The first three chapters of the novel mainly serves to romanticize the setting in which an atmosphere of imagination can be achieved amongst readers. It is important that such an effect be established, so that one can effortlessly picture the scenario in his or her mind, thus developing a greater appreciation for the novel. However, it is not simplicity that defines Wuthering Heights, but rather the incessant barrage of personal beliefs and prejudice scattered throughout the chapters. Evidently, expression is a ubiquitous language that the novel is written in, as nearly every page is arduously filled with emotion so palpable that it transports the reader to a state of actualization, where fiction ...
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...sified as a satire, for some of the complex arguments presented within regarding human atrocities are too resounding to absorb. Yet all of this is accomplished via a clever combination of indirect characterization and vivid imagery, as both serve to tell its part of the story in an unprecedented way. Through dialogue alone, Bronte achieves the fact that Lockwood is an impudent person, only capable of making matters worse when a solution is critical. The picturesque imagery used throughout the first chapters is no less important. Only through vivid descriptions can the mood, plot, setting, and tone be conveyed effectively bringing readers ever more closer to the characters. In Wuthering Heights, Bronte uses a style of writing focused intensely on detail and indirect descriptions, creating a unique and dynamic atmosphere where the possibilities are simply limitless.
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