The Yellow Wallpaper By How Charlotte Perkins

The Yellow Wallpaper By How Charlotte Perkins

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There are stories that take the reader into a different world, a different perspective from their personal opinion or beliefs; such stories make us feel intrigued of the event described and eventually we become attach to the characters in a manner that wakes our thoughts and feelings to the tragedy we are about to experience. The Yellow Wallpaper had me highly interested by its narrator especially by how Charlotte Perkins, a social activist, was inspired to write it. She had a difficult childhood, experiencing pain and solitude but somehow found comfort in the art field. In despite of this she had long episodes of sadness, unhappiness, and melancholia reason why her husband at that time Charles Stetson, sent her to the care of a doctor. She claimed it was desolation, and kept her captive from her art activities. This real life experience was what inspired her to write The Yellow Wallpaper. In 1900, she remarried to her cousin George Gilman and wrote novels as well as nonfiction works where she inspired woman to be more economically independent; she also established a magazine that was for the used of women and their ideas on women’s issues, which was called The Forerunner (SparkNotes Editors). Unfortunately, Charlotte Gilman committed suicide in 1935 when she was diagnosed with an inoperable breast cancer.
Although she decided to end her life, new generations are able to admire her work and one of them is highlighted as The Yellow Wallpaper. This story involves three characters: The Narrator, John, and Jennie. The Narrator is known as her resembled character, a young woman who is married and is also a mother but suffers depression. She is soft spoken and sounds highly creative and expressive; she describes how she fee...


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... the patterns are the mental restrictions she is subject of, and the woman is herself trying to get out of the oppression. According to Freeing the woman behind the Wallpaper: The symbolic meaning of the Yellow Wallpaper in Charlotte Perkins Gilman’s The Yellow Wallpaper”, Smith argues that “The wallpaper, a simple, common object, stands for a profound critique of 19th century society as it represents entrapment oppression, and imprisonment of women in a male-dominated society” (Smith, 12). When the Narrator takes the wallpaper down she is destroying her restrictions and releases herself from the oppression as she states “I’ve got out last…I’ve pulled off most of the paper, so you can’t put me back!” (Gilman). She claims she is free, and she is no longer oppressed by societal rules, the narrator does realizes that the woman trapped is she, and all women is society.

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