in future, too. Wall-E is stranded on a pollution filled Earth, where all the humans have gone to space many years ago. When Eve lands onto Earth, Wall-E falls immediately in love with her. Wall-E and Eve start connecting when Wall-E ends up showing her a plant, possibly the only one on Earth. Eve shuts down, and both of them end
...nd nature and the consequence of humankind overindulging in the superfluous luxuries that are beyond the necessities of food, shelter, clothing and fuel. Perhaps Wall-e is a message that the transcendentalist beliefs of Emerson and Thoreau should still be uplifted today, or maybe it was unintentional that the modern popularity of environmentally friendly movements encloses the fossil messages.
... studying these four texts based around Survival of Society in Post-apolitical Environments, I have found significant connections between these texts. These connections have been very beneficial to study as each illustrates a different aspect of this topic, which can all be related to society. These films show us as the audience that often scarifies have to be made for the better of another and the will to survive in humans can encourage morally wrong/unethical actions. We can learn from these connections as in every day life we can make the small sacrifices that will make a big difference. Also, they make us think twice about when we make decision in our society as morally wrong unethical Act are punished for accordingly. We can use this knowledge to better us as a society in our daily lives. This startling idea appeals to the audience of these films thrill of post-
Kurt Vonnegut's apocalyptic novel, Cat's Cradle, might well be called an intricate network of paradox and irony. It is with such irony and paradox that Vonnegut himself describes his work as "poisoning minds with humanity...to encourage them to make a better world" (The Vonnegut Statement 107). In Cat's Cradle, Vonnegut does not tie his co-mingled plots into easy to digest bites as the short chapter structure of his story implies. Rather, he implores his reader to resolve the paradoxes and ironies of Cat's Cradle by simply allowing them to exist. By drawing our attention to the paradoxical nature of life, Vonnegut releases the reader from the necessity of creating meaning into a realm of infinite possibility. It appears that Vonnegut sees the impulse toward making a better world as fundamental to the human spirit; that when the obstacle of meaning is removed the reader, he supposes, will naturally improve the world.
The likelihood that one will reach the last days of the Book of Revelations and face an eternity in a place beyond the earth is a question only God can answer. The mockumentary Religulous, starring Bill Maher, attempts to tackle theological questions that go beyond Maher’s understanding while also trying to strengthen his comedic ethos in the process. The thesis of this film directly reflects Maher’s atheist beliefs, that if civilization continues to accept religion without doubt it should also be ready to accept all the prophecies of that religion including the end of times. Maher suggests that, “mankind abandon religion before people destroy the world in its name.” In this film he attempts to place doubt in the minds of religious leaders, followers, and the average Joe by refuting the word of God. Bill Maher presents a weak-argument in the film due to his overly inflated ethos, lack of decorum, unconvincing use of logical fallacies, and bad inductive logic.
The film ‘I Am Legend’ and the novel ‘Z For Zachariah’ were chosen to be studied together for my connected text assignment. Originally I chose the film because I enjoyed it; I then matched it to a text based on similarities in theme. Both ‘I Am Legend’ and ‘Z For Zachariah’ are based on the same theme; that of man as the cause of the destruction of the human race. While the settings and characters are vastly different; as is the cause of destruction, both the main characters are faced with tough decisions that must be made in order to survive a major man made disaster. Both characters must deal with the enormity of the notion that they could be one of the last humans alive on earth.
Apocalypses tend to influence us one way or another, as in the case of Cormac McCarthy, he was able to weave a tale of survival and heroism in times of catastrophe. He was able to spin a world where The Road leads to disasters or even utter destruction. His way of delivering the story may be limited to a ...
“Utopian" describes a society that's conceived to be perfect. However, “Idiocracy” and “WALL-E” portray the exact opposite reality, a dystopian society that is as dehumanizing and as unpleasant as possible. This type of society is often characterized by environmental problems or other characteristics associated with a cataclysmic decline in the future society. In both movies, we see different interpretations of Earth’s future caused by numerous factors (corporatism, technology, consumerism), but mostly by environmental problems. The authors use both movies to refer to actually-existing societies, in an advanced state of collapse and disintegration. When it comes to passing a message to the audience about these concerning themes, “WALL-E” was definitely more successful since it is a computer animated film that is designed to children, so it’s created in a way to transmit the idea in a simple but memorable and significant way.
Alfonso Cuarón’s movie “The Children of Men” depicts a catastrophic future for humanity. Although it is portrayed to show events in the future approximately the year 2027 what is interesting is that the society in which the people live in is very similar to the world we live in today. The buildings, stores, cars (although weird-looking) do not look at all fancy as one might think the future to look. Cuarón’s look on the future is not a positive, hopeful one as his movie foreshadows sorrows, miseries and gloom waiting to be welcomed into our world. His movie though does indeed go parallel with the political and societal events of today.
Human nature is an interesting aspect of humanity and the way people live, behave and react. Human nature is something each individual possesses giving them unique traits as well as common ones. By comparing M.T. Anderson’s FEED and Disney’s “Wall-E” there will be a better understanding of human nature and what it prevails in terms of Destruction, Romance, and Trends. The future of humanity is said to lead to the world's end making humanity itself leaders of destruction. By comparing the novel and film a clear understanding will be made of just how destructive humans can be.
Cole believes that Margaret Atwood’s, Oryx and Crake focus’ more on language, feminism and religion and how Oryx and Crake parallels to the bible. Whereas Margaret Atwood focus’ more on the main ideas of science and creativity through her book, she shows on the impact that science and creativity have on our everyday lives and how people react to the coming of the apocalypse. Margaret Atwood shows through Oryx and Crake how something such as creativity and science which both seem so harmless can lead to the
George Orwell, author of “1984,” portrays a dystopian nation concentrated on despair to warn his readers of Communist governments. Michael Radford, director and screen writer, film adaptation of the fiction story successfully captures the cinematography Orwell portrayed to the reader throughout the three sections of his novel. The industry influence commercialized minuscule topics like sexual affairs to increase the number of viewers and lessens the true horrors illustrated by Orwell.
Both movies, Feed and Wall-E are similar to our world today and also the future. First, these stories have a way of showing us what our future may be like. Also, the problems our world has now and problems we may face in the future. And last, this book and movie show how our world is controlled and how things work. They are both critical in our current world problems because they worry about the same problems we do in real life and may have to worry about for our future world.
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.
Have you seen a movie trailer in the past week advertising a new thrilling apocalyptic movie? Of course, you have! In the modern culture, marketers have convinced us that true entertainment is imaging our demise. In Shakespeare’s The Tempest, Shakespeare uses the storm in the beginning of the play as a set up for the entire show, but why? Cataclysmic episodes are used in shows throughout history to portray how human’s desperations and aspirations don’t change as dramatically as we think when put in a survival setting.