Charlotte Perkins Gilman prepares her readers to experience many life troubles the narrator is going through by putting her story in first person. Nevertheless, most have no idea what women went through, back in the 1800’s. Women where restricted from so much in life to where they could not defend for themselves, there men always spoke for them. So women did not have a self of independence. In “The Yellow Wallpaper”, the narrator depended on her husband for everything, especially when she is sick he tells her never to say those words again but she discovers otherwise. The wallpaper that makes a massive point throughout the story, wraps around the narrator that thinks women are trapped behind the wallpaper, but in reality, she is freeing herself. The narrator dislikes the wallpaper and says, “The paint and paper look as if a boy’s school had used it. It is stripped off the paper in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw worse paper in my life. One of those sprawling, flamboyant patterns committing every artistic sin” (474). The narrator wishes to be away from this room it is not a place for her to get well.
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...lpaper and seeing things that normal people would not see. This wallpaper destroying her capability to do anything in her life. Even she experiences women locked behind the wallpaper trying to escape is nonreality it is just all in her imagination. Throughout the story, the wallpaper becomes more realistic and unbelievable. When the narrator says, “I wonder if they all came out of that wallpaper as I did” (243)? This shows how she does not see that it her own self that is trapped behind those bars, and that yellow wallpaper helping her self-rip the very flesh of the wallpaper to escape from her one chained and worn self. “It is the strangest yellow, that wallpaper! “It makes me think of all the yellow things I ever saw not beautiful ones like buttercups, but old, foul, bad yellow things”(171). This wallpaper none other than the narrator’s perspective of her own pain.
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