Allegory In Rip Van Winkle

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In his short story, “Rip Van Winkle,” Washington Irving highlights the value of the fantastic and points out the need for America to remember its past. The reason he does this is because Americans of Irving’s time were disillusioned with the fanciful and imaginary elements of literature, preferring the more “mature” writing style of their English counterparts, who focused their energy on hard facts and truth or, “ more substantial food” (Martin 138). Because of this, many Americans believed that fiction was essentially childish and primitive. Young, newly founded America wished to prove that it was, in fact, “grown up” (Martin 138). As a writer, Irving understood the value of fiction, and set out to change the minds of his peers. He would accomplish this by showing them what the literature of a young nation ought to look like: full of optimism and spunk. Washington Irving’s “Rip Van Winkle,” is the first truly and uniquely American tale.
One thing that makes “Rip Van Winkle” American is that it is an allegory representing America’s need to remember its history. The character of Rip is the epitome of the footloose and fancy-free attitude that Irving attributes to the early colonists of before the American Revolution. Furthermore, Rip is described as being “one of those happy mortals, of foolish well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can be got with least thought or trouble, and would rather starve on a penny than work for a pound” (Irving 634). Rip is beloved by most of his contemporaries because of his carefree approach to life, in the same way that the pre-revolutionary war colonies held no distain for imaginative and artful endeavors. The only thing that holds Rip back is his wife’...

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...dson and his crew, the reader is told that there was “a crow winging its solitary flight across the mountain” (Irving 636). And then, again, when Rip wakes up he sees “a flock of idle crows … who secure in their elevation, seemed to look down and scoff at the poor man’s perplexities” (Irving 638). This is interesting, because ravens and crows are very similar, so it is possible that Irving did this as a reference to the piece that inspired this one, even though the birds have different meanings in the grand scheme of their respective stories. In general, it is safe to say that “Irving, though perhaps dependant on European sources, adapted them to the American occasion in so deft a manner as not only to conceal his foreign roots but to point the way upward through the branches to much humor yet to come which we are pleased to define a ‘native American’” (Seelye 416).

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