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Zora hurston impact on others
Zora neale hurston influence
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Nghi Huynh ( Rough Draft )
Professor Tanika Cain
3/23/2016
ENGL 1301 How It Feels to Be Colored Me “How It Feels to Be Colored Me” is an autobiography essay which was written in 1927
by the first African Americans author named Zora Neale Hurston. She is one of the most
celebrated writers in the Harlem Renaissance when racism was dominating all over the
community. Hurston grew up in a small town full of black people called Eatonville in Florida.
Luckily, she was sheltered from the cruel world of racism
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However, she wrote in the essay that “ But I am not
tragically colored”, and she used metaphors to express her self-pride. Based on that, she implied
her wrting purpose that you cannot define who they are just by depend on their skin. Hurston wants to convey her message through the essay for anyone who like to read.
She is speaking not only to her own people but also to whites people. In addition, the metaphor
of the bags in different colors help her reveals the audience as anyone and everyone. If the
contents within is poured out and dumped in one big pile then how could someone tell what
belonged to whom. Those make people who they are but not distinctly different from
others. It is obvious that the audience agree with Hurston. Discrimination and slavery are very
bad and should not be allowed. Despite facing racism, she still not express any anger or hatred.
She wrote “I feel discriminated against, but it does not make me angry. It merely astonishes me.”
It shows that she displays a pride in her distinctiveness, a pride for her color and her people, and
she succesfully appeals those values to the audience along with asking them to consider
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About anecdotes, she uses short story to demonstate a point. For example, she
describe the moments when she greeted her neighbor “They like to hear me speak pieces and
sing and wanted to see me dance the parse-me-la…I belonged to them…everybody’s Zora.” She
uses her experiences to describe the world she was living in where was free from discrimination
and racism. Another example, Hurston describes her child hood :”I remember the day that I
became colored…I was not Zora of Orange County anymore, I was now a little colored girl” She
uses story of her childhood to show her love of her culture and her recognition of her color.
About metaphores, it help her convey emotional and psychological truth, and the
using of metaphors also helps the audience to see something the way she want them to see it. For
example :”No, I do not weep at the world---I am too busy sharpening my oyster knife” She
implies that the world is her oyster which is containing treasure waiting to be taken, and she is
too busy sharpening it to forget about the discrimination pain. Also she consider herself as a
“dark rock surged upon by a creamy sea” to desmonstate that despite she feels colored
She alludes to the idea that as people we must look deeper into our lives and see were we may have been given unearned privilege whether is be from race, gender, or sexuality.
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
How does one embrace the message and soul of artwork when you can’t get passed the color of skin in the portraits? Two barrier breaking retrospective artists born with more than 2,899 miles between them have beat down the walls in the art world opening up endless opportunities for female artist today. Carrie Mae Weems and Lorna Simpson specialize in catching the viewer’s eye and penetrating their feelings towards issues of culture, politics, equality, and feminism. It is well established that these woman specialize in identifying problems in their artwork, both artists seem to struggle with not being able to avoid the ignorant eye of stereotyping because they use African American Models in their artwork. Carrie Mae Weems doesn’t see her artwork
Zora Neale Hurston was, the daughter of a Baptist minister and an educated scholar who still believed in the genius contained within the common southern black vernacular(Hook http://splavc.spjc.cc.fl.us/hooks/Zora.html). She was a woman who found her place, though unstable, in a typical male profession. Hurston was born on January 7, 1891 in Eatonville, Florida, the first all-incorporated black town in America. She found a special thing in this town, where she said, "... [I] grew like a like a gourd and yelled bass like a gator," (Gale, 1). When Hurston was thirteen she was removed from school and sent to care for her brother's children. She became a member of a traveling theater at the age of sixteen, and then found herself working as a maid for a white woman. This woman saw a spark that was waiting for fuel, so she arranged for Hurston to attend high school in Baltimore. She also attended Morgan Academy, now called Morgan State University, from which she graduated in June of 1918. She then enrolled in the Howard Prep School followed by later enrollment in Howard University. In 1928 Hurston attended Barnard College where she studied anthropology under Franz Boas. After she graduated, Zora returned to Eatonville to begin work on anthropology. Four years after Hurston received her B.A. from Barnard she enrolled in Columbia University to begin graduate work (Discovering Authors, 2-4). Hurston's life seemed to be going well but she was soon to see the other side of reality.
Explained Styles & Tones Of Their Eyes Were Watching God “Ships at a distance have every man’s wish on board.” (pg.1, par.1) and so begins the powerful story of Janie Crawford, along with the author’s menagerie of different styles and tones. These tones and styles set the stage for Zora Neale Hurston’s major themes, all of which were strongly introduced and defended throughout the novel. Hurston’s themes vary from sexism, to dialogue, and to religion; which during her time were extremely prudent issues for the U.S. and even a few other countries. However, her approach to these issues, though strong, is quite different from that of similar novelists of the time period.
Despite the current scrutiny that her race faces she asserts to the reader that her race and color define her as a person and does not determine her identity. Despite the mindset that most of her peers keep about the inequality of race, she maintains an open mind and declares to the reader that she finds everyone equal. Thus proving herself as a person ahead of her own time.
The contrast between how She sees herself and how the rest of the world sees Her can create extreme emotional strain; add on the fact that She hails from the early 1900s and it becomes evident that, though her mental construct is not necessarily prepared to understand the full breach against Her, She is still capable of some iota of realization. The discrimination encountered by a female during this time period is great and unceasing.
Hurston, Zora Neale. “How It Feels to Be Colored Me.” Writer’s Presence: A Pool of Readings. 5th ed. Ed. Robert Atawan and Donald McQuade. Boston:Bedford/St. Martin’s, 2006. 166-170. Print
Hurston does not concern herself with the actions of whites. Instead, she concerns herself with the self-perceptions and actions of blacks. Whites become almost irrelevant, certainly negative, but in no way absolute influences on her
. This story embodies how the author saw her experiences that she had lived through.
She even talks about how they were being generous to her. For example, Hurston says, “During this period, white people differed from colored to me only in that they rode through town and never lived there. They liked to hear me “speak pieces" and sing and wanted to see me dance the parse-me-la, and gave me generously of their small silver for doing these things, which seemed strange to me for I wanted to do them so much that I needed bribing to stop, only they didn 't know it” (539). Hurston would soon find out that when she had to leave her small town to go to a boarding school because of family changes that the real world is full of racism and discrimination towards colored people. I think this is when she realizes that she is
Anne Moody’s Coming of Age in Mississippi is a narrated autobiography depicting what it was like to grow up in the South as a poor African American female. Her autobiography takes us through her life journey beginning with her at the age of four all the way through to her adult years and her involvement in the Civil Rights Movement. The book is divided into four periods: Childhood, High School, College and The Movement. Each of these periods represents the process by which she “came of age” with each stage and its experiences having an effect on her enlightenment. She illustrates how important the Civil Rights Movement was by detailing the economic, social, and racial injustices against African Americans she experienced.
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
In the art and the anthropology, the avatar chromaticity colors indicate the use of colors as a symbol in all cultures. Psychological chromatography refers to the effect of color on human behavior and emotions, as distinct from light indications. Moreover, avatar colorimetric and the color psychology are based on the cultural links with varying according to the era, place, and culture. In fact, one of the colors can have many symbols as well as different psychological effects in the same place. Broadly, the avatar colorimetric is a continuous field of ongoing studies relies on a wide range of anecdotal evidence heritage and also the scientific researches. Furthermore, no one has asked him/herself why he/she prefers a special color and the response is that according to the research, because the colorful dresses enhance your mood and lead to the atmosphere of fun, in contrast to the dark colors which indicate some of inwardness and sensitivity.