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Discrimination against women
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According to the Webster’s Dictionary, feminism is defined as “… women should have political, economic, and social rights equal to those of men.” Charlotte Perkins Gilman shows that feminism was not acceptable before the mid-nineteen hundreds and sometimes is not accepted today. While the main character, who is unnamed throughout the story, is a prisoner of the yellow wallpaper and a prisoner of society itself, she fights to keep her sanity. In the end, one finds out that she has lost that battle but that is not what the story represents. This story clearly states how unequal women are to men and shows that through the “repellent, almost revolting; a smoldering unclean yellow [wallpaper]. “ The main character’s husband takes her away to the hereditary estate. He chose this spot because there is nobody around and “[the wife] was to have perfect rest and all the air [she] could get.” John thinks that this house will be the best for her because he is a highly sought out physician and knows how to diagnose her so-called disease by shoving her in a room. Most women had this disease if they were not acting like a stay-at-home mom that does all the house chores and cooks. Anything a woman would do that the husband or society, at the time, did not think was women-like then one was considered to have this depression disorder. What happened to this narrator was very common in the older society but not to this extent. The question is who truly is to blame for her becoming hysterical? Is it society, John, or just the wallpaper in general? Once they arrive in the house, the main character is basically locked away in the nursery for the rest of the story. This nursery had everything moved out of it besides the bars on the window and th... ... middle of paper ... ...spite of you and Jane. And I’ve pulled off most of the paper and you can’t put me back!” With the remaining pieces on the wall, it shows “there are still advances to be made in terms of true social and economic equality…” The ending of the book shows that women are getting closer to equal opportunities as men, but it is still a work in progress. Works Cited Ames, William. The Poet's Forum. 2009. http://www.poetsforum.com/papers/232_3.html (accessed January 31, 2014). Gilman, Charlotte. "The Yellow Wallpaper." In An Introduction to Literature, by Sylvan Barnet, William Burto and William E Cain, 419-430. New York: Person Longman, 2006. Guralnik, David B. Webster's New World Dictionary. Montevideo: William Collins, 1976. Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in "The Yellow Wallpaper"." Tulsa Studies in Women's Literature, 1984: 61-77.
Gilman, Charlotte. "The Yellow Wallpaper." Literature: An Introduction to Reading and Writing. Ed. Edgar Roberts and Robert Zweig. New York: Longman, 2011. 419-428.Print.
Gillman, Charlotte Perkins. "The Yellow Wallpaper." Responding to Literature: Stories, Poems Plays, and Essays. Fourth Edition. Ed. Judith A. Stanford. Boston: McGraw-Hill, 2003. 604-616.
Charlotte Perkins Gilman brings to light the inequalities of patriarchal society and marital inequality in the 19th century via her short story “The Yellow Wallpaper.” First published in 1892, “The Yellow Wallpaper” was written and takes place in a time when marriage was acceptably unequal and gender roles were clearly defined. Now it is regarded as a literary masterpiece in feminist ideology. The story was written as a series of journal entries from the perspective of the narrator, a young woman who has been diagnosed with a temporary nervous depression by her husband, John, who is a physician. The couple moves into a rented house for the summer and her husband orders her to strict bed rest. Isolated in a room that is covered in “hideous” yellow wallpaper and with bars on the windows, she becomes increasingly obsessed with the paper and slips further down the rabbit hole of psychosis (Gillman 13). On the surface, the story may seem that it is simply about a woman suffering from mental illness and a loving husband trying his best to take care of her. Digging deeper, it becomes clear that her husband is controlling every aspect of her life including her freedom, creativity, and sanity; disregarding her as a subordinate - far less than equal.
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” we are walked through the journal of a women who has been diagnosed, by her husband, with what he believes is merely, “temporary nervous depression” (Gilman 216). Since the protagonist’s husband, John, believes the only way she will get better is through moderate exercise, and lots of rest, they rent a house where she can have tranquility and rest until she is better (Gilman 216). At first glance “The Yellow Wallpaper” seems like a simple story of a women trying to get better in a house that she doesn’t particularly like. However, through further analysis it can be seen that through the use of symbolism Gilman’s “The Yellow Wallpaper” is a critique on the role of women in nineteenth-century American society.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature: An Introduction to Reading And Writing. 7th ed. Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River: Prentice Hall. 2004. 590-600.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
Gilman, Charlotte Perkins. “The Yellow Wallpaper”. The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 462-473. Print.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Shumaker, Conrad. "Too Terribly Good to Be Printed: Charlotte Gilman's 'The Yellow Wallpaper'." reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991. 194-198.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature for Composition: Reading and Writing Arguments about Essays, Fiction, Poetry, and Drama. Ed. Sylvan Barnet, William Burto, and William E. Cain. 8th ed. New York: Pearson Longman, 2007. 765-75. Print.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Gilman, Charlotte. "The Yellow Wall-Paper." Literature and the Writing Process. Eds. Elizabeth McMahan, Susan X Day, and Robert Funk. 4th ed. Upper Saddle River: Prentice, 1996. 105-115.
Gilman, Charlotte Perkins. "The Yellow Wallpaper" The Harbrace Anthology of Literature. Ed. Jon C. Scott, Raymond E. Jones, and Rick Bowers. Canada: Nelson Thomas Learning, 2002. 902-913.
The Disturbed female Perspective in The Yellow Wall-Paper The Yellow Wall-Paper can be said to be told from a female perspective, but I would say that it is told from a disturbed wife's eye since there is another female character in the story. The story's distortion from the pure, female perspective, into the disturbed woman's eye changes what the reader sees. The entire story is told from the mind of the disturbed wife, the narrator: A colonial mansion, a hereditary estate, I would say a haunted house,and reach the height of romantic felicity--but that would be asking too much of fate! Still I will proudly declare that there is something queer about it....John laughs at me, of course, but onee expects that in marriage.....John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures... This passage describes the distinct point of view of the narrator when she describes the house, with nothing except a feeling, a discomfort. Her husband laughs at her opinions on the house and her feelings towards the area. John does not approve of these feelings or beliefs, because he is not a superstitious person. He,in that era and being a medical doctor, does not believe anything unless it has been documented. As it is written in the previous passage, John is being explained to the reader from the wife's point of view.