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Theme of identity in literature pdf
What is the analysis of a pair of tickets
A pair of tickets analysis
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"A Pair of Tickets" by Amy Tan In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity. The protagonist of the story is Jing-mei. She is a flat character who turns out to be dynamic. Throughout her life, she has been very stubborn about accepting her identity. An example of this is when she explains, "I was 15 and had a vigorously denied that I had any Chinese whatsoever under my skin" (857). She shows her dynamic characteristic at the end of the story when she finally does accept her heritage. The main conflict of this story is Jing-mei's struggle between accepting her identity based on her heritage and not on a personal image. There is no real order in which this conflict is clarified, because the climax and resolution come about at the same time. The conflict is internal due to the fact that she cannot accept her true identity. The climax comes when she finally meets her twin sisters and says, "I get beyond the gate, we run toward each other, all three of us embracing, all hesitations and expectations forgotten" (870). It is then that the resolution comes into play and "After all these years, it can finally be let go" (870). It is at that point, when she can finally a... ... middle of paper ... ...Also an important quote is when she says, "But today I realize I've never really known what it means to be Chinese. I am thirty-six years old" (857). Even though she was in her 30's and still had that identity crisis, it was uplifting knowing that all it took for her to resolve that conflict was one meeting with her sisters. The story "A Pair of tickets" examines a woman who has grown up with American influence all her life and struggles to accept her true identity. Through the story you can see Jing-mei struggles with her identity for over 30 years, but it finally is resolved once she is able to meet her twin sisters that have been missing from her life for over 30 years. Works Cited Tan, Amy. “A Pair of Tickets.” The Longman Anthology of Short Fiction. Compact Edition. Ed. Dana Gioia and R.S. Gwynn. New York: Longman, 2001.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
This terrified Jing-Mei, making her believe that it would cause her to suddenly change, "I saw myself transforming like a werewolf." Jing-Mei Woo finally realizes that she has never really known what it means to be Chinese because she was born and has lived in America all her life. After her mother's death, Jing-Mei discovers that she has two twin sisters living in China who have been searching for their mother and that s... ... middle of paper ... ... to take it anymore.
This story is about a young Lady that lives in California with her mother and Father. She
Justina Chen Headley explores in her book Nothing but the Truth (and a few white lies) the search for her protagonist’s identity, Patty Ho, which is a part Taiwanese, part American girl. Headley displays the mother as a one-dimensional parent who is holding onto conservative and traditional Taiwanese values, and is imposing her cultural values onto her daughter as a justification for her strict parenting style.
... her own person and wanting only to be accepted for who she is and not who she could be. Even though the argument was never discussed it still haunted Jing-mei. That is why Jing-mei was surprised when her mother offered her the piano for her thirtieth birthday, she took it as a sign of forgiveness.
One striking similarity in the writings is that all characters lose their heritage over time. In “The Struggle to Be an All-American Girl”, Elizabeth was forced to attend Chinese school by her mother to retain her Chinese heritage and to speak proficient Chinese. However, she hated the Chinese School and strongly preferred speaking English over Chinese. She...
In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei was eagerly hoping to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei. The daily test began to aggravated Jing-mei because they made her feel less sma...
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
In Amy Tan's "A Pair of Tickets" (the last chapter of The Joy Luck Club), the understanding of the importance of names is the key to truly apprehend a sacred relationship between mother ("Suyuen") and daughters (June or "Jing-Mei", "Chwun Yu" and "Chwun Hwa").
She has many things going on through her mind. When she becomes a little bit more successful she decides that what she has been chasing hasn’t met her needs. She feels like she’s missing things. She wants to have a boyfriend, but yet she keeps changing her mind due to the fact that she thinks none of the guys are good enough for her. “25- year old accountant seeks a Guangdong man with a professional skill, an apartment, a loving heart, and a sense of responsibility” (p.213). She decides to open her own business with a partner, but at the end of the day. She isn’t so happy with all the process she has made; she just wants to see a better meaningful life then just work and money. “We haven’t made big money yet,” Chunming said. “But even if I make a lot of money, it wont satisfy me. Just to make money is not enough meaning in life” (p. 359). Chunming realizes how far she came, she is confused and finally decides that the entire struggle she made isn’t what she wanted, that she wants to go back to learning English. So that she lives a peaceful life. “I want to learn English so I can live a happier life” (p.
From the beginning when she went to go get her hair cut, Jing-Mei felt like maybe she could be this prodigy her mother wanted her to be but over time you see her internal conflict grows. She feels like this isn’t true anymore you see this when she says, “If you don’t hurry up and get me out of here, I’m disappearing for good.” (Tan) Through the process Jing-Mei realized the task presented to her where not what she wanted to do and that is when she started to revel and finally exploded. Which lead to her external conflict with her mother when we tells her that, “I wish I’d never been born! I wish I were dead! Like
The real challenge for Jing- Mei has been not to find these long-lost sisters, but to find her inner Chinese identity, and to use that as a bridge to her mother. In finding her sisters, Jing- Mei accomplishes both; and her success serves as a hopeful example for the other characters in the book, as they continue to struggle for closer mother-daughter bonds despite gaps in age, language, and culture. Jing- Mei’s acceptance of the similarities between her mother, herself and her sister parallels the reader’s acceptance and understanding of the cultural restraints on human rights.
The hardest problem communicating emerges between Suyuan and Jing-Mei. Suyuan is a very strong woman who lost everything she ever had in China: "her mother and father, her family home, her first husband, and two daughters, twin baby girls" (141). Yet she finds the strength to move on and still retains her traditional values. She remarries and has Jing-Mei and creates a new life for herself in America. She is the one who brings together three other women to form the Joy Luck Club. The rift is the greatest between Suyuan and June. Suyuan tries to force her daughter to be everything she could ever be. She sees the opportunities that America has to offer, and does not want to see her daughter throw those opportunities away. She wants the best for her daughter, and does not want Jing-Mei to ever let go of something she wants because it is too hard to achieve. "America is where all my mother's hopes lay. . .There were so many ways for ...
Jing-mei’s independence soon followed her skepticism and realization of the ordinary, which stemmed from her hatred of performing tests, and the raised hopes and disappointment that subsequently ensued (Tan 241). When her mother demanded that only an obedient daughter could live in their house, Jing-mei did everything in her power to follow her own mind (Tan 247). As a first act of independence, Jing-mei began to perform lazily and inadequately on her mother’s tests. With her growing defiance, she decided to test her mother’s limits by playing a game to see how long it took before her mother gradually gave up, which did not take long. As a further act of independence, Jing-mei purposefully played the wrong notes at piano practice because she “was so determined not to try, not to be anybody different” (Tan 244). Jing-mei’s independence appears to be a plea with her mother, wondering why she wants her to change. Again, her “pleading child” characteristics pop
I am becoming Chinese” (129). That segment is then followed up with a memory where Jing-Mei denying being any part Chinese and being closer related to her caucasian friends, at the time her mother informed her that one day she would understand and embrace the Chinese part of her, but that it would establish in her own time. Further into the passage, when she reaches the hotel at the first destination of her and her father, she express a bit of disappointment that the hotel isn’t meeting an ideation that she had and referee to as “communist China” and further disappointment when her father informs her that they would not be going out for an authentic Chinese meal. These factors support my main conflict as it seems Jing-Mei is searching for something or the moment when she can truly identify herself as Chinese. All the events within the story, Jing-Mei is searching for who she is through those she encounters and the events that take place. Its when her father is telling her the story of why her mother had left behind her half sisters where Jing-Mei finally starts to identify herself as Chinese and to connect with her heritage, as her father begins to tell her the story she interrupts: “No, tell me in Chinese, Really I can understand”