'After Auschwitz' Analysis

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Anne Sexton’s poem, “After Auschwitz,” struck me as a piece of writing that was, at first, difficult to interpret. There is no evident rhyming scheme, or sentences that clearly express what the poem is about. However, Sexton does incorporate the use of metaphorical and repetitive language. One of the earliest lines reads, “Each day/ each Nazi/ took, at 8:00 AM, a baby/ and sautéed him for breakfast/ in his frying pan.” (Lines 4-8) One of the easiest things to note is the use of past tense verbiage such as “took” and “sautéed” which indicates the events in the poem occurred after the era of Jewish concentration and death camps as the title suggests. In regards to metaphors, something thing that seemed odd about this line was the reference to sautéing a baby in a frying pan. I interpreted this in relation to the thousands of Jews executed daily in the gas chambers established in the camps. By 1943, Auschwitz had eight gas chambers that, when in full operational use, disposed of over 4,000 corpses daily. One website that provided with the information on the gas chambers described them as ovens. Although not the same as a frying pan, in regards to “sautéing,” an oven is a device used to cook, though typically not when speaking about people. One question I asked, however, was, “Why a baby?” Much like an infant, the Jews were often helpless in defending themselves against the misfortunes that befell them. An infant is a young person dependent upon another to care for them in every aspect of its life. The Jews succumbed to this juvenile state because their lives became dependent on the Nazis. I interpreted Sexton’s use of possibly using a baby as a way to describe the Jews because while they were in the camps, each area of their li... ... middle of paper ... ...e of evidence that supports this was on a website that reads, “Much of Anne Sexton's poetry is autobiographical and concentrates on her deeply personal feelings….” Since this is the case, the poem overall appears to read as a prayer. The narrator seems to wish that because humankind, the Nazis, or the Jews are evil that they should ultimately perish because of wrongdoings. However, contrast appears again in the final line where the narrator begs the Lord not to hear all the things she said. Despite her thoughts, she experiences a sense of guilt, as if to say she does not want the actual events to occur. Works Cited "Anne Sexton." Poetry Foundation. Poetry Foundation, n.d. Web. 21 Apr. 2014. . "The Killing Evolution." PBS. PBS, n.d. Web. 17 Apr. 2014. .

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