In one incident, the conflict escalates to more of a complication when, on a moon lite night in the room with the yellow wallpaper, the women tells her husband, John, how she is really doing. She sees its useless, from time to time, to tell John how she is thinking and feeling because he won’t listen to her true needs and will only give her a patent 1800s doctor’s answer instead; yet, she still tries. She discloses that she wants to leave the summer home because she is not gaining and has been putting up a front when he gets home in the afternoons. He uses excuses and brushes off her confessions by basically saying it is hogwash and she is really doing better because he is a physician and knows what’s best.
In addition to her issues with john, she believes a woman (or women) is stuck behind the bars of the yellow wallpaper. Others could interpret the women allegorically by seeing the woman as the same woman behind the wallpaper. She is trapped under her duties and culture roles as a woman in the late 1800s, which is sub...
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...he church. Soon after, those things I told them that might happen, and then stopped warning them because of my treatment, blew up and the church collapsed. I was very depressed, but, doing the same thing as Charlotte and pulling myself out of that situation, physically and mental, I regained who I was and started to learn to value who I am and my own opinion.
Charlotte hints at the parallels of the struggling women and the women behind the wallpaper; we can even see both of them as Charlotte’s mental struggle. The attempts the women tries so to be in vain till the end when it over boils. The women set herself free in the only way she knew how. Sometimes when people are in tight situation, or when their goals are being blocked, they react even when it doesn’t make sense. The women reacted to being closed up and oppressed and, to her family, it didn’t make sense.
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