When visiting an art museum, there could be many thoughts that can run through someone’s mind. One can contemplate the tale that the artist is trying to convey while others can discuss the impact the piece has in term of aesthetics. And people continues to walk around and observing different piece, a thought occurs and questions your logic and reasoning. Why are any of these pieces considered as art? This is not a questioning of the quality of the piece, the mere presence at the measure demonstrates that it is certainly fine art. The question is why is it general called art? Looking past the creative imagery and aesthetic themes, the piece is just ink on paper or shaped clay or any variation on a thing. So is piece of art just a mere thing? As written in the Origin of the Work of Art, Martin Heidegger would state that it’s not a simply put. Some of the subjects that Heidegger discusses range from the origin of the essential of art to the interpretation of things.
Early on in his essay, Heidegger spoke of the emergence of the work and the artist. He states that “the artist is the origin of the work [and] the work is the origin of the artist” when giving credit to the origin of art (344). While it is rather perplexing, even paradoxical, to think that the cause of one concept is also the result of the same idea, it is also quite an intriguing idea that is understandable. How can one call themselves an artist without experiencing the works while at the same time how could the work exist with the guidance of an artist to follow through to the end? And while an artist and the works can coexist, they are not bound together until the realization on what have tied these two concepts together: art. It is art that provides the necessary ...
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...ff the identity of the thing. When applied to my interpretation of a piece of art, it can be seen as the object being stripped of any important and interesting characteristics that the force of art has tried to convey. However, while those characteristics are stripped, they are not forgotten and thrown away. The characteristics that has remained nonetheless cannot have categorized with any fashion. An aspect that is irritating about this interpretation of a mere thing is the concept that removing all the characteristics would leave a thing behind. As the “of being made” can being related to both the works and the artists, the removal would key aspects would effectively cause the platform that art is using to vanish. Heidegger seems to be agreeably remains doubtful about this idea, even concluding that this interpretation of things leads to the attack on the things.
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