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The influence of art on society
The influence of art on society
The influence of art on society
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Street art has a purpose in our society by giving artists a way to express themselves and should be recognized as a legitimate art form since it’s on display for the public to see. Street art is a form of graffiti viewed as a visual art that is placed on public buildings and walls without permission. Street art is frowned upon because it uses an unconventional canvas and medium. Although street art is not allowed by law, it’s growing in popularity for street artists to be commissioned for their talents by major companies. Some cities are starting to provide legal areas where street art is permitted. The view that the public has on street art is widely influenced by the purpose of the art. Many street artists, like Banksy, just want their pieces to be seen and usually have no hostile intentions towards the property owner. Many of the large pieces of artwork are planned and the artists use their own style to create them using creative components. These artists are even making it into the corporate world.
Street artists are making the transition to commissioned artists, and it’s becoming more common for major corporations to seek out street artists to work for them. For instance, Smirnoff, Coca-Cola, MTV, and even Microsoft hire street artists for advertising campaigns (Art Career Project website). The corporations that are hiring these artists know that this particular form of advertising attracts younger shoppers. Street artists like this because it gives them the opportunity to pursue a career in something they’re passionate about.
Advertising isn’t the only way street artists get paid for their artistic talents, city officials and building owners are also commissioning them. Their talents are being used to create larg...
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...lective in Brooklyn took a lot of planning and a long time to create. Murals adds a splash of color to otherwise boring spaces.
In conclusion, people have been painting on walls beginning with cave men and since it’s discovery, people have found beauty in it. In the 1970s, wall-writing received a bad name due to the fact that it was used to deface public areas. It would be shameful if people viewed the typical “Riley was here” on bathroom walls and gang-related scribbles as this era’s street art. Luckily, street art is evolving into more than just vandalism. Street artists are being paid for their work by cities and corporations and are starting to display their art in galleries. They even sell their art on small canvases to individuals who appreciate this form of art and want to have it in their homes. Street art is more than just painting on a wall, it’s art.
The difference in the approach between Margaret Kilgallen and Julian Schnabel can clearly be seen on the canvas. Ms. Kilgallen preferred to paint images that were flat yet striking; she favored street art over the main stream types of fine art. Street art is considered graffiti by a large number of people, since it is frequently placed without the property owner’s knowledge.
“This world is but a canvas to our imagination” (Thoreau). The world is quite literally a canvas for graffiti artists, and these two opinion editorials cover the desire for this medium of art to be appreciated and showcased. Eric Felisbret wrote “Legal Venues Celebrate Graffiti as an Art Form” which was published on July 16, 2014 in the New York Times. Felisbret’s article was about creating more legal venues to showcase graffiti. Kathy Grayson wrote “L.A. Graffiti Exhibition, ‘Art in the Streets,’ belongs in N.Y.C.,” which was published on June 26, 2011 in the New York Daily News. Grayson wrote her article to persuade readers that “Art in the Streets” belongs in New York. The articles were simultaneously the same and very different in their content. Even though the specific messages were diverse the purpose was to persuade the discourse community, who value law, education, and their community, into having graffiti displayed as art. These two
Three years later, enter Banksy, a world famous street artist from England. Banksy has become famous ironically through his use of anonymity as an artist. Banksy will choose a city somewhere in the world and embark usually on a month long anonymous crusade where he “tags” different buildings with culturally and politically motivated works of “street art”. When Banksy descended on New Orleans, he painted 14 works of street art in total, but the painting that stood out as the most glaringly political was the painting called “Looters”. (Banksy story)
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her work in everyday places she has encouraged social change.
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
Due to this definition, most people automatically combine graffiti with illegal activity. Therefore, it is considered an illicit or illegal activity simply it is done in a public space. Graffiti it is misunderstood and misrepresented by the media; they twist it into vandalism and call it a gateway into other crimes. How can art be a gateway into stealing and murdering? Society just wants to group us all together into categories kind of like good vs evil. The best art says something about the social and political conditions surrounding the area of the picture. Furthermore the graffiti artist picks special locations to provide an insight into the area. Now some graffiti is words on the side of trains that are to some awful and disrespectful to look at. Nevertheless, be it your street name or an image testifying what’s going on with the world, much like the inequality between men and women, it is still self-expression. A self-expression that the elders of our generation claim to want youth to have but then condemn the same youth if it states anything close to the truth. Graffiti is expensive to take off and cleanup, which is why it is an outlawed activity. Los Angeles County had to spend 28 million dollars on graffiti removal. You know what is expensive, war is expensive, medication is expensive, and cost of living is expensive.
Graffiti art is controversial; however, this form of art communicates a voice for social change, express a certain community’s desire, and is occasionally used as a method of protest. Street art is simply an act of inscribing or painting on walls for the purpose of communicating a message to the general public (Werwath). Graffiti initiated as a form expression and free speech from political activists, gang members, and young adolescents. In the American society, the presence of graffiti contributes to a sense of poverty, uncleanliness, and an extremely heightened fear of crime and gang activity. Conversely, the majority of people in the western hemisphere support street art because it allows individuals who are “not formally trained to [speak
There’s companies that will pay graffiti artist to paint on their walls. All art is a life coming through people’s opinions just like Banksy said “ I’ve learned from experience that painting isn’t finished when you put down your brush -- that’s when it starts. The public reaction is what supplies meaning and value. Art comes alive in the arguments you have about it.” When I read that you’re art starts when you put your paintbrush down it astonish me. I did not think that way when people saw my paintings but, it’s true that your art comes alive though people’s disputes.
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.
People around the world have different ways to express their feelings through. It could be done legally or illegaly. One way in which it could be done is through art like graffiti. Graffiti is a form of art where people express their feelings by spraying colors on street walls. It is actually a very interesting kind of art, as it is not easy to draw with sprays and to express yourself using some kind of symbols on walls that represent something deep inside you. Since the beginning of time, people have been debating on whether graffiti is legal or not. If you think about it for a second, you will find each and every reason for graffiti to be legal, but people till now tend to accuse it as a form of crime. Since when is art a crime? Since when is expressing your feelings in a peaceful way is a crime? Graffiti could not just be used on walls of other people’s property, it as well could be done on portraits and sold and actually in Brazil many people travel there to see the graffiti portraits in the galleries. Graffiti grabs people attention in a way and raises people’s awareness of something through drawing. Isn’t it just beautiful to draw something that grabs people attention and raises their awareness towards something and then credit you for doing so? Therefore, graffiti is passionate beautiful kind of art that I do not think it should be seen as a crime, instead as an astonishing form of art.
When most people think of graffiti they think of kids tagging their street names on anything they can see, but what if it is art? legitimate art, a painting on a wall on an alleyway that tells a story or even if it is their names. Who gets the credit for the amazing piece they produce? No one. It just sits there until someone else tags over it. When in galleries artists are being paid hundreds of thousands of dollars for a painting with a couple of paint splashes on it. Graffiti is on the streets, free for everyone to see, if everyone against graffiti realised that the streets is where these kids are born and raised and spent most of their time there and thats where you’ll find a lot of graffiti.
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),