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Dependence effect of fashion
Interior design history of design 1 flashcards
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Biography of Andree Putman
Andree Putman, one of the world best known contemporary designers was born in Paris, 1925. Every career that Ms. Putman has attempted she has excelled in. Therefore, many would say her style is eclectic ranging from interiors to perfume. Throughout all of her projects she has “worked with the idea of making beautiful things accessible to everyone”. Ms. Putman is a one of a kind designer who has reached beyond the borders of interior design itself.
Ms. Putman began her career as a musician where she was instructed by a well known French composer, Francis Poulenc. In the 1960’s Ms. Putman worked as a journalist, writing columns for L’Oeil (eye) and Les Cahiers de Elle. Finally in 1978 her career as an interior designer/architect had developed due to publicity from designing just a few residencies for friends.
Mafia, the first French style and marketing consulting company was also formed by Ms. Putman. Towards the end of the 60’s, Ms. Putman worked in the design & style department of the French stores Prisunic, working with Denise Fayolle and Mame Arnodine. Mafia persuaded famous young artists to help with designing a collection of home accessories and outstanding lithographs. This was one of the many ways that Ms. Putman achieved her idea of making beautiful things such as, contemporary art available to the general public at a minimal cost.
Didier Grumbach...
Whitman claims that “there was never any more inception than there is now…nor any more heaven or hell than there is now.” The remainder of the poem goes on to say that similar to the law of conservation of matter, the impending presence of any aspect of life is constant, driven only by humanities “procreant urge.” Yet rather than lazily labeling the variety of essential human traits such as youth, old age, sex and isolation; Whitman divides the world based upon his soul saying, “Clear and sweet is my soul, and clear and sweet is all that is not my soul.” While at first this may appear to be a weak dichotomy that is far too lenient of evil actions, Whitman continues to write of it that “lack one lack both.” This somewhat ambiguous statement becomes clarified when observed against the larger backdrop of the idea of the self which Whitman is attempting to paint. Essentially, without the awareness or experience of ideas or actions that are decidedly not a part of your soul, it is nearly impossible to construct a genuine personal and moral code. Just as without darkness there is no light, without a definition and example of what is wrong, identifying a correct moral path becomes infinitely
Throughout Act one, Nora’s most noticeable characteristic is her child like personality and her inability to understand the importance of honesty. As the play opens on Christmas Eve Nora comes home with an abundance of extravagant gifts for her family. She also eats some macaroons that she secretly bought that her husband doesn’t allow her to eat. When questioned about the purchase of the dessert by her husband Torvald Helmer, she denies it. Through this act of deception we are able to see that Nora, in denying buying and eating the macaroons is more like a child to her husband. In a normal husband-wife relationship, the wife would have admitted that she did in fact eat them due to the fact that they are on an equal playing field. In this case, Nora was scared to tell him in fear that she will be punished and get in trouble. The deception allows us into Nora’s mind to see that she hasn’t yet understood that if she stand up for herself and says that she did, that with time Torvald will stop treating her like one of his children but instead like the mother and wife that she is. Throughout the first scene yo...
Patou's designs may be synonymous with the clean, understated beauty of simplicity but, Patou was also successful at combining this aesthetic with one which was altogether more glamorous, flamboyant, dazzling, sparkling; perhaps another connection to the almost overwhelming, raw beauty and dazzling light of Southern Europe and the influence of his war years. Patou was able, therefore, by use of sparkling crystals, exquisite gold and silver embroidery and luxurious silks and satins, to take an outfit from casual through to glamorous- daywear to evening wear in one and, once more, an indication of how ahead of his time he was in his concepts and work ouput.
What really inspired D’Amour was the summer she spent at the O’Neill where she was able to watch playwrights work hard to make a play happen from then on she said she was, “Completely determined to try and do it” (D’Amour). From there she moved two New Orleans and began writing for two years straight where she directed and self produced a play, worked at a law firm for a year, and a library another year. Growing up in Catholic family and attending a Catholic school her first play she wrote was during the time she left the church and was about a dying priest. After New Orleans, she went to grad school at the University of Austin. Here she met a artistic partner, Katie Pearl, who do work together under the name PearlDamour, who are an Obie-Award winning collaborative team that are known for large scale performances that mix theater and installation. How to Build a Forest is an example of this where they create and then take down a forest over an 8-hour period. Her playwright career really took off in Minneapolis where The Playwrights’ Center hosts workshops for plays and allows playwrights to connect to other theaters all over the country. She then wen to New York where she worked on her first play at The Playwrights’ Center called 16 Spells to Charm the
At eight years old, Levee watched white men assault his mother. He saw father sell his land to one of these men, and then went after them to retaliate the assault against her. His father was then killed by these men. This was his first lesson of the weakness he felt at the hands of white men. As a man, he continues to be oppressed by whites around him. He is controlled by his boss, Ma Rainey. His future career in music is dictated by white men; even his fellow black men try to push him down. The harder he tries to gain control of his life, the more he leads himself and others to destruction. His misdirected anger at all his problems and all the injustices he has encountered heightens until he commits murder. His injustices that have silenced him have led him to silence another and refuse this person his own future
Jean Paul Gaultier’s style is constantly evolving. He continues to be excited about the changes in society and the arts. His curiosity and need to absorb information fuels his creativity. He constantly takes qualities ascribed to a particular gender and mixes them up. Even after all these years Gaultier still manages to shock people though his creativity and ability to ignore stereotypes. “He knows how to surprise people, how to reinvent himself, how to innovate.” Martin Margiela [Page 103] Gaultier has left a last impression in the minds of humanity. “I believe that his playing with the concepts of gender and sexuality will be regarded as one of the key aspects of his career,” Valerie Steele
Born in Brooklyn, New York into an orthodox Jewish family. She joined the American abstract artists group in 1939. After studying art in various New York schools. She worked with the Jackson Pollock in 1941 whom she married in the following year of 1945. Often influencing each other’s art, her style was often known for giving visual expression to the physical energy of painting.
Her play proved that women are not at the mercy of men and are capable of making decision or assumptions for themselves. The two leading women in the play emphasize the idea of women having power. Even though it is in tedious means of her play, it contributes greatly to the overall idea. The reader of the play or participating actors are introduced to dynamic gender roles that can be seen in everyday life. The play showed how women are capable of taking control of their own lives and how it affects the lives of others around
“I know what women want. They want to be beautiful” (www.vogue.com/voguepedia/Valentino) said Valentino Garavani who was one of the most influential fashion designs of the 20th and 21st century, “Known for his classic designs, he's been dressing the world’s rich and famous for almost the last five decades. Valentino has built his once small fashion house into a fashion empire.” (www.lifeinitaly.com/fashion/valentino-garavini.asp) His career in fashion started in the fifties but his passion for it began as a young child with the approval and encouragement of his parents. Valentino Clemente Ludovico Garavani was born in Italy in 1932 where he lived for 17 years until he left for Paris to study fashion at the famous school of L’ecole de la Chambre Syndicate de La Couture Parisenne. Valentino’s first career within the industry was with couture atelier Jean dresses where he sketched any chance he got which showed his elaborate aesthetic. He meets extraordinary people during his time there and also designed one of his first solo creations. After five years at Jean dresses he leaves. Valentino has a brief job with friend Guy Laroche, in his small fashion house before moving back to Rome in 1959 to continue his fashion career independently with the backing of his parents. Valentino established his status amongst the elite of the Dolce Vita. In 1960 he met Giancarlo Giammetti in a coffee shop and one of the most significant partnerships in fashion was formed. Giammetti would become his partner in both business and life.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
The third passage, excerpted from Walt Whitman's Song of Myself, demonstrates Whitman's willingness to represent those from usually neglected peoples, such as prostitutes, sickly persons, and slaves. He is their voice of portrayal. He is the one who will reveal the true nature of these people and the circumstances they've been forcefully thrown into. He isn't afraid to speak for them towards those who are ignorant and uncaring. He will be truthful but painfully candid, as well, as shown by how he'll "keep as delicate around the bowels as around the head and heart." He does not find indecencies more vulgar than death itself. On the contrary, he sees them as normal occurrences in life, further emphasizing how he won't back down from educating
Nora explains to Torvald that “[she] can no longer content [herself] with what most people say or with what is found in books. [She] must think over things for [herself] and get to understand them” (3.68). Nora goes through a midlife crisis but for the best, she wants to create her character and learn from her own mistakes. She can read books and listen to what those around her say but unless she goes out and creates her own perspective, she will not learn or grow as a human being. When she gets the opportunity to experience a life away from the one she has always led, she takes it. Nora knows that people will talk about her but by the end of the play, she cares about what she wants in life, not what other people will think of her decisions. Above all else, she finally takes the chance to be the heroine of her own
Walt Whitman proved his worth to society over time. He“rejected traditions of poetic scansion and elevated diction”, while using what we now call today free verse (Franklin et al. 1005). He strived to show the true potential of the individual by disregarding the normal rules of poetry, implementing his own vocabulary and writing about the true, natural beauty of objects in the world. Whitman transformed the poetry world by incorporating the idea of the “living, breathing, and sexual body” into his work (1005). Many critics believed
Everyone is born equal and originates from the same ancestor. As individuals grow, they develop their own beliefs and opinions. Through the Transcendentalist Era, writers and poets valued individuality and personal thought. Walt Whitman’s “Song of Myself” glorifies the importance of one’s individuality, and how change and acceptance within oneself creates a better life.
Walt Whitman’s poem, “Song of Myself” can be seen as one of his most significant and intimate poems he has written, especially in regards to the way he viewed democracy and how people can understand the political logic of his poem. Since Whitman was a serious follower of the Transcendentalist movement, he visualized democracy not just as a political system but as a way of understanding the world. During the beginning of the nineteenth century, people dealt with such uncertainty when it came down to whether the United States could work together as a country and whether democracy could endure as a political system. Whitman wanted to be both democratic in poetry and his life; envisioning democracy as a way of people to amalgamate their views into