In Clara Park’s book review titled, The Living of Charlotte Perkins, Mrs. Gilman’s early life was full of hardship. At a young age her father abandoned of the family, thereby forcing her mother to raise her alone. Sequentially, history repeats itself when the young Mrs. Gilman and her infant daughter leave her first husband. Later on, Mrs. Gilman would give up her child to live with her father, believing she would gain greater advantages. At the time, both divorce and giving up custody of a child were unimaginable acts for a woman to commit. Contrary to the popular beliefs, Mrs. Gilman did as she saw fit. Throughout the entire duration of her life the trend of defying the boundaries of social norms continue. Due to her boldness in the face of conformity, Charlotte Perkins Gilman stood above the rest in her field of women’s suffrage. (Park, 701)
According to Carl Degler’s article Charlotte Perkins Gilman on the Theory and Practice of Feminism “Gilman believed male empowerment began in prehistoric times when the males first monopolized all social activity and wome...
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...ngs and situation. Just after the narrator resolves that no one can figure out the wall paper but her she states “Life is very much more exciting now than it used to be” (441). This captures one of the most distinctive qualities of The Yellow Wallpaper: Mrs. Gilman’s imagination and creative writing. At this point in the story, the narrator has become completely consumed by the wallpaper, spending all day and night thinking about it. Life has become more interesting because she is no longer bored. The final quote from the story that struck me was near the end when the narrator says “I don’t like to look out of the window even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of the wall-paper as I did” (444)? The quote appears just after the naroator has finished ripping off the wallpaper and the two women become one.
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