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A Review of the Opening Sequence of Pretty Woman
Pretty Woman is a romantic comedy, which is based on the stories of
Cinderella, the Prince and the Pauper and My fair lady. The film was
produced in 1990 and directed by Garry Marshall. It is set in the
Hollywood hills and the rough Hollywood Boulevard. Richard Gere and
Julia Roberts play the two main characters, Vivien Ward and Edward
Lewis. Edward is a wealthy man who is respected and admired by others.
Whereas Vivien is a lot poorer. Her only way of earning money is by
her job as a prostitute in Hollywood Boulevard.
In the film the music is very important. At the beginning it is set at
a party. It is Edward's party so it is very posh and classy. All
throughout the party scenes there is piano music being played in the
background. This shows that Edward and his friends are very
sophisticated. The music changes though when Edward is in his car
driving through the Hollywood hills down into the Hollywood Boulevard.
It turns into a more upbeat song it's lyrics include 'I'll get over
you,' this is a signifier because it links in with the fact that he
has just broken up with his girlfriend.
When the shot moves to Vivien in her bedroom the music changes again,
it changes to a louder, heavier song called 'Wild women do' which
matches Vivien's character as a prostitute living in the rough part of
the Hollywood Boulevard where she lives life wildly. Just from this
you can see a contrast between Vivien and Edward straight away.
The costumes that the two main characters wear are very different. At
the party at the beginning of the film, Edward and all of his friends
are wearing very posh...
... middle of paper ...
...ien is first introduced when she is in bed and the first shot is of
her underwear, we don't see her face until the next shot of her. The
biggest signifier within the first few shots is of the pictures on her
wall of her and her boyfriends but her boyfriends faces have been cut
or scratched out.
I think that in conclusion Garry Marshall was very successful in how
he was able to hook the audience. He used good techniques like the
cross cutting shots and also how he introduced the two main characters
away from each other leading their own lives. He made a very good
contrast between Edward and Vivien by having Edward as the rich
businessman and Vivien as the prostitute living in the Hollywood
Boulevard. However he also made comparisons between the two characters
for example neither of them are very good in relationships.
Standing on a street corner waiting for a guy to pick you up for sex probably isn’t the idle way to start romantic relationship, well at least its not a way to start one that will last more than a week or a few days. But in the movie a wealthy businessman Edward picks up Pretty Woman Vivien. Over the course of the movie they develop an intense bond for each other. While watching this movie I came across the four major concepts that I felt played a major role in the film Perception, Kinesics, Initial Interaction and Self-Concept/Esteem.
with and have heard Symphony No. five by Beethoven. Whether it was a theme in movie
The opening credits immediately indicate to those expecting a Bollywood film, or a more orthodox Indian film, that this was something completely different. The music used incorporates traditional Indian instruments, such as tablas, Indian drums, but uses them in a Western way; the underlying bass is a traditional Indian beat but remixed on top are Western - influenced beats which increase both the pace and tempo of the piece. The melody, complementing the upbeat percussion, is also very cheerful; this contrasts greatly to a large majority of Bollywood films, which tend to begin with very slow, mournful tunes, tending not to include percussion at all... ... middle of paper ... ...
...vision and music. Therefore the movie begins on a simple level. The viewer is introduced to many of the central elements of the film in a purely visual way – Donnie, his family, and the American suburbs. The music makes this an isolated and surreal presentation; the viewer sees the family from the outside before seeing them from the inside. The song also has a feeling of apprehension and of magnitude which makes what is seen seem more significant and mysterious.
Lady Chudleighs’s “To the Ladies” exhibits a remorseful stance on the concept of joining holy matrimony. Chudleigh’s usage of metaphoric context and condescending tone discloses her negative attitude towards the roles of a wife once she is married. It is evident that Mary Chudleigh represents the speaker of the poem and her writing serves a purpose to warn single women not go get married and a regretful choice to women who are.
The music suited the movie very nicely. By the type of music playing, you could determine what sort of scene was coming up, either fast and light...
Generally, when the characters are at different places, the music can remind the audience of that place since the composer uses lots of traditional and local instruments at scenes that are associated with different cultures and countries. Those special instrumentations go along
The film’s music largely consists of famous pieces from the 19th century, from either romantic orchestral composers or from operas. Also, there is always a pianist playing in any scenes involving a restaurant, and this pianist sings popular songs of the early 20th century that happen to fit into the storyline lyrically almost too well. The score, then, has a two-fold purpose. The most obvious reason ...
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is
It seems like music in these films has been frozen for the past decade or so. Developments in film music have been “winding down” (fb link tonks). Tonks believes that too many cooks have spoiled the broth as there have been a vast amount of film composers in the last decade but very few have been actually influential. The classical Hollywood style is still the main model for film productions. Research in this area is duly required as it could potentially act as an impetus for composers to broaden their horizons in terms of composition. Linked with this is the issue Julie Brown brings up- many analyse the score for a film on its own (in a symphonic manner). However film music is not necessarily concert music. This ties in with the some points I have made thus far (regarding film music analysis and the lack of development in film music). A common language between music theory and film theory needs to be developed as we have reached a standstill. Debuek. Sometimes it is hard to even access the score for some films, which inevitably makes research harder. However important access is, one must also be able to properly interpret and analyse film music scores, for they are different than concert music. (A Research Guide to Film and Television Music in the United
The Hollywood movie Pretty Woman (1990) is about a prostitute in Hollywood, marrying an extremely rich businessman, in spite of her mutual distrust and prejudice. The movie contains the basic narrative of the Cinderella tale: through the love and help of a man of a higher social position, a girl of a lower social status moves up to join the man at his level.
the end of the scene a lot to change scenes. In the play music is used
Music in film is normally either used to color the emotion of a scene and fitting the setting (Dyer 250), or to inform the audience about a character. In La Strada Fellini and Rota use the different musical themes to tell the audience about the characters, and their development (Van Order 53). Through the diegetic and nondiegetic playing Il Matto, they show characters transition from ignorance about their self importance, to a state of cognizance, and then to their eventually understanding their levels of importance in the world.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The importance in music does not just end when the scene does in a film. It continues on throughout the ending credits. The first song that plays after the closing scene is the main theme song for the soundtrack which is “Eclipse-All Yours” by Metric it is a very happy, confident upbeat song. It also gives the audience assurance that they just seen a good and enjoyable film. This also gives the audience the chance to see the feeling the characters are to portray across the screen back to the audience. This also gives us emotions for the film and character when they use dialogue or which is being said on screen. Music and Original Score piece in a film will forever be a main part of completing a film and making it a masterpiece or a work of art.